One of the most grown-up review sites around

2019
51,000 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider

TROUBADISC

Reger Violin Sonatas
Renate Eggebrecht violin

Brahms Symphony 3
Dvorak Symphony 8
Vivaldi
9 cello sonatas
Dussek
Piano Music

Clara Schumann
piano concerto

Asmik Grigorian

Breathtaking Performance
controversial staging
Review Westbrook
Review Hedley
Every lover of Salome should see this recording
Mullenger interpretation

Vraiment magnifique!


Quite splendid


Winning performances


Mahler Symphony 8
a magnificent disc


a huge talent


A wonderful disc


Weinberg Symphonies 2 & 21
A handsome tribute!


Roth’s finest Mahler yet


Mahler 9 Blomstedt
Distinguished performance

 

REVIEW
Plain text for smartphones & printers

We are currently offering in excess of 51,000 reviews


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount



Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Support us financially by purchasing this disc from
Richard STRAUSS (1864-1949)
Piano Quartet in C minor, Op.13 (1885) [37:07]
Cäcilie, Op.27 No. 2 (1894) [2:12]
Die Nacht, Op.10 No. 3 (1885) [2:40]
Morgen, Op.27 No. 4 (1894) [4:14]
Zueignung, Op.10 No. 1 (1885) [1:26)
Heimliche Aufforderung, Op.27 No. 3 (1894) [3:18]
Allerseelen. Op.10 No. 3 (1885) [3:01]
Gustav MAHLER (1860-1911)
Piano Quartet in A minor (1876) [12:15]
Erinnerung (1880) [3:07)
Wo die schönen Trompeten blasen (1898) [7:29]
Songs transcribed for piano quartet by Dietrich Zollner
Simone Kermes (soprano)
Fauré Quartett
rec. 3-6 November 2013, Gustav Mahler-Saal, Toblach, Italy
SONY CLASSICAL 88843 023672 [76:53]

The Strauss Piano Quartet is the more substantial of the two pieces, and by that token is perhaps the most important part of this issue, taking up around half of its total duration. As with most of the composer’s earlier works, the construction and the style are frankly classical, but the strength of both the invention and the structure renders this a fine example of the young composer’s music.

Mahler’s Piano Quartet was written when he was just sixteen, though the accomplishment is such that it transcends any such youthful limitations. Originally scored for piano with two violins and viola, it is performed here for the standard piano quartet combination of piano, violin, viola and cello, with not a word of explanation in the booklet notes.

I have not been able to compare these recordings with the competition. For the Strauss there is the Ames on Dorian and Wolfgang Sawallisch and the Sinnhoffer on Brilliant Classics. As for the Mahler it has been recorded by Mats Jansson and Members of the Holmen Quartet on S imax, the Avery ensemble on Zephyr, the Prazak on Praga and the Eben on Arco Diva. In any event, none of these couple the two piano quartets.

The remainder of the disc is given over to chamber music re-scorings of various Strauss and Mahler songs. These have been skilfully undertaken by Dietrich Zollner and are nicely sung by Simone Kermes. The recorded sound too is sensitive to the nuances of the music. However, these indulgences may be fine in festival performances located in quasi-rural locations, but they are hardly competitive in terms of the recorded repertoire, when it is possible to listen to the composer’s own orchestrations or the piano originals.

Terry Barfoot