Herrmann does 60s romance! But of course with this composer there is always
a shadowy undercurrent, one that darkly shimmers through every note of this
intriguing score.
Prominently featuring a trendy (for the time!) title song written by Sammy
Fain and Paul Francis Webster (with a vocal rendition by Richard Chamberlain
on the ‘Main Title’), unfortunately it’s not really very good. Herrmann’s original
music on the other hand is lyrical and lush, despite being borderline melodramatic
at times, but thankfully he manages to counterbalance this with his usual penchant
for dark subtlety. The composer also makes interesting use of the rather bland
title song, giving it various imaginative interpretations and references throughout
the score (‘The Waiting Room/Portico’, ‘The Shower’, ‘The New Look’ etc.), but
a lack of diversity is the soundtrack’s biggest demerit and there are few outstanding
moments. Even so, anything by the truly great Mr. Herrmann is a must have, although
this is in many ways a minor work in terms of his formidable career. Despite
this, it is still worthy of attention and displays yet again his singular emotionally
charged outlook, one that coupled with a certain darkness of the soul has created
some of the most enduring film music ever written.
Mark Hockley