Juilian Nott’s music played no small part
in the success of the original three Wallace and Gromit short films.
The
plasticine figures in this new full length feature might be small but
the music
is not – the composers under the producer, Hans Zimmer, have written on
a big
colourful canvas for a large orchestra and choir.
The music is a rich frenetic kaleidoscope
of colliding styles, a sort of conglomerate British combination of
Danny Elfman
and Randy Newman and Randy Edelman. The opening track, for instance
combines
that familiar Wallace and Gromit ‘oompah, oompah’ theme with the sort
of heroic
material reminiscent of many British War films, the heroism given a
heavenly
twist by adoring choirs, and spooky stuff à la Elfman.
You can play spot the influences, for
instance I thought I could detect Bernard Herrmann’s Cape Fear
theme
quoted in ‘Arson Around’ and Jerry Goldsmith’s creepy Omen
music was
surely an influence and much western film music is alluded to in a lot
of the
frantic chase material. Some of the more brutal material brought
Shostakovich
to my mind but Eric Coates in both heroic and romantic mood is palpable
in many
tracks.
Ripping, racy, hilarious; never a dull
moment.
Ian Lace
4