One of the most grown-up review sites around

2019
51,000 reviews
and more.. and still writing ...

Search MusicWeb Here

     
  
 

 

International mailing


  Founder: Len Mullenger             Editor in Chief: John Quinn               Contact Seen and Heard here  

Some items
to consider

TROUBADISC

colourful imaginative harmony
Renate Eggebrecht violin


Leticia Gómez-Tagle
Chopin, Liszt, Scarlatti


Bax Piano Music


Guillaume LEKEU


 


Superior performance


Shostakovich 6&7 Nelsons
Notable


Verdi Requiem Thielemann


Marianna Henriksson
An outstanding recital


Arnold Bax
Be converted


this terrific disc


John Buckley
one of my major discoveries


François-Xavier Roth
A game-changing Mahler 3

........................................

Bryden Thomson


Symphonies


Vaughan Williams Concertos


RVW Orchestral

 

REVIEW
Plain text for smartphones & printers

We are currently offering in excess of 51,000 reviews


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount



Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Support us financially by purchasing this disc from
Sérénades tchéques
Josef SUK (1874-1935)
Serenade for Strings in E-flat, Op. 6 (1892) [27:48]
Antonin DVOŘÁK (1841-1904)
Serenade for Strings in E, Op. 22 (1875) [28:33]
Notturno for Strings in B-flat, Op. 40 (1882) [7:38]
Appassionata/Daniel Myssyk
rec. Église de la Nativité, La Prairie, Québec
FIDELIO FACD036 [64:05]

Over the last few decades, chamber orchestras have been sprouting up all over. Some - Yuri Bashmet's Moscow Soloists, Vladimir Spivakov's Moscow Virtuosi - are pet projects of established artists. The creation of others is spurred by young conductors with advanced training and limited opportunities. Many such ensembles perform for a season or two, then fade away. Others, like Yuli Turovsky's Musici de Montréal, achieve a higher profile and a continuing concert and recorded presence. During the CD boom of the 1990s, unfortunately, the phenomenon resulted in a lot of thoroughly professional but run-of-the-mill recordings.
 
The Québec-based Appassionata stands out in such a field. Conductor Daniel Myssyk, who founded the orchestra, has assembled for himself a first-class group of players. Unlike many such string ensembles, which content themselves with producing a pleasant but diffuse tone, the Appassionata members project a vibrant sonority, within which each strand is lean and tautly focused. Intonation and tone quality are beyond reproach.
 
The charming Suk Serenade is perhaps an odd fit for this group: "charm" doesn't constitute its main line of territory. The performance is handsomely played and goes with a sure sense of direction; it even brings out the grazioso that Suk prescribes in the second movement. Unexpectedly, I was more impressed by the group's polish and expertise than won over by the muscular reading. It's the normally stolid Münchinger (Decca Eloquence) who's better attuned to the score's Bohemian nostalgia. The long resonance of the recording venue clouds the busier textures, which doesn't help.
 
On that same Decca disc, however, Dvořák's Serenade sounds subpar and under-digested, and in that piece Appassionata scores superbly. Myssyk and his players retain a tensile line while projecting a sense of melodic expansion. Very occasionally, the players fight a bit to maintain momentum, but, as in the Suk, the tempi sound musically apt. Here, among Dvořák's less intricate textures, the ambience doesn't compromise clarity.
 
The Notturno disappointed me. Its overly forward demeanour makes much of it seem too loud and "active". Still, the rocking 6/8 rhythm foreshadows Mahler's discarded Blumine, and a few contained, introspective moments suggest what the artists might have found in the piece after longer preparation.
 
Veteran listeners should know that Fidelio Music, in this incarnation, is a Montréal-based company, with no apparent connection to the Fidelio LP label that featured low-priced Hungaroton reissues.
 
Stephen Francis Vasta
Stephen Francis Vasta is a New York-based conductor, coach, and journalist.