One of the most grown-up review sites around
One of the most grown-up review sites around

Search MusicWeb Here
 

 

International mailing

  Founder: Len Mullenger
Classical Editor in Chief: Rob Barnett

Some items
to consider

 


RECORDING OF THE MONTH
A very fine achievement


Complete ballet


Orchestral Music


music that will please greatly


Captivating scores

Symphonies - Philippe Jordan
A pleasure to see and hear


vital imagination


Henrik HELLSTENIUS
A harum-scarum springboard


Always expect the unexpected

REVIEW
Plain text for smartphones & printers


Gerard Hoffnung CDs

Advertising on
Musicweb



Donate and get a free CD

New Releases

Naxos Classical

 

Musicweb sells the following labels
Acte Préalable
Altus 10% off
Arcodiva
Atoll 10% off
CDAccord
CRD 10% off
Hallé 10% off
Hortus
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sheva £2 off
Sterling 10% off
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Editor in Chief
   
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Vacant
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger

 

Support us financially by purchasing
this disc through MusicWeb
for £9 postage paid world-wide.

William ZINN (b. 1924)
Works for String Quartet
Elie Wiesel (A Portrait) (2012) [18:43]
String Quartet No. 1 (1966) [24:01]
Kol Nidrei Memorial (1986) [14:06]
Wihan Quartet (Leoš Čepický (violin); Jan Schulmeister (violin); Jiří Žigmund (viola); Aleš Kaspřík (cello))
rec. no details provided
NIMBUS NI6256 [56:50]

Elder statesman musician William Zinn is not quite a stranger to Nimbus. Have a look at Nick Barnard’s review of Zinn’s arrangement for string quartet of the 24 Paganini Caprices. He has written a lot and his scores have been at the service of all the woodwinds, brass, strings, harp, guitar, harmonica and piano. Amid his idiosyncratic catalogue of 500+ works is the Seven Seasons: seven multi-movement tone poems based on the seven most prominent Jewish holidays, a Siegfried Rhapsody and a 24-movement harp trio. Composer-violinist Zinn has also been a member of many major orchestras.
 
There is not a scintilla of dissonance here. This is a contemporary composer who writes for the string quartet - and presumably for other instruments also - in a refined idiom redolent of late Beethoven or Schubert. The Elie Wiesel portrait derives from the experience of reading the life story of Elie Wiesel, a Holocaust survivor who grew to be an important worldwide figure who in 1986 received the Nobel Peace Prize. This sumptuous and earnest music is an intensely concentrated blend of Bachian grandeur and Beethovenian gravitas. There is a light-hearted touch of kletzmer at 12.10. Very much in the grand tradition, this work ends in a stirring maestoso.
 
The four movements of the String Quartet No. 1, written in the wake of the death of cellist Benjamin De Miranda, are again in consummate Beethovenian garb. The opening movement is a seraphic Arioso which recalls Finzi and Suk. The Scherzo is buzzingly active - affable and amiable in the manner of Smetana. After the streaming legato continuum of the third movement, the finale is radiant and fugal. There’s a touch of Tippett’s Concerto for Double String Orchestra here. The quartet ends in a quietly warbling stratospheric jostle of harmonics.
 
This not very long-playing disc ends with Zinn’s take on Kol Nidrei. It is dedicated to those individuals “who have sacrificed themselves for, and continue to do so for, the cause of freedom”. As expected this is very touchingly done and with that sincere Beethovenian accent we have come to expect. This is a telling cortège, splendidly brooding, dignified and borne high in triumph.
 
This music is likely to make a provocative companion to the string quartets of Robert Simpson (4-6) and George Rochberg.
 
William Zinn has provided the straightforward and open liner notes - how could they be anything other than authoritative.  
Rob Barnett