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Piano Rarities Vol. 2: French Composers
Amédée MÉREAUX
(1802-1874)
1-5. Études nos.8,44,2,22,13 [15:59] from 60 Grandes etudes
en caprices charactéristiques dans le style libre et dans
le style severe
Déodat de SÉVÉRAC
(1872-1921)
6. Où l’on entend une veille boîte à musique
[1:14] No.6 from En Vacances
Nöel GALLON (1891-1966)
7. Le petit mendiant [0:55]
Jean GALLON (1878-1959)
8. Thème varié [3:29]
Simone PLÉ-CAUSSADE (1897-1985)
9. Le chant du pâtre [1:12]
Jean-Michel
DAMASE (b.1928)
10. Dédicase [3:10]
Jean-Jacques LAUBRY
(1916-2001)
11. Prélude No.4 [1:26]
Jacob TARDIEN (b.1975)
12. Pièce pour piano [3:53]
René BERTHELOT
(1903-1999)
13. Valse lointaine [2:06]
Jean WIENER (1896-1982)
14. Polka lente [1:47] No.3 from Quatre Petites Pièces -
Radio
15. Java [2:35]
Albert LAVIGNAC (1846-1916)
16. Galop-Marche à 8 mains sur un seul piano* [3:22]
Cyprien KATSARIS (b.1951)
17. Improvisation libre sur des musiques de film et sur les Feuilles
mortes [9:12]
Michel SOGNY (b.1947)
18-20. 3 études from Études pour piano, quatrième
série, dans le style hongrois [4:32]
21. Réminiscentiel, No.4 des Pièces de concert [6:26]
Stéphane BLET
(b.1969)
22. Sonate Renaissance [6:24]
Yves CLAOUÉ (1927-2001)
23. Rengua-2 pour 1 flûte, 2 hautbois, 2 bassons, 2
cors, quintette à cordes et piano** [10:39]
Cyprien Katsaris (piano)
*accompanied by Frank Braley, François-Joël Thiollier
and Alexei Volodin
**accompanied by the soloists of the Salzburger Kammerphilharmie/Yo
Kuk Lee
rec. tracks 1-9, 13 studio Teije van Geest, Sandhausen, Germany,
March, 2009; 10-12, 22 as above, December, 2007; 18-21 live, The
Piano Sal, Yamaha Artist Services, New York City, USA, 10 March,
2006; 14-16 live, Festival de Radio France et Montpellier Languedoc
Roussillon, France, 29 July 2005; 17 live, Hyogo Performing Arts
Center, Japan, 1 November 2008; 23 live, Mozarteum, Großer
Saal, Salzburg, Austria, 4 December 1998
PIANO 21 P21037-N [78:35]
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As I drove along listening to this disc the following adjectives sprang to
mind: charming, disarming, beguiling, whimsical and gamine.
Can music be said to be ‘gamine’ I then asked myself
and checked its definition which is said to mean mischievous,
teasing or sexually appealing and since when I thought of it
I had in mind Audreys Hepburn and Tautou I knew that it was
what I meant. To sum up, what it boils down to is that this
music is quintessentially French. With the odd exception it
is immediately recognisable as being French and in fact couldn’t
be anything else. What is it that makes music so indelibly linked
to a country I ask myself. I find it difficult to come up with
an answer. Up until I heard this disc I would have listed such
composers as writing quintessentially French music as including
Debussy, Satie, Jean Françaix, George Auric, Milhaud,
Poulenc and various others to which list I can now add all 15
of the composers represented here the bulk of whom I had never
before come across.
The disc is a hugely enthralling and enjoyable celebration of
‘joie de vivre’ and is one of those discs you never
tire of hearing - a tonic when you’re in need of being
cheered up. There is an appealing innocence about the music
that cannot fail to charm and I loved every minute of it. Part
of its success is due to pianist Cyprien Katsaris’s clever
choice of programme as well as his ability to bring out every
wistful nuance underpinned by an obvious love for the music.
His enjoyment in playing it comes across very forcefully. I
am loath to pick out any particular piece because that would
leave out the others when every track has its own highly attractive
and distinctive features. However, if I had to pick one to give
a flavour of the playful and fun nature of the disc it would
have to be track 16: Galop-Marche à 8 mains sur un
seul piano (for 4 players at a single piano). No wonder
it brought the house down at a Radio France Festival; can you
imagine the shenanigans caused by four pianists trying to do
their bit and needing to leap around amongst themselves causing
convulsive laughter from the audience. That sums up the nature
of the disc which is a celebration of the fun side of music.
It doesn’t always have to be serious. It can let its hair
down yet still warrant being taken seriously. That this
is something understood the world over was also ably demonstrated
by Katsaris’s own arrangement in medley form of several
French film music themes. This gained huge applause from the
Japanese audience.
The music on this disc is another way of proving that music
can be light in nature without being classed as ‘light
music’. This is a winning disc in every respect and I
now have an enviable self-inflicted task of seeking out more
music by these wonderful composers to add to the growing number
of those whose music I don’t know enough of; oh, for more
time!
Steve Arloff
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