This 1942 Leslie Howard production is a fictionalised account of
how R.J. Mitchell came to design the Spitfire, the plane that won the Battle
of Britain. It had the enthusiastic support of Winston Churchill as a morale
booster during the dark days of World War II. Sir William Walton wrote the
stirring music that he was later to lift and arrange slightly to become the
popular concert piece 'Spitfire Prelude and Fugue'.
One notices immediately how sparingly Walton's music is used in
the film. The Prelude is the opening Title Music not too well performed and
non too clearly recorded, despite the DVD's claims that the audio content
has been remastered). The fugue drives the montage showing the building of
the plane. A reflective, romantic variation (featuring solo violin) of the
Prelude underscores scenes between Mitchell and his wife (Rosamund John) and
the Prelude and Fugue join together in a victorious alliance as the completed
plane is wheeled out of the workshops. Scraps of other atmospheric music
are heard too.
Disappointingly there is no mention of Walton's contribution in
the feature material that accompanies the film. [He was exempted from military
service, despite having attempted to join up, to provide music for films deemed
to be 'of national importance'. During 1941 and 1942 he wrote music for:
Next of Kin (a documentary about bad security
– "careless talk costs lives"), Went
the day Well and The Foreman
Went to France as well as
The First of the Few ].
An Introduction is included by Mitchell's son, Dr Gordon Mitchell
(not RJ Mitchell as claimed on the DVD box) who comments that the character,
Crisp, played by David Niven, is a composite of all the test pilots who worked
on Mitchell's designs including the sea planes that won so many Schneider
Trophy races in the 1920s and early 1930s. He also corrects the facts about
Mitchell's death which in reality was of cancer that had been diagnosed many
years earlier, although there is no denying that the urgency of developing
the plane sapped his strength. There is also a commentary by Jeffrey Quill
one of Mitchell's test pilots who denigrates the notion that the spitfire's
design was influenced by the flight of seagulls as the opening romantic scenes
suggest.
At Odyssey's reasonable price this is an irresistible piece of
wartime nostalgia well-acted and, of course, there is Walton's stirring music.
Ian Lace
[Not rated]