One of the most grown-up review sites around

2019
51,000 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider

TROUBADISC

Reger Violin Sonatas
Renate Eggebrecht violin

Brahms Symphony 3
Dvorak Symphony 8
Vivaldi
9 cello sonatas
Dussek
Piano Music

Clara Schumann
piano concerto

Asmik Grigorian

Breathtaking Performance
controversial staging
Review Westbrook
Review Hedley
Every lover of Salome should see this recording
Mullenger interpretation

Vraiment magnifique!


Quite splendid


Winning performances


Mahler Symphony 8
a magnificent disc


a huge talent


A wonderful disc


Weinberg Symphonies 2 & 21
A handsome tribute!


Roth’s finest Mahler yet


Mahler 9 Blomstedt
Distinguished performance

 


Support us financially by purchasing this from

Bruno BETTINELLI (1913-2004)
Piano Music
Preludio (1956) [3:24]
Suite agreste (1946) [4:56]
Fantasia per pianoforte (1955) [14:55]
Piccoli Pezzi per pianoforte (1941) [15:48]
Sintesi (1974) [15:29]
Chiara Cipelli (piano)
rec. 2018, Auditorium G Masini, ISSM Peri, Reggio Emilia, Italy
BRILLIANT CLASSICS 95801 [57:11]

Bettinelli studied composition, conducting, piano, choral music and vocal polyphony at the Verdi Conservatory in Milan, where he later taught. His Composition classes there included Abbado, Muti, Pollini, Chailly, Bruno Canino and Uto Ughi. His virtues as a teacher have clouded his compositions. There are seven symphonies, three operas, choral works and chamber music.

Chiara Cipelli plays these piano pieces with an evident sympathy for their stylistic variety and contrasts; she seems totally in command of the music’s technical armoury. The ten years that divide the Preludio (1956) from the Suite agreste (1946) seem to have wrought a tectonic change. The Suite is not only tonal but a melodic delight. The little Preludio is refractory and dips liberally into atonality, Stravinskian asperity and chastening shivering cold. The five-movement Fantasia, from only a year before the Preludio, is from the same stratum. In fact, its Ritmico is titled (omaggio a Stravinsky). The movements are short apart from the deeply impressive and cruelly dank Notturno, which runs to 4:20 of morose tolling. The final Fugato (4:06) combines brisk patterned activity with tension and dissonance. The eighteen miniatures that make up Piccolo Pezzi (1941) are indeed small: some as short as 0:14 and the “longest” is 2:02. The date betrays the style, which is charming, poised, enchanting and picturesque yet not simplistic. In 1974 he completed his ten-piece sequence called Sintesi. These too are brief and the expressive language is what you might have expected from the date. It is no clever feint that two of the pieces are dedicated to Dallapiccola and Petrassi.

Brilliant Classics and Cipelli (who writes the helpful notes with Peter Quantril) have done well to introduce us to Bettinelli. My first expectations, sloppily arrived at, were that this composer was going to be another forgotten Italian late-romantic. I was soon to learn otherwise from these well-recorded and -played accounts. Bettinelli’s piano catalogue sports melodic effusions without being garrulous as well as tungsten tough writing that yet avoids the feral or the atrabilious. If you would like to track more of Bettinelli’s music Naxos have made the way clear.

Rob Barnett



We are currently offering in excess of 51,000 reviews


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount



Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger