Eagle-eyed readers will say we’ve been here before; and so we have, for I
reviewed a 6-CD box of Svetlanov’s Rimsky back in 2009. That set, issued by the conductor’s widow Nina-Nikolaeva Svetlanova, is pretty comprehensive; indeed, it contains many of Rimsky’s slighter works, some performances of which are recommendable and others not. The four CDs in this new Melodiya box are presented in sturdy sleeves, which is a great improvement on the cantilevered jewel case of the earlier set that pinched and unseated discs at the slightest provocation. The sound of those CDs was poor to good, so I hoped these re-masters would improve on that.
CD1 is a straight duplication of the first two symphonies
found in the earlier box. I was generally complimentary then, although
I don’t feel quite so generous this time around. These are decent
performances, but anyone hoping for better sound will be disappointed.
There’s a fatiguing edge to the tuttis and there’s not much
depth to the soundstage. As for
Antar it’s not quite
as distant as I remember it and there also seems to be a little more
bite to the typically rude Russian brass. As I mentioned in my initial
review Svetlanov certainly propels the music well; more important, he
does so without ever sounding harried.
That’s also true of the revised
Symphony No. 3, which opens
CD2. The levels aren’t as low as those in
Antar, and there’s a pleasing degree of warmth and detail here that’s missing from the previous disc. I liked Svetlanov’s way with the piece even more this time, for it has a colour and cogency that didn’t strike me so forcefully in the earlier set. That said, Soviet engineering was rather crude, hence the overloaded climaxes. It’s not enough to dilute one’s enjoyment of the music, though. Happily the
Sinfonietta, based on the composer’s string quartet of 1878, is played and recorded with rather more refinement.
As I remarked in my first review Svetlanov’s Rimsky has its fair share of disappointments, although the
Sadko tableau on
CD3 isn’t one of them. The piece has plenty of thrust and a real sense of drama; the playing is rhythmically alert and despite some absurdly exaggerated balances – the flutes shriek like banshees and the bass drum is overpowering - it’s a most entertaining performance. Next in the order of composition – and play – is the stomping
Fantasia on Serbian Themes, which finds orchestra and conductor in flamboyant form.
Fairy Tale, not included in that earlier box, is a gorgeous tone poem that boasts fine detail and some delectable woodwind playing. As for Svetlanov’s
Capriccio espagnol I felt it uninspired then and still do so now.
I have no qualms about his
Scheherazade, which introduces
CD4.
It’s as refreshingly direct as I remember it, and it’s full
of character and nuance too. The violin solos are seductive and sensibly
balanced and there’s a narrative strength here that makes this
one of the most successful and enduring versions of these Arabian tales
in the catalogue. The engineering is good too, with decent balances
and a deep, velvety sound that seems entirely right for this most exotic
and alluring of works. Not even the constricted climaxes can undermine
my affection for what is clearly a passionate and heartfelt account
of this showpiece. Indeed, I wouldn’t mind being shipwrecked and
stranded on a desert isle with this one in my steamer trunk.
Ditto Svetlanov’s highly charged account of the
Russian Easter
Festival Overture. However, it doesn’t
quite supplant
the Kees Bakels/Malaysian Philharmonic version on
BIS;
apart from splendid playing the latter has the advantage of demonstration-quality
sound. That said, the Melodiya team have excelled themselves here; the
ecstatic percussion is superbly caught and those great epiphanies expand
naturally and without audible stress. Is it any wonder that the last
two items in the set, the Opp. 61 and 62, pale into significance after
that?
If you already own the earlier 6-CD set there’s no earthly reason
to invest in this one; it certainly doesn’t offer better sonics.
Newcomers to this repertoire may be tempted by the price – around
£20 – but unless you absolutely
must have Svetlanov
the Bakels box at roughly the same price would be my first choice; indeed,
it’s one of the glories of the BIS catalogue.
Svetlanov groupies will want this set; Rimsky fans might want to look elsewhere.
Dan Morgan
twitter.com/mahlerei
Masterwork Index:
Scheherazade
Track-listing
CD 1 [67:19]
Symphony No. 1 in E minor, Op. 1 (second version, 1884) [31:30]
Antar, symphonic suite (Symphony No. 2), Op. 9 (1869) [35:49]
CD 2 [63:37]
Symphony No. 3 in C major, Op. 32 (second version, 1886) [38:57]
Sinfonietta on Russian Themes in A minor, Op. 31 (1879-1884) [24:40]
CD 3 [64:43]
Tableau from the opera Sadko, Op. 5 (1867) [10:56]
Fantasia on Serbian Themes, Op. 6 (1867, rev. 1887) [7:01]
Overture on Three Russian Themes in D major, Op. 28 (1880) [11:58]
Fairy Tale, a symphonic poem, Op. 29 (1879-1880) [17:49]
Capriccio espagnol, Op. 34 (1887) [18:08]
CD 4 [68:48]
Scheherazade, Op. 35 (1888) [45:12]
Russian Easter Festival Overture in D major, Op. 36 (1887-1888) [14:23]
At the Grave, a prelude to the memory of M. P. Belyayev, Op. 61 (1904) [4:23]
Dubinushka, Op. 62 (second version, 1906) [4:46]
