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FOUR SQUARE A selection of 18th and 19th century piano music played on square pianos by Joanna Leach.

SOLER Sonata no 90 in F sharp minor HAYDN Sonata in C, Hob.XVI:1, BACH Partita No 1 in B flat (four movements only) MOZART Fantasie in D minor K397 SCHUBERT Impromptu in A flat D899 no 4; MENDELSSOHN Song without words Op 19 no 1; MOZART Sonata in A, K331. ATHENE ATH CD3 [DDD] [61' 422].

 


Crotchet




Antonio Soler was a Spanish monk, a keen theologian and a disciple of Domenico Scarlatti but the younger man's harpsichord sonatas are far more interesting. The F sharp minor sonata included here is very attractive with its reoccurring five note striding bass and exquisite melodic lines. It is played with great affection. It is a lovely piece.

The Haydn Sonata no 1 in C has always been a favourite among pianists and pupils. A short three- movement work; it is not a masterpiece by any means, but it is given a good reading here and Ms Leach's ornamentation is very helpful to students and fellow pianists alike.

I assume time did not permit recording the complete Partita no 1 in B flat by J S Bach although we would have easily excluded eight minutes of the sickly and repetitive Schubert Impromptu in A flat. Jo's performances are good and honest and, while I do not want to typecast her, her playing is a wonderful model for students as I have already indicated.

Mendelssohn is one of the greatest composers of all time but for reasons I have never understood he is not recognised as such. As Jo Leach displays on this disc, there is a freshness and sincerity about his music.

Half of the disc is devoted to Mozart, The D minor Fantasie K397 is the antithesis of the C minor Fantasia K475 which latter work is depressing in content. The earlier Fantasie is light and airy and has a coherent structure. The final work, the famous Sonata in A K331 with its concluding Turkish rondo is played well but we have so many recordings of this popular piece that one wonders if another is required although the Stodart piano of c1823 is a fine instrument. The Peter Katin version on Olympia OCD230 is hardly going to be bettered and his tone is ravishing and his finger work is an absolute delight.

But Jo Leach's recording is probably how Mozart would have heard it on the pianos of his day. It is, therefore, of great interest.

Reviewer

David Wright

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David Wright

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