It’s been a curious order of release from Varese, but now the full Omen
trilogy is available to marvel at Goldsmith’s achievement. This middle installment
has more to do with the original Oscar-winner than Final Conflict. Here
the "Ave Satani" chant is dressed up to be Damien’s own motif.
It works extremely well in the film, and holds the album together nicely. The
other major motif of the score belongs to the crow that acts as eyes and ears
to evil.
The most memorable sequence of the film is the ice hockey game,
and that transaltes to being the standout cue here. "Broken Ice"
features all the best elements of the score, specifically the new depths Goldsmith
discovered at which to discomfort you with choral effect. Other cues to make
you squirm will be "I Love You, Mark" with what seems like
a belching sound coaxed from the male choristers, sinister whispers in "Shafted"
and "Aunt Marion’s Visitor" with its burbling throaty noises.
This release is doubly important in the trilogy’s representation since you’re
treated to two versions of the score. "The Album" placed first
is a re-recording that was issued in 1976. "The Film Soundtrack"
is the actual session tracks and therefore features much more material.
Paul Tonks