As Debbie Wiseman notes in her introduction to her latest album, the title 
  comes from the phrase often uttered by directors during spotting sessions when 
  they decide where they think they might want some music. Here on this newly 
  recorded anthology are a dozen "something here's", plus a 17 minute original 
  work, The Ugly Duckling, expanding upon themes from the new film My 
  Life As A Fairytale: Hans Christian Anderson. 
Music from this film actually comprises a five minute suite 
  as the second cue on Something Here. This is richly orchestrated, highly 
  melodic fairytale music, as eloquent and charming as anything Wiseman has previously 
  written. It calls to mind the scoring on the composer's 
  Stories of Oscar  Wilde, 
  and not only does the current album begin with Wiseman's opening music - a witty 
  Western pastiche - from the film Wilde - but it ends with the aforementioned 
  setting of The Ugly Duckling, very much continuing in the vein of The 
  Nightingale and the Rose and The Selfish Giant from her Stories 
  album. Of course this sort of thing must be traced back to Prokofiev's Peter 
  and the Wolf, but Wiseman makes the form all her own with some deliciously well 
  crafted writing sure to delight the young at heart. Nigel Havers makes an excellent 
  narrator, being just as accomplished as Stephen Fry and Vanessa Redgrave on 
  the previous disc. 
Much of the music here is very recent. The suite from Before 
  You Go (2002) begins as a perfectly honed pastiche of an up-tempo passage from 
  a Mozart piano concerto, then develops a more modern lyric theme for loss and 
  mourning. Most appropriately sequenced to follow is a grave and dark hued suite 
  from Tom and Viv (1994), while a suite from Judge John Deed (2001) combines 
  a march with a clarinet-led love theme. For those who are familiar with the 
  original version of the composer's theme from the superb BBC drama 
  Warriors, 
 the new version here may initially come as a shock. Gone is the keening 
  wordless vocal, gone is the stark percussion, in comes the much more lush sound 
  of the Royal Philharmonic strings, the melody taken alternately by solo violin 
  and woodwind. The result is a more gentle reinterpretation of one of Wiseman's 
  finest inspirations. It is still highly moving, if a little less distinctive, 
  and certainly less spine-tingling. 
My Uncle Silias (2002) offers a suite featuring a lovely waltz and more lovely 
  woodwind writing again in similar vein to the composer's recent fairytale pieces. 
  Simon: An English Legionnaire (2002) follows the true story of an Englishman 
  in the French Foreign Legion in Algeria in 1962, the music here reflecting more 
  of the aristocratic sensibility of Simon himself than the North African setting. 
  While the film music proper part of the disc ends with a more serious suite 
  from Wilde than the playful introductory music, there is also a finely crafted 
  seven minute suite from Haunted (1995), a selection from the most recent version 
  of Tom's Midnight Garden (1999), and a powerful condensation of the dramatic 
  score for last years' ITV updating of Othello. 
A well rounded and balanced anthology, the only problem is that it leaves one 
  wanting to hear more of the individual scores. Perhaps if enough people buy 
  this album there will be a volume two. Meanwhile this is a wonderful disc, recorded 
  with fine sound, from one of our finest composers. The RPO play as if born to 
  the music. 
	  
	  
	  
        
Gary S. Dalkin        
        
        
  