Kaleidoscope consists of 12 pictures from childhood: they are imaginative
and light-textured. Antony Gray (who also wrote the notes for this rather
glorious issue) gives a performance which seems to reflect considerable thought
in recreating these twelve little worlds. No routine approach here. The music
is impressionistic - shades of Scarbo and Le Gibet and
Petrushka but with a dash of Warlock and Moeran. The Four Conceits
are from a similar sketchbook. Goossens was obsessed with trains and
boats and planes. The three sketches Ships reflect this as well as
a broader more romantic line than the first two collecitons. The Debussy
Homage (1937) has a wandering soft focus. The delicious folk tune is
richly spun; contrasting with the spiky Scherzo. Bonzo and
Pikki (family diary pages) are lovingly rendered, for me recalling
Elgar's Mina. The flighty Capriccio recalls Bax's O Dame
Get Up and Bake Your Cakes. The 1914 Concert Study is a thorny
and slightly heartless fantasy of Graingerian brusqueness. The Nature
Poems (1919) are dedicated to Goossens' friend Moiseiwitsch. These are
easily the most impressive sequence on the disc: recalling Frank Bridge's
piano sonata and Gargoyles, floating veils of sound, a concentrated
central Pastoral and a finale (Bacchanal) which communicates
as a joyous exploration of a fine and highly emotional theme of Baxian
shapeliness. Recommendable and recommended.
Reviewer
Rob Barnett
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