Lively accents and glimmerings of light seep through the opening bars of
Haydn's
Piano Trio in C major to begin this mesmerizingly beautiful
CD.
All of the trios here (numbers 14, 21, 22, 23) follow a pattern of
fast-paced first and third movements encasing a lamenting adagio. Haydn was
one of the most prolific composers of the Classical period. With 107
symphonies, 83 string quartets, 45 piano trios, 62 piano sonatas, 14 masses,
26 operas, it is an understatement to refer to him as anything less than one
of the most prolific of composers as well as being one of the most prominent
and influential.
Formed in 1997, the astonishingly talented Kungsbacka Piano Trio adds a
sense of vitality to Haydn's subtly lyrical pieces. Seeming to possess an
otherworldly sense of telepathy, they flavour each performance with wit.
Each phrase is instinct with carefully modulated intention and each note
with unrestrained passion. In these capable hands Haydn's Piano Trios sound
carefully chiselled rather than decoratively polished. Each musician reaches
into the innermost core for its exuberance and its self-doubt. This
penetrative and even downcast tone can be heard through the singing violin
in the
Piano Trio in D minor.
Using an exquisitely crafted 1748 Gagliano, Malin Broman takes slightly
more of a lead role in the
Piano Trio in E flat major as the violin
steps up alongside Simon Crawford-Phillips on the piano. With his rare 1699
Grancino cello, Jesper Svedberg enriches the sound and creates a mellifluous
ambience around the central roles. Never upstaging, but affording a
comfortingly secure backdrop to Crawford-Phillips and Broman, Svedberg
ensures that whilst he is never predominant, he is always assertive in his
support. This is also felt in the at times sorrowful and forlorn
A flat
major work
. The
Adagio, with its softly bowed melody
and sensitively plucked pizzicato is one of the most delicately tender
episodes: unparalleled in sheer beauty of playing. At this moment, the
listener shares a sense of repose and pain. All barriers between art and
feeling appear to be surmounted, if only for a moment.
Upon listening to this CD, one can perhaps answer the question 'Is there a
better trio in Western Europe?' posed by
The Strad and say that
there is no finer. Consummate musicians who play with utter grace,
interrelatedness and individual virtuosity, these are instrumentalists of
the highest order. Their 2011 recording of Chopin's Piano Trio in G minor is
another astonishing performance and well worth tracking down. One feels not
only in safe hands, but serenaded by brilliant hands
. Here they
deliver intuitive and insightful performances of Haydn's Piano Trios and are
complemented by a fresh and balanced recording. Bravo!
Lucy Jeffery
