Hungarian cello concertos





75th Birthday Tribute

Newest Releases




Piano Trios
  Founder: Len Mullenger
Classical Editor: Rob Barnett

Some items
to consider

Free classical music concerts by Gothenburg Symphony Orchestra

  • Today's leading<br>clarinet-piano duo
  • Stellar debut<br>piano recital
  • Clarinet transcriptions Jonathan Cohler
  • Jonathan Cohler & Claremont Trio
  • French clarinet masterpieces
  • Today's leading<br>clarinet-piano duo


String Quartet 1 & 2
Pavel Hass Quartet


RECORDING OF THE MONTH
Dvorak Opera Premiere
BEST SELLER


The Best


Vanhal


Francis Pott


Mahler 9 Elder


New Lyrita Release


British Violin and Cello Concertos


Lyrita New Recording


RECORDING OF THE MONTH
Ritchie Symphony 4

Mozart concertos

Editorial Board
MusicWeb
Classical Editor
   
Rob Barnett
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Stan Metzger
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger
REVIEW
Plain text for smartphones & printers


Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Altus
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Support us financially by purchasing this disc from
Maurice RAVEL (1875-1937)
Gaspard de la Nuit [19:54]
Piano Concerto in G [21:55]
Valses Nobles et Sentimentales [17:00]
Claude DEBUSSY (1862-1918)
Children’s Corner [14:06]
Arturo Benedetti Michelangeli (piano)
Philharmonia Orchestra/Ettore Gracis
rec. live: February 12, 1952, location unknown (Valses), London 1958 (concerto), May 22, 1960, location unknown (Gaspard), June 3, 1960, Prague (Debussy)
PRAGA PRD/DSD 350 091 [72:54]

Arturo Benedetti Michelangeli at his best can be unmistakable: the opening bars of “Ondine,” in this 1960 recording of Gaspard de la Nuit, are a great example. Such speed but such accuracy! More or less any pianist who plays this movement in less than six minutes today will fudge or smear or simplify the insanely tricky accompaniment in these first bars. They’re a pianist’s hell; one can hear virtuosos like Freddy Kempf (BIS) utterly humiliated by them. And yet Michelangeli speeds through them with a precision and casualness that, taken together, explain his legend.
 
It’s a great Gaspard all the way. Le Gibet’s tolling bells are suitably gloomy and terrifying, and Scarbo, with a teasing pause here, an extra emphasis there, and laser precision throughout, is outstanding too. This is great playing. It’s his fastest Gaspard that I’ve heard or heard about and it’s live.
 
Not everything on the CD can rise to that level, but it can come close. Debussy’s Children’s Corner is just a little messy in comparison, and “Golliwog’s Cakewalk” very matter-of-fact, but the Ravel concerto is a harmonious union with a conductor, Ettore Gracis, who shares Michelangeli’s attention for detail. It’s an exquisite performance of the concerto, but you probably know that already: it has long been a staple on its original record label, EMI Classics.
 
Recording quality varies. Obviously EMI was doing pretty well with the concerto, given that this was 1958, but the Debussy in 1960 is rather muffled - partly because of sound reduction software, I suspect. The Ravel Valses are a bit distant and echo-y, but Gaspard’s soft fog of tape hiss and glowingly bright piano sound rather suit its moonlit landscape.
 
I’m keeping this for the Gaspard. It’s worth it for that, but the rare Ravel Valses and Debussy may add to the appeal, even if you already have this legendary reading of the concerto. You should only hesitate if you have issues with the noise-reduction technology in fashion with re-mastering engineers these days.
 
Brian Reinhart