Aureole etc.




Golden Age singers

Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett

Some items
to consider

 


New App by the Gothenburg Symphony Orchestra for iOS and Android!


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

REVIEW Plain text for smartphones & printers

Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Support us financially by purchasing this disc from
RÓS - Songs of Christmas
see end of review for track listing
Ditte Marie Bræin, Berit Opheim, Runa Hestad Jenssen, Ingeborg Dalheim (vocals); Rolf Lislevand (lute); Gjermund Larsen (violin); Bjørn Kjellemyr (double bass); Det Norske Solistkor/Grete Pedersen
rec. April 2013, Ris Kirke, Oslo, Norway
BIS BIS-SACD-2029 [52:30]

I wasn’t intending to throw myself amongst the Christmas CD offerings this year, but our avuncular boss Len, seeing that this disc must be ticking most of my boxes, sent it to me anyway. Indeed, anything with the name Rolf Lislevand on it will grab my attention, his having been a main mover behind a couple of my all-time favourites, Nuove musiche and Diminuito from the ECM label. This would be enough, but I have already admired another BIS disc led by Grete Pedersen, Refractions, which unexpectedly combines Berg, Webern and Messiaen with a less well-known but fascinating Norwegian contemporary Fartein Valen. Performers also include vocalist Berit Opheim and violinist Gjermund Larsen with their background in folk music as well as jazz bassist Bjørn Kjellemyr, so expectations are raised to a high level before we even start.
 
The name Rós or rose is closely associated with the Nativity in Christian symbolism, and this imaginative Christmas collection is so wide-ranging as inevitably to be something of a mixed bag. It is however exactly the kind of bag you’d like to find at the end of your bed on a crisp Christmas morning - full of gems. Highlights there are aplenty, starting with a deeply familiar and beautifully sung a-capella Behold, a Rose is Springing - only the Norwegian version of the text wrong-footing us Brits.
 
After this, expectations are spun in all kinds of directions, but in the nicest possible ways. Folk tunes in superb arrangements such as The Angels of God are brought together with evocative violin playing and the sparkle of the lute, underpinned with subtly felt bass lines. After the dance of a Ricercata, the Rós - Suite for Christmas starts for real with a mysterious vocal bed of sound for Hildegard von Bingen’s open melodic shapes. Lislevand’s lute extends the spell into the introduction for Eit barn er født i Betlehem, the choir opening out into sounds both modern and timeless. I couldn’t find out much about Ola O. Fagerheim, but the gently sparing version of In this Blessed Christmas Time with its gathering clusters of notes is like clouds of breath on freezing air. A trilogy of movingly simple folk tunes follows, the suite concluded with a more modern but highly atmospheric treatment of My Heart Forever Dwells, and a return to the beginning of the cycle with a more extended version of Von Bingen’s O Eternal Force.
 
Per Nørgård surprises with the relative melodic and harmonic directness of The Joy of Christmas; more restrained than overtly joyous, but with that lullaby comfort which suits the season perfectly. We’re refreshingly livened up with a transparent Tarantella, and the gorgeous folk simplicity of the Christmas Verse hits home, with superb vocal ‘chimes’ further along. The final a-capella tune from Gulf Nordquist is the perfect conclusion to the programme as a whole.
 
With all texts given in Norwegian and English, this is a radiant package and pretty much all you will need if you seek an alternative to the more traditional and ubiquitous carols we all know and love, but which can sometimes be too much of a good thing. The performances are all sublime, the arrangements equally so, the recording everything you would expect from this source though without spectacular bells and whistles to bump us out of our candle-lit reveries.
 
Dominy Clements

Track listing
Michael PRAETORIUS (1571-1621)
Det hev ei rose sprunge (Behold, a Rose is Springing) [2:54]
Traditional
Old Marian Song (instrumental) [0:32]
No koma Guds englar (The Angels of God) [3:04]
Improvisation on Ricercata Segunda (instrumental) [1:24]
Hildegard of BINGEN (1098-1179)
O vis æternitatis (O Eternal Force) [2:12]
O frondens virga (O Leafy Branch) [2:51]
Traditional
Eit barn er født i Betlehem (A Child is Born in Bethlehem) [4:33]
Hildegard of BINGEN
Ave, generosa (Hail, Magnanimous) [0:53]
Ola O. FAGERHEIM
I denne søte juletid (In this Blessed Christmas Time) [6:18]
Traditional
Den fagraste rosa (The Fairest of Roses) [3:02]
Maria, hun er en jomfru ren (Mary is a Virgin Pure) (instrumental) [1:09]
Mitt hjerte alltid vanker (My Heart Forever Dwells) [5:46]
Hildegard of BINGEN
O vis æternitatis (O Eternal Force) [4:42]
Per NØRGÅRD (b. 1932)
Julens glæde (Himmelfalden) (The Joy of Christmas) [2:47]
Traditional
Tarantella [3:18]
Jolevers (Et lite barn så lystelig) (Christmas Verse) [3:23]
Gustaf NORDQUIST (1886-1949)
Jul, jul, strålande jul (Yule, Yule, Radiant Yule) [2:36]


Experience Classicsonline