Francis POULENC (1899-1963)
Organ Concerto in G Minor [21:55]
Camille SAINT-SAËNS (1835-1921)
Symphony No. 3 Organ Symphony [36:00]
Thomas Trotter (organ)
Auckland Philharmonia Orchestra/Arvo Volmer
rec. live, Auckland Town Hall, March 2010
ATOLL ACD116 [58:15]
This disc was made to commemorate the rebuilding of the Klais Orgelbau organ
of Auckland Town Hall in 2010. This was the new organ’s first concert with
the Auckland Philharmonia Orchestra. It’s a very impressive instrument – the
full specification is given in the booklet notes – and it’s recorded very
well too. The colours and range come across very well in the stereoscape,
and the bass is given just the right amount of prominence. It’s played with
predictable flair by the estimable fingers of Thomas Trotter, whose musicianship
needs no praise from me. The most interesting thing about the performances,
however, is the playing of the Auckland strings, which I found very impressive.
For the Poulenc, in particular, they are just right for the characteristic,
occasionally creepy sound of the music, rich and full for many of the slower
passages but pulsating with life in the whizzy quick passages. Arvo Volmer’s
control of the unfolding structure is also very convincing. It’s clear when
a new section comes along, but the piece still feels like a coherent whole.
The Saint-Saëns isn’t quite so special and there is nothing remarkable to
make it stand out from the considerable competition you’ll find elsewhere
for this work. Equally, however, there is nothing wrong with it and, again,
the playing of the strings in the slow movement is very convincing. In fact
it is remarkably French-sounding in both the pointing of the phrasing and
the luxuriant quality of the sound. It won’t make anyone do away with their
discs of Levine/Preston or Barenboim/Litaize, but it shows off both the orchestra
and the instrument very well.
Simon Thompson
Characteristic, occasionally creepy, rich and full. Very convincing.
see also review by Karim Elmahmoudi