Search MusicWeb Here

selling Internationally

aBritish Symphonies
4CDs £16 post-free


W.S. Bennett, Rootham, Moeran,
Bax, Rubbra, Rawsthorne, Berkeley
Alwyn, Grace Williams, Arnold, Wordsworth. Searle, Joubert

Van Dieren Chinese Symphony
Searle Symphonies 3, 5
Shaw Piano Concertos 1 and 2

£11.75 post-free

  Founder: Len Mullenger
Editor-in-Chief: Rob Barnett

Some items
to consider


  • Bantock Khayyam
  • Arthur Butterworth Symphonies
  • William Wordsworth Symphonies
  • Sir John in Love
  • Violin Concertos


Vadim Gluzman - A quite extraordinarily good disc

This impressed me mightily

Shostakovich 5, 8 9
Great concentration

Let me tell you
Stratospheric Barbara Hannigan
Birmingham and BBC Proms

Berkeley - Authenticity

Highly Expressive

NØRGÅRD Stunning

Superbly played

One to treasure

One of the finest American
choral-orchestral works

from strength to strength

inspired choice

Book and CD £12

Book + 4CDs £33



Plain text for smartphones & printers

Gerard Hoffnung CDs

Advertising on

Donate and get a free CD

New Releases

Naxos Classical

Musicweb sells the following labels
Acte Préalable
Nimbus Alliance
Prima voce
Red Priest
Toccata Classics

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Editor in Chief
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger

Support us financially by purchasing this disc from
Franz Joseph HAYDN (1732-1809)
Piano Sonatas - Volume 5
Piano Sonata No.15 (Hob. XV1:13) [10:40]
Piano Sonata No.12 (Hob. XV1:12) [10:48]
Piano Sonata No.37 (Hob. XV1:22) [13:12]
Piano Sonata No.54 (Hob. XV1:40) [10:23]
Piano Sonata No.55 (Hob. XV1:41) [10:44]
Piano Sonata No.56 (Hob. XV1:42) [12:32]
Bonus Track [2:25]
Jean-Efflam Bavouzet (piano)
rec. Potton Hall, Dunwich, Suffolk, 21-23 February 2012 (Sonata No. 12)
and 21-23 September 2012 (all other works)
CHANDOS CHAN 10763 [75:09]

Having thoroughly enjoyed the first four instalments of Bavouzet’s projected cycle of the Haydn piano sonatas (see reviews of Volume 2 and Volume 3), I was overjoyed when this CD arrived for review. As each volume appears, Bavouzet goes from strength to strength. Listening to the earlier volumes, I was so impressed, it spurred me on to resurrect and mug up on some of the sonatas I’d learned many years ago.
Haydn composed his piano sonatas between 1750 and 1795 and, for reasons unknown, avoided the genre for the remaining fourteen years of his life. His influences were the harpsichord style of Georg Christoph Wagenseil (1715-1777) in the early works up until 1760. C.P.E. Bach (1714-1788) was a later voice and the development of the Broadwood pianos Haydn came across in London in the 1780s also had its impact. Together with his symphonies and string quartets, we can see in the piano sonata oeuvre, Haydn’s contribution to the evolution of sonata form.
On this CD, Bavouzet offers us a selection of earlier and later sonatas. As in the previous volumes, one gets the immediate impression that he clearly loves these works and plays them with great commitment. They are marked out with stylish phrasing and crisp and incisive playing. Repeats are ornamented and all embellishments are in style, tastefully done and with great attention to detail. Some may find his tempi rather brisk, but I find they work and are well judged. What I like with these sonatas is the infectious wit, the vigour, the joie de vivre and the pervasive element of surprise.
Although Haydn’s piano sonatas have never had the enduring popularity and exposure to the concert-going public as those of Mozart and Beethoven there are, nevertheless, some excellent Haydn sonata recordings out there. I first got to know these works with the ‘ground-breaking’ survey of John McCabe issued on Decca (443785). This was followed by a selection of eleven sonatas and shorter pieces recorded by Alfred Brendel (Philips 416 643) on four CDs. Schiff, Hamelin, Jandó and Buchbinder have also made valuable contributions to the discography.
The Potton Hall acoustic lends a bright, sonorous ambience to the proceedings. Documentation is spot-on, setting the works in a historical context. Bavouzet contributes his own enlightening thoughts.
Chandos offer a Haydn series marked by great distinction. I hope that the next volume will not be too long delayed.
Stephen Greenbank