************************************************************** EDITOR’s CHOICE October 2003 **************************************************************
The Adventures of Robin Hood
Music by Erich Wolfgang Korngold
Reconstructions by John Morgan
The Moscow Symphony Orchestra conducted by William Stromberg
Running Time: 78:27
Crotchet Amazon UK
Korngold aptly described his film scores as 'operas without singing'. His The Adventures of Robin Hood score is one of his three accepted masterpieces in the genre – the others being: The Sea Hawk (1940) and Kings Row (1941); three classic scores from Hollywood's Golden Age. How many film composers of today could muster fifteen separate themes of this quality, I wonder?
Here at last, is the complete score from this brilliant, unsurpassed swashbuckler. The 78 minutes of this album is a considerable addition to the 43 minute LP recording of the music (produced by George Korngold) released by Varese Sarabande in 1983 with Varujan Kojian conducting the Utah Symphony Orchestra [This record also appeared as TER (That's Entertainment Records) 1066]. Preceding this release were two short suites recorded by the National Philharmonic Orchestra conducted by Charles Gerhardt in his pioneering Classic Film Score Series (again produced by George Korngold) and released in 1972 (four minutes in the LP version of The Sea Hawk compilation of Korngold film music) and in 1975 (twelve-plus minutes in a further Korngold compilation – Captain Blood on RCA Victor CD80912). These polished Gerhardt performances were full of high romance and bravado (especially the 'Tournament' and 'Love Scenes') and are still highly recommended as highlights of the Robin Hood score.
[The Adventures of Robin Hood (Warner Bros. 1938) starred, in the title role, Erroll Flynn, the supreme screen action hero – nobody could swash a buckle with as much panache as Flynn; surely, if anybody does, he deserves a posthumous Oscar despite the bad press he has received over the years. The film also starred Olivia de Havilland as Maid Marian, Basil Rathbone as the dastardly Sir Guy of Gisbourne and Claude Rains as Prince John. A special 2 DVD set of The Adventures of Robin Hood with many extra features is soon to be released in the USA, and in the UK early next year.
Once again John Morgan deserves warm congratulations on his painstaking and meticulous reconstruction work. No detail seems to have escaped his attention. For instance, he has restored those magical flutter-tonguing flute phrasings in the 'Love Scene' that had been missing on previous recordings of this music.
Brendan G. Carroll, President of the International Korngold Society, contributes very erudite notes including a detailed track-by-track analysis. Especially interesting is his account of the Korngolds' flight to Hollywood to score the film, leaving Austria in the nick of time as the Nazi occupation began – a hair-raising experience that would make an exciting screenplay in itself.
Korngold's elaborate score was written under extreme pressure and Carroll relates how Korngold despaired of ever delivering the music to time and even tried to opt out of his contract and had to be persuaded by Warner Bros.' Music Department head Leo B. Forbstein personally. The opulent orchestrations were very much the responsibility of Hugo Friedhofer working to Korngold's broad outlines; and teams of copyists worked around the clock to deliver parts in time for the recording sessions. Much of the heroic music was based on Korngold's early orchestral work, Sursum Korda (I recommend the Matthias Bamert recording with the BBC Philharmonic on CHANDOS CHAN 9317 that also has Korngold's Sinfonietta. This work includes strong use of Korngold's beloved motto theme of rising fourths - 'The Motif of the Chearful Heart' and the heraldic fanfares heard in Robin Hood's 'The Tournament' scene is based on this motto theme.)
There is so much in this score to admire: the thrilling 'Tournament', 'Procession' and 'Battle' music, the gorgeously romantic 'Love Scene', the astutely observed comic characterisations of Little John (Alan Hale) and Friar Tuck (Eugene Palette). Then there is the sinister music for the Norman oppression, the noble theme for King Richard the Lionheart, and the heroic trumpet theme for Robin himself and its tender complement for Maid Marian.
One of the very best of Marco Polo's Film Music series. A thrilling, romantic score beautifully restored and performed. Highly recommended.
Ian Lace
5
Gary Dalkin adds: -
In retrospect I have to say that it is astonishing, when so many lesser scores have been committed to disc complete, not least by the very team responsible for this superb album, that it has taken so long for us to finally have a spectacular new recording of the full The Adventures of Robin Hood. It has taken a very long time, but its here at last and is a feast of riches about which one could write pages in a full score analysis, and doubtless before long someone will. But that is not our purpose here, only to note that this is a simply unmissable release vital to any serious film music collection, the action adventure score which together with Max Steiner's King Kong and Gone With the Wind laid the foundations for all blockbuster scoring even to this day.
As an aside, its noticeable that this release, unlike many previous Marco Polo discs, does not feature a single image from the film itself, and thus would appear to have had no official co-operation from Warner. The cover itself is rather uninspiring. I wonder if this lack of stills or poster art from the movie has anything to do with the all but simultaneous release of the US DVD set, which gives us with an isolated score track the option to hear Korngold's original soundtrack recording complete without dialogue and sound effects for the first time. Rather as in the summer of 1991 (when Kevin Costner's Robin Hood: Prince of Thieves went head to head with Patrick Bergin's Robin Hood), you wait a very long time then two versions come along at once! For Marc Bridle's very enthusiastic review of The Adventures of Robin Hood DVD set click here. Even in a month with such remarkable issues as Night and the City with both Frankel and Waxman scores, and the 25th Anniversary album of the 1978 Invasion of the Body Snatchers, this is without doubt a very well deserved Editor's Choice.
Gary Dalkin
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