John BARRY Born
Free Frederic
Talgorn conducting the Royal Scottish National
Orchestra VARÈSE SARABANDE
VSD-6084
Following Body Heat, Out of Africa and Somewhere
in Time, this is the fourth in Varese Sarabande's re-recordings of John
Barry film scores, and the 11th in the company's Film Classics
series. As with previous discs, there is a beautiful cover painting by Matthew
Joseph Peak. Born Free, for anyone who really doesn't know, was a
phenomenally successful 1966 Columbia release telling the romanticised but
factually based African adventure of Joy Adamson (Virginia McKenna), her
husband George (Bill Travers) and the lion cub Elsa. So popular was the film
that a sequel, Living Free, followed in 1972, and there was even a
spin-off TV series. John Barry's score was immensely popular as well, though
this may have had a lot to do with the success of the title song sung by
Matt Monro, who three years previously had performed Barry's first Bond song,
From Russia With Love (1963). Amazingly, the song had at one point
been removed from the film, and was only restored when a cover version by
Roger Williams became an American No.1 hit. There isn't a version of the
song on this new album, which given that the subtitle is 'original motion
picture score' is acceptable, but is nevertheless rather strange considering
how for many people the song is the score. There is also at least
one track which appeared on the original soundtrack album omitted here, the
five-minute warthog chase. On the other hand, there are several cues here
which were not on the original album, and some which were not in the film
either.
There is certainly enough music to be getting on with, for
at 53 minutes this is somewhat repetitive. Born Free came out a year
after Dr Zhivago, a film which famously dispensed with music of Maurice
Jarre's intricately woven score for endless restatements of the
catchy-but-ultimately-kitsch Lara's theme. In the wake of that success, it
rather sounds like someone suggested to John Barry to go heavy on the main
theme, which fine light-romantic melody that it is, does seem to show up
at least in part, and sometimes rather briefly or in disguise, in virtually
every track.
In retrospect this music clearly foreshadows the more sober
plains of Out of Africa (1986), and while Barry employs a more colourful
palette here than in many scores from the last two decades, the beginnings
of that love-it-or-hate-it lush string dominated sound are evident. 'Holiday
with Elsa' suggests the love theme of You Only Live Twice (1967),
and other moments, particularly, 'Fight of the Lioness' both echo
Thunderball (1965) and anticipate King Kong (1976). 'Elephant
Stampede' is a majestic pulsating set-piece, and Barry does manage to wring
considerably more interesting variations from that unforgettable main theme
than you might imagine, employing lots of tasteful percussion while always
remaining resolutely Western in his musical sensibilities. If it doesn't
seem backhanded, which it isn't meant to be, this is a nice score; charming,
attractive, playful and dreamy; rather like a lion cub, or even Africa itself,
as portrayed in the film. It was certainly appealing enough in 1966 to win
Barry an Oscar, a Golden Globe and an Ivor Novello award. A classic score
then, though one which given its repetition, works better in the film than
on disc, here very well served on CD. The modern sound is like silk, and
may be too smooth for some who prefer authentic technological inferiority.
The marimbas do sometimes get a little lost in the sheen, though the brass
stands out magnificently. The performances are polished to the same level
of airbrushed perfection.
Reviewer
Gary S. Dalkin