Editor in Chief Rob Barnett Seen & Heard Editor Emeritus Bill Kenny Editor in Chief
Vacant MusicWeb Webmaster
David Barker MusicWeb Founder Len Mullenger
Support us financially by purchasing
this disc through MusicWeb
for £ postage paid world-wide.
Carl ORFF (1895-1982) Carmina Burana [58:05] Die Kluge (highlights) [17:50]
Janice Harsanyi (soprano), Rudolph Petrak (tenor), Harve Presnell (baritone)
Rutgers University Choir
Philadelphia Orchestra/Eugene Ormandy
Philharmonia Orchestra/Wolfgang Sawallisch (Die Kluge)
rec. ADD, stereo, 1960/1 ALTO ALC 1219 [75:45]
Ormandy’s CarminaBurana and Catulli
Carmina were highly thought of when first issued and have reappeared
on Sony Essential Classics. The praise that has come their way is
no surprise. After all, the only downside to Ormandy’s Walton Belshazzar’s
is that Rutgers University Choir – the same choir used here - sounds
singer-depleted and lacks oomph. Otherwise it’s a redoubtable version.
The choir in the case of the present disc sounds more than sufficiently
full voiced. What’s more they have been drilled to enunciating perfection
in this virtuoso work. Listen to the way they peck out the words of
the Ecce Gratium with teeth biting down into the bone. There’s
the most agreeable savagery about the singing of Were diu werkt
alle min and Quando sumus. They are fully equal to the
tongue twisting of Si Puer cum puellula.
As for the excerpts from Die Kluge these do not survive
the translation from vinyl to digital quite as well as the Ormandy
tracks. I noted some distortion at the start of the knees-up that
is Als die treue ward geboren. Still, it is lovely to hear
Paul Kuen, Hermann Prey and Gustav Neidlinger. The rhythmic pepper
to be heard in these 18 minutes of music confirms the affinity here
with Carmina Burana. If you like one you will like the other
and broaden your horizons into the bargain.
There are no words but the track-listing is very full. The notes are
by James Murray. He even goes to the trouble to provide decent mini-profiles
of every one of the singers and of the two conductors.
The Carmina Burana recording wears its fifty years lightly
and still sounds very good indeed - well equal to the demands of what
is an elite performance.