One of the most grown-up review sites around

55,946 reviews
and more.. and still writing ...

Search MusicWeb Here


International mailing

Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider


paid for


100th birthday of Mieczyslaw Weinberg on December 8, 2019.
Renate Eggbrecht has recorded all 3 violin Sonatas

FOGHORN Classics

Mozart Brahms
Clarinet Quintets

Falckenhagen Flute Concertos

Eugène Ysaÿe: Violin Discoveries


new releases


Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger


Discs for review may be sent to:
Jonathan Woolf
76 Lushes Road
Essex IG10 3QB
United Kingdom
Ph. 020 8418 0616


Support us financially by purchasing this from

Alberto GINASTERA (1916-1983)
Harp Concerto, Op. 25 (1956/1965, rev. 1968) [23:59]
Variaciones concertantes, Op. 23 (1953) [24:51]
Sidsel Walstad (harp)
Norwegian Radio Orchestra/Miguel Harth-Bedoya
rec. 2017/18, Radio Concert Hall, Oslo

I haven’t paid much attention to Ginastera until now, but catching a sample of the Harp Concerto when running through the CD listings impressed me enough to want to hear the whole work. This is one of those striking pieces that has just about everything you want from a concerto. The solo part is technically demanding, the booklet notes reminding us that it “calls for a level of pedal technique not attempted until then”, and with nail and plenty of other effects it is hardly surprising that harpist Sidsel Walstad describes playing it as like “climbing a mountain.”

The first movement in particular has a special energy with plenty of rhythmic drive, the orchestration vital but transparent, allowing the soloist to shine but also creating a highly dramatic, almost cinematic atmosphere. The central Molto moderato builds from darker moods, the atmosphere taking on magical qualities with extended passages for the soloist. Ginastera doesn’t go in for lyrical charm here, and that cinematic quality is extended here into a chamber of grim, sometimes emotionally charged secrets. After a remarkably wide-ranging Liberamente capriccioso harp cadenza the finale returns us to the driving energy of the first movement, a chase full of peril and excitement with an ending designed to get you out of your chair in a standing ovation.

Variaciones concertantes is an earlier work, Ginastera’s own description including the words, “These variations have a subjective Argentinian quality. Instead of using traditional folk material, I try to achieve an Argentinian mood by using my own thematic and rhythmic elements.” The result is a kind of concerto for orchestra, with each section of the orchestra under the spotlight with solos or duos for each variation. This is another impressive and attractive work, arguably a bit more approachable than the Harp Concerto but with an equally wide-ranging amount of variety and contrast and having a more easily assimilated lyricism. The Norwegian Radio Orchestra proves itself entirely capable of creating Ginastera’s desired Argentinian moods, skilfully led by Peruvian conductor Miguel Harth-Bedoya, whose “heart pounds for South American music and culture”.

There are a few recordings of these works around. I didn’t manage to hear Marie-Pierre Langlamet on the Assai label (review), that also has the Concerto for Strings to make for added value. The Chandos label recorded the Harp Concerto alongside that of Reinhold Gliere in another impressive performance by Rachel Masters and the City of London Sinfonia conducted by Richard Hickox (review). The recording here is in a more resonant acoustic which creates additional atmosphere, but the Norwegian Radio Orchestra is sharper rhythmically in the outer movements. It may in the end be the couplings that tips the balance, and short playing time is less in this Lawo release’s favour than some. The recording and performances are, however, pretty impeccable.

Dominy Clements

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Click to see New Releases
Get 10% off using code musicweb10


Obtain 10% discount

Recordings of the Month


Symphonic Works

Frederico Mompou

Extraordinary Music for Organ


Gunnar Kristinsson Moonbow

Mozart and Contemporaries


La clarinette Parisienne