Going head to head with that other sea-faring horror 
  outing reviewed this month, Below, John Frizzell can give himself a pat 
  on the back for coming out the victor, despite the fact that some of his thematic 
  work (the motif heard first on 'The Discovery' in particular) has an over familiar 
  ring to it.  Even so, there is a fair amount of atmosphere generated along with 
  a smattering of invention and at over twice as long as the Below soundtrack, 
  certainly offers a good deal more value for money. 
Undoubtedly the best musical device within the score 
  is the rather touching, melodic theme first introduced on 'I Saw a Little Girl' 
  and heard later in cues like 'Katie's Dolls' and at its most affecting on 'The 
  Souls Ascend'.  Elsewhere there is a good deal of predictable horror/suspense 
  work, delivering everything we have come to expect and rarely extending itself 
  beyond the confines of conformity. When it does so however, on tracks like 'No 
  Unexpected Guests' and 'Go to Hell', the interest level quickly rises, only 
  to fade away as the subsequent cue reverts to more mundane territory. But there 
  is still an overall sense of something a little more worthwhile than usual and 
  this genre really does deserve and should demand more of composers, as it has 
  such vast potential to produce something of true power and poignancy. Here, 
  John Frizzell takes a few halting, unsteady steps in the right direction. Let's 
  hope one day soon he will begin to run.
	  
	  
	  
        
Mark Hockley       
        
        
 3½
  3½