One of the most grown-up review sites around

51,000 reviews
and more.. and still writing ...

Search MusicWeb Here



International mailing

  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider


Reger Violin Sonatas
Renate Eggebrecht violin

Brahms Symphony 3
Dvorak Symphony 8
9 cello sonatas
Piano Music

Clara Schumann
piano concerto

Asmik Grigorian

Breathtaking Performance
controversial staging
Review Westbrook
Review Hedley
Every lover of Salome should see this recording
Mullenger interpretation

Vraiment magnifique!

Quite splendid

Winning performances

Mahler Symphony 8
a magnificent disc

a huge talent

A wonderful disc

Weinberg Symphonies 2 & 21
A handsome tribute!

Roth’s finest Mahler yet

Mahler 9 Blomstedt
Distinguished performance


REVIEW Plain text for smartphones & printers

We are currently offering in excess of 51,000 reviews

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Support us financially by purchasing this from

Sibylla: Renaissance Music and New Music
Track details at end of review
Mixtura (Katharina Bäuml (shawms), Margit Kern (accordion), Kai Wessel (alto))
rec. 11-14 March 2014, Deutschlandfunk Kammermusiksaal, Cologne, Germany. DDD
GENUIN GEN14299 [70:57]

An earlier Genuin recording on which Mixtura also combined music ancient and modern impressed Jake Barlow to the extent of making it a Recording of the Year (GEN13284 – review). On that album the music of Guillaume de Machaut was combined with that of three modern composers; this time it’s the turn of Orlando di Lasso’s Prophetiae Sibyllarum to be interspersed with contemporary music.

I have to say that although I also liked the previous release, with the exception of one track – DL News 2013/17 – I was much less impressed this time around. I liked the instrumental arrangements of Machaut on the earlier release, but it seems to me that Lasso responds less well to this treatment. Perhaps it reminds me too much of the interpretations of Renaissance music by Jan Garbarek (saxophone) and the Hilliard Ensemble on Officium (NMC 4453692) – very beautiful but it always leaves me feeling depressed. I know others revere that recording and they will probably enjoy this new Genuin album more than I did.

After just two minutes of the Carmina cromatico which opens Lasso’s settings of the music of the Sibyls we have Karin Haußmann’s An der Stimme gekannt (known by the voice) which we are told in the notes refers to the Cumæan Sibyl who led Æneas to the Underworld, lamenting her fate to fade away gradually until even her voice can no longer be heard. T.S. Eliot prefaces The Waste Land with a quotation from Satyricon: Nam Sibyllam quidem Cumis ego ipse oculis meis vidi in ampulla pendere, et cum illi pueri dicerent: Sibylla ti theleis; respondebat illa: apothanein thelo. (I saw with my own eyes the Sibyl of Cumæ hanging in a jar and with her boys who said ‘Sibyl, what is your wish?’ She replied ‘My wish is to die.’)

Granted that the Sibyl did a lot of lamenting, that lamentation is pretty noisy, and the Sibyl’s was reportedly particularly noisy – Virgil writes of ‘a huge cave, the secret place of the terrifying Sibyl … from which a hundred wide tunnels, a hundred mouths lead, from which as many voices rush, the Sibyl’s replies’ (præsidet horrendæque procul secreta Sibyllæ, antrum immane ... quo lati ducunt aditus centum, ostia centum, unde ruunt totidem voces, responsa Sibyllæ .) – I’m sorry to say that for too much of the time An der Stimme gekannt is just that – noise.

Annette Schlünz’s Nine Songs also relate to the Sibylline books, nine in number originally until the last King of Rome offered to buy them but at a reduced price until the Sibyl burned first three then three more and still demanded – and finally received – the same price for the remaining three. I’m afraid that I found these even less tolerable than the Haußmann. We are told that the texts are by contemporary poets but, unfortunately, we are not given them in the booklet. I’m not sure they would have helped but it would have been nice to have them.

There is one other recording each of Haußmann and Schlünz in the catalogue but I haven’t summoned up the courage to try either. This seems to be the only recording of music by Babette Koblenz. Here at the end of the recording was the one contemporary work that I could relate to and enjoy.

I’m sorry not to be more positive about this recording. If you think you may be more sympathetic, try it first from Naxos Music Library if you can, or sample from Qobuz.

Those seeking Lasso’s Prophetiae Sibyllarum would be better advised to turn to The Brabant Ensemble on Hyperion CDA67887 – reviewDL News August 2011/2 – or The Hilliard Ensemble on ECM 4538412, on both of which the music is coupled with other works by Lasso. I had to turn to the Hyperion recording for solace after listening to the Genuin.

Brian Wilson

Track-listing :

Orlando di LASSO (1532–1594) Carmina chromatico quæ audis modulata tenore [2:21]
Karin HAUßMANN (b.1962) an der Stimme gekannt [11:16]
Orlando di LASSO Prophetiae Sibyllarum Nos. 1-3 [3:01 + 2:24 + 2:10]
Annette SCHLÜNZ (b.1964) 9 Gesänge für Countertenor, Schalmei und Akkordeon Nos. 1-3 [0:57 + 2:18 + 2:19]
Orlando di LASSO Prophetiae Sibyllarum Nos. 4-6 [1:52 + 2:43 + 2:11]
Annette SCHLÜNZ 9 Gesänge für Countertenor, Schalmei und Akkordeon Nos. 4-6 [2:12 + 1:48 + 1:08]
Orlando di LASSO Prophetiae Sibyllarum Nos. 7-9 [2:23 + 1:33 + 1:44]
Annette SCHLÜNZ 9 Gesänge für Countertenor, Schalmei und Akkordeon Nos. 7-9 [3:39 + 1:11 + 1:48]
Babette KOBLENZ (b.1956) Around [14:11]
Orlando di LASSO Prophetiae Sibyllarum Nos. 10-12 [1:49 + 1:41 + 2:23]