MusicWeb International One of the most grown-up review sites around 2024
60,000 reviews
... and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

REVIEW Plain text for smartphones & printers

Support us financially by purchasing this from
 

Sergei RACHMANINOFF (1873-1943)
Prelude in C sharp minor, Op. 3 No. 2 [4:09]
Ten Preludes, Op. 23 [32:08]
Thirteen Preludes, Op. 32 [39:34]
Lukas Geniušas (piano)
rec. live, 25 March 2013, Grand Hall of the Moscow Conservatory, Russia
PIANO CLASSICS PCL0078 [75:52]

This is an extremely good recording of the complete Rachmaninoff preludes. It’s also a live recording, a single concert on 25 March 2013, which makes it an extraordinary achievement. The concentration, skill, stamina and imagination required to perform at such a high level, through the entire cycle, demonstrate that Lukas Geniušas is a formidable pianist. Indeed, one is tempted to make a pun about his last name.

Geniušas actually improves as he goes along, too. The preludes Op. 23 Nos. 2-4 are maybe the plainest performances. No. 3 is just too square but Geniušas does not lose strength by the end. Quite the contrary: once you get to the Op. 32 set of preludes, you realize something special is happening. Geniušas drives the rhythm of the E minor prelude (Op. 32 No. 4) relentlessly forward, building the piece to a massive climax and then perfectly capturing the quiet conclusion. After that comes the glowingly beautiful prelude in G, here as prettily sung as it ever has been. The F-major prelude sounds a little like Debussy, intriguingly. My favorite prelude of all, the short allegro in G sharp minor, gets a performance in which the pianist’s extraordinarily fast fingers are also capable of unusual subtlety. When the cycle concludes, you almost look forward to hearing the applause Geniušas has earned.

Sound quality is very good for a live performance. I simply can’t imagine the virtuosity, memory and artistry required to record this enormous cycle of challenging music in a single live take. The booklet claims that this was recorded live in one night but I challenge you to find one misplayed note or one moment lacking in absolute confidence.

All this should not surprise the serious piano nerd/snob, since Lukas Geniušas is grandson of the extraordinary Vera Gornostaeva, who was his first piano teacher. If you’ve heard of Gornostaeva, it’s because one of her re-issues was my 2014 Recording of the Year, or perhaps because as a professor she taught young pianists named Ivo Pogorelich, Alexander Paley, Vassily Primakov and Sergei Babayan. She would be proud.

Brian Reinhart



 

 



Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing