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RECORDING OF THE MONTH
Eternal Light
see end of review for track listing
Elin Manahan Thomas (soprano)
Robin Blaze (counter-tenor) (track 16)
Age of Enlightenment Orchestra/Harry Christophers
rec. No date given. St. Paul’s Church, Deptford, London, England
Full texts and English translation included
UNIVERSAL 4765970 [63:31] |
alternatively
CD: MDT
AmazonUK
AmazonUS
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Byd Y Soprano - Soprano World
see end of review for track listing
Elin Manahan Thomas (soprano)
Charlotte Mobbs (soprano) (tr. 3); Robert Davies (baritone) (tr. 6);
The Sixteen/Harry Christophers (trs. 1 and 6); City of London Sinfonia/Stuart
Stratford (trs. 2, 3 and 10); Ensemble Bro Morgannwg/John Hugh Thomas
(tr. 7); Christopher Glynn (piano) (trs. 4, 5, 8, 9, 11, 12); Alistair
Ross (organ) (tr. 1)
rec. March 2009 Henry Wood hall, London, England (all tr. s except
tr. 7); September 2008 St. Mary’s Church, Swansea, Wales (tr.
7);
Only texts provided for trs. 11-12 (English translations)
SAIN SCD2651 [44:59] |
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Soprano Elin Manahan Thomas is often seen on our television
screens singing on programmes such as the BBC’s Songs
of Praise. I saw Thomas in performance a few years ago as
a member of The Sixteen singing early sacred music in the setting
of Kendal Parish Church, Cumbria and I still have fond memories
of her soaring soprano.
The Welsh soprano won a choral scholarship to Clare College,
Cambridge where she read Anglo-Saxon, Norse and Celtic. Thomas
joined the Monteverdi Choir in 2000 and has sung with The Sixteen,
Polyphony, Cambridge Singers and the Gabrieli Consort. Increasingly
she is in great demand as an international soloist.
Thomas has specialised in performing early music especially
with the choral group The Sixteen. Her release titled Eternal
Light on Universal covers music from the Renaissance and
the Baroque period. The release titled Byd Y Soprano - Soprano
World comprises mainly music from the Romantic period with
some Classical and a Baroque piece. Late-Romantic music is not
repertoire that one usually associates with Thomas in solo performance.
It is not surprising that this highly talented singer will want
to show her versatility by singing a wide range of repertoire.
This stance will naturally invite comparisons with the finest
singers in world.
I cannot think of a finer exponent of early music around today
than Thomas. Her soprano voice has an exceptional purity, with
a silky smooth tone and light creamy fluidity. The voice isn’t
heavy but neither is it over-bright and piercing. When listening
to The Sixteen I was easily able to distinguish her voice owing
to its clarity and carry yet I wouldn’t describe it as
being over-distinctive.
On the disc Eternal Light Thomas’s performance
was a revelation, revealing a glorious voice of elevated quality
which wonderfully suited to Renaissance and Baroque music. I
believe it to be superior to Emma Kirkby in her prime. Of the
sixteen well chosen tracks not one disappoints. In addition
there are two ‘killer’ tracks that are so exceptional,
containing a special element of spirituality that one rarely
encounters. Those ‘killer’ tracks are Eternal
Source of Light Divine and When I am laid in earth
(Dido's Lament) from Purcell’s opera Dido and
Aeneas. Eternal Light is worth obtaining for those
two tracks alone. I have played selections from this release
at several Recorded Music Societies and Thomas’s performances
have drawn considerable attention. Stunningly recorded at St.
Paul’s Church, Deptford, London the release includes a
splendid booklet containing full texts and English translations
as necessary.
The release entitled Byd Y Soprano - Soprano World is
a very different kettle of fish. Here the repertoire is mainly
Late-Romantic with some Classical. This just doesn’t suit
her voice in the same way as early music. Clearly there is more
than one way of interpreting a song and Thomas sings all her
selections extremely well. In particular I must say how much
I enjoyed her interpretation of Richard Strauss’s masterworkMorgen
(Morning). But in this repertoire the weight and amplitude of
the voice, its richness and depth of emotional expression is
just not able to compete with the world’s greatest lyric
interpreters. In the Gounod and Delibes songs the intensely
fierce competition includes such distinguished performers as
Angela Gheorghiu, Anna Netrebko, Natalie Dessay, Joan Sutherland
and Maria Callas. In Schubert and Richard Strauss, Thomas traverses
the same Lieder territory as Elisabeth Schwarzkopf, Jessye
Norman, Cheryl Studer, Lucia Popp and Renée Fleming.
Also included on Soprano World are two attractive Welsh
songs Y Gylfinir (The Curlew) by Dilys Elwyn-Edwards
and Gweddi Pechadur (The Sinner’s Prayer)
by Morfydd Llwyn Owen. All but one of the songs were recorded
in the Henry Wood Hall, London and although acceptable I didn’t
enjoy the sound quality anywhere near as much as Eternal
Light. Thomas is principally accompanied by pianist Christopher
Glynn, three songs are with the City of London Sinfonia, two
songs with The Sixteen and one with Ensemble Bro Morgannwg.
In Sous le dôme épais (Flower Duet) from
Delibes’ Lakmé Thomas is partnered with
soprano Charlotte Mobbs and in the duet La Ci Darem La Mano
from Mozart’s opera Don Giovanni she is joined
by her husband the baritone Robert Davies.
I’m sure Thomas admirers will want to purchase both releases.
The real treasure is the magnificently performed and recorded
disc Eternal Light which I have been playing over and
over again.
Michael Cookson
Track listing
Eternal light
Hildegard of Bingen (1098-1179)
1. O Euchari in leta via [1:40]
Georg Frideric HANDEL (1685-1739)
2. Eternal Source of Light Divine -
Ode for the Birthday of Queen Anne [3:50]
Antonio VIVALDI (1678-1741)
3. Nulla in Mundo Pax Sincera [5:54]
Georg Frideric HANDEL (1685-1739)
4. Ombra mai fu [2:52]
Giovanni Battista PERGOLESI (1710-1736)
5. Et Jesum [2:12]
Johann Sebastian BACH (1685-1750)
6. Bist Du Bei Mir, BWV508 [2:51]
Antonio VIVALDI (1678-1741)
7. Dell'aura al sussurar [2:09]
(Arrangement by Christopher Charles Hazel)
Thomas ARNE (1710-1778)
8. Where the bee sucks [2:10]
Georg Frideric HANDEL (1685-1739)
9. Where'er You Walk [5:07]
Johann Sebastian BACH (1685-1750)
10. Aus Liebe will mein Heiland sterben [5:18]
Georg Frideric HANDEL (1685-1739)
11. Lascia ch'io pianga [5:15]
Georg Frideric HANDEL (1685-1739)
12. Let the bright seraphim
John DOWLAND (1563-1626)
13. Flow My Tears [4:16]
Henry PURCELL (1659-1695)
14. When I Am laid In earth (Dido's Lament) [4:42]
John DOWLAND (1563-1626)
15. Weepe you no more sad fountains [4:10]
Claudio MONTEVERDI (1567-1643)
16. Pur ti miro [4:50]
Soprano world
Antonio VIVALDI (1678-1741)
1. Dell'aura Al Sussurrar [2:22]
Charles GOUNOD (1818-1893)
2. Je Veux Vivre Dans Le Rève [3:39]
Léo DELIBES (1836-1891)
3. Sous Le Dôme Épais [4:22]
Robert SCHUMANN (1810-1856)
4. Du Ring An Meinem Finger [2:54]
Richard STRAUSS (1864 - 1949)
5. Morgen [4:44]
Wolfgang Amadeus MOZART (1756-1791)
6. La Ci Darem La Mano [3:20]
Joseph HAYDN (1732-1809)
7. Nun Blut Die Flur Das Frisch Grun [5:06]
Franz SCHUBERT (1797-1828)
8. An Die Musik [2:43]
Franz SCHUBERT (1797-1828)
9. Ave Maria [2:16]
Johann STRAUSS II (1825-1899)
10. Mein Herr Marquis [2:43]
Dilys ELWYN-EDWARDS (1918-2012)
11. Y Gylfinir (The Curlew) [2:13]
Morfydd LLWYN OWEN (1891-1918)
12. Gweddi Pechadur (The Sinner’s Prayer) [6:04]
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