Classical Editor: Rob Barnett


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EUGENE GOOSSENS Piano Music: Kaleidoscope; Four Conceits; Ships (3 preludes); Two Studies; Two Pieces; Capriccio; Concert Study; Nature Poems.   Antony Gray (piano) . ABC Classics 462 015-2 [66:57]

 



Kaleidoscope consists of 12 pictures from childhood: they are imaginative and light-textured. Antony Gray (who also wrote the notes for this rather glorious issue) gives a performance which seems to reflect considerable thought in recreating these twelve little worlds. No routine approach here. The music is impressionistic - shades of Scarbo and Le Gibet and Petrushka but with a dash of Warlock and Moeran. The Four Conceits are from a similar sketchbook. Goossens was obsessed with trains and boats and planes. The three sketches Ships reflect this as well as a broader more romantic line than the first two collecitons. The Debussy Homage (1937) has a wandering soft focus. The delicious folk tune is richly spun; contrasting with the spiky Scherzo. Bonzo and Pikki (family diary pages) are lovingly rendered, for me recalling Elgar's Mina. The flighty Capriccio recalls Bax's O Dame Get Up and Bake Your Cakes. The 1914 Concert Study is a thorny and slightly heartless fantasy of Graingerian brusqueness. The Nature Poems (1919) are dedicated to Goossens' friend Moiseiwitsch. These are easily the most impressive sequence on the disc: recalling Frank Bridge's piano sonata and Gargoyles, floating veils of sound, a concentrated central Pastoral and a finale (Bacchanal) which communicates as a joyous exploration of a fine and highly emotional theme of Baxian shapeliness. Recommendable and recommended.

Reviewer

Rob Barnett

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Reviewer

Rob Barnett



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