Edward ELGAR (1857-1934)
A Land of Hope and Glory
Imperial March [5:39]
Vesper Voluntaries [14:54]
Sonata for organ in G major [26:55]
Chanson de nuit [4:58]
Chanson de matin [3:31]
Nimrod from Enigma Variations [3:51]
Pomp and Circumstance no. 1 in D [7:46]
Jean-Luc Etienne (organ)
rec. Jann de l’eglise Saint-Martin, Dudelange, Luxembourg
HORTUS 103 [71:43]
Green fields and rolling hills, a pot of tea by the fire – every image of
England is represented by Sir Edward Elgar’s music. A giant figure in the
Victorian era, his organ music is often overlooked due to the more famous
orchestral works. This disc contains all of the compositions for organ as
well as some transcriptions of the most well known of his works.
The Vesper Voluntaries are a collection of short pieces bound together
with a Prelude, Intermezzo and a Coda. They were composed
shortly after the composer’s marriage to Alice and are very simple, presumably
intended for liturgical use at the service of vespers. The performances are
very clear from Etienne. All of the large number of quiet stops available
on the Luxembourg organ are earthy and precise, allowing the music to speak
for itself.
The main event for organ fans is the Sonata. This large-scale work,
written for Hugh Blair and Worcester Cathedral’s organ, inhabits the beginnings
of Elgar’s most significant orchestral works, particularly the Enigma
Variations. The clear structure of the first movement and lyrical themes
are well communicated by Etienne, although there is an unfamiliar flavour
created by the use of such a French-sounding organ for completely English-sounding
music – this isn’t usually how it sounds. English organists barely play any
English music and borrow repertoire from other countries, so it makes a nice
change to observe the adoption of Elgar’s music by a foreigner. I feel that
Etienne’s interpretation of this work also has a French flavour. The second
movement is played with a fair amount of rubato, which occasionally interrupts
the momentum but the organist’s choice of registration is great – there is
a real sense of “orchestration” which works extremely well. The beginning
of the last movement sounds just like a Vierne scherzo! The specific notes
are lost in the acoustic until a louder registration is selected but overall
Etienne handles the work with technical ferocity.
The transcriptions on this CD seem somehow less important. All the transcribing
was done by contemporaries of Elgar but whilst both Chansons are
beautiful pieces, the interpretation here is rather unremarkable. Nimrod
is again performed well but no better than any other recording and the depth
of sound as well as bumps in the legato are slightly irritating. Imperial
March and Pomp and Circumstance are more enjoyable as the sounds
of the organ are better suited to imitating a loud orchestra than a quiet
one. Both are technically and stylistically well performed.
Elgar’s organ music should be more widely performed and this is a great recording
if that is your aim. However the transcriptions are a bit of a letdown.
Hannah Parry-Ridout
Essentially English Elgar but with strong French overtones. Elgar’s organ
music is great, but the performance of these transcriptions is missable.
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