As I'm not particularly a fan of the music of Bryan Adams I have to say 
that his work here is a good deal better than I might have anticipated, allowing 
for the fact that it never really rises above the level of being merely agreeable. 
Hans Zimmer's music on the other hand is very much what we have come to expect 
from him, although it's several notches down from the best of his animated 
scores such as  The Lion King (1994) and  Prince of Egypt (1998). 
Pieces such as 'Run Free' and 'Homeland (Main Title)' have the required verve 
and dramatic power to evoke an emotional response and there is no questioning 
Zimmer's aptitude for creating strong, dynamic music, while acknowledging 
that as a composer he is still suffering from a case of  Gladiatoritis, 
his style and sound now so well established in our consciousness' that his 
music has become almost too familiar. But then this is something every composer 
of note has to live with to some extent. Still, whether you are a Bryan Adams 
fan or a Hans Zimmer aficionado, there is plenty to enjoy here and the music 
certainly has a real sense of life and vitality. In the end, hard not to like. 
	  
	  
	  
        
 Mark Hockley        
        
        
