My last 
review 
          of a Wendy Warner CD
began this way: “Wendy Warner is one of our most intelligent,
cultivated cellists, and after praising her superb recital of romantic
pieces by David Popper and Gregor Piatigorsky, I was ready to lend an
ear to whatever music she chose to offer next.” I should probably just
paste that at the start every time I review a Warner album, because
it’s still true of this excellent disc of Haydn and Mysliveček. 
            
          A warning to period performance enthusiasts: this disc has nothing to 
          do with period practice. The orchestra plays on modern instruments and 
          is conducted without the extra spunk we’ve come to expect from 
          bands like the Freiburg Baroque. Wendy Warner uses copious vibrato in 
          slow movements and cultivates a big, generous sound, the kind you might 
          associate with some of her past repertoire from later eras. If you are 
          a fan of the Marriner/Böhm classical style, you’ll feel at 
          home; if more inclined to the Haydn of Weil/Fey/Goodman, maybe not. 
          Christophe Coin’s benchmark Haydn cello concertos, with Christopher 
          Hogwood, are a combined three minutes faster than this CD’s readings. 
          
            
          I’m a period-instrument nut but don’t have a problem with 
          this album. There’s an elegance and sheer class which makes it 
          good, and then there’s Wendy Warner to make it really good. Her 
          solo playing is always pretty, melodies given to her cello always unfold 
          with stately charm, and the support from the orchestra is perfectly 
          good. So’s the sound. Mysliveček’s concerto is a wonderful 
          find, with a nobly sad-hearted 
grave slow movement and, peculiarly, 
          a minuet instead of a finale. 
            
          In the end I’d probably take a more spirited period-style performance 
          over this one as a top choice. Christophe Coin’s is just about 
          everyone’s favourite but this disc has great merits. At the risk 
          of repeating myself, I’ll listen to Warner play just about anything. 
          If you are looking for an introduction to her art, best start with one 
          of her previous albums: 
Popper 
          & Piatigorsky or 
Rachmaninov 
          & Miaskovsky. 
            
          I downloaded my MP3 copy from ClassicsOnline. However, if you intend 
          to download anything from Cedille Records, I recommend doing so from 
          
           Cedille directly, since they offer the full booklet PDF and a very 
          affordable option for FLAC files-only slightly pricier than ClassicsOnline’s 
          MP3s. 
            
          
Brian Reinhart