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alternatively
CD:
MDT
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Franz LISZT
(1811-1886)
Book: Liszt – His Life and Music by Malcolm
Hayes
Chapter 1: The Life: From Prodigy
to Travelling Virtuoso
Chapter 2: The Music: 1822-1847, The
Lion of the Keyboard
Chapter 3: The Life: 1847-1861, Weimar
Chapter 4: The Music: Art and Poetry
Chapter 5: The Life: 1861-1868, Rome
Chapter 6: The Music: 1861-1868, Urbi et orbi
Chapter 7: The Life: 1869-1886, Une vie trifurquée
Chapter 8: The Music 1869-1886, A spear thrown into the future
Music:
Orpheus (complete)
From the Cradle to the Grave (complete)
Complete movements from: Années de pèlerinage, première (Suisse),
et deuxième années (Italie), Harmonies poétiques et religeuses,
Legends, Hungarian Rhapsodies, Études, Sonata
in B minor (extract only), Urbi et orbi - benediction
papale, operatic and lieder paraphrases: Guillaume Tell
and Rigoletto and Schubert’s Auf dem Wasser zu singen,
Via Crucis (five movements)
Ave Maria.
NAXOS 8.558214-15 [76:34 + 77:35]
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These Naxos music educational packages get better and better.
This new one released to mark the centenary of Liszt’s birth
on 22 October 2011, is particularly generous. It can be a very
useful reference point for both young people learning the basics
of classical music and experienced music-lovers who would
appreciate such a compact resource.
It includes Malcolm Hayes’ very readable introductory biography
with a useful selected bibliography for further, deeper study.
Hayes covers the composer’s early life as a travelling virtuoso
and his disastrous personal relationships with his women, especially
Countess Marie d’Agoult and Princess Carolyne Sayn-Wittgenstein;
the vicissitudes of his chequered romance with the latter lady
would strain the belief of readers of even the most outrageous
fiction. Also well documented are Liszt’s friendships with some
of the leading composers of the times including Berlioz, Chopin
and Wagner. In between the biographical chapters there are none-too-technical
appreciations of the music. These are often cross-referenced
to the musical excerpts on the accompanying CDs and to the special
web site which incidentally includes hours of extra music offering
works heard on the CD in full. Online one can hear all the pieces
that comprise Années de pèlerinage, première (Suisse), et
deuxième années (Italie) and Harmonies poétiques et religeuses.
The emphasis of the musical examples on the two CDs,
is unsurprisingly placed on Liszt’s piano works. The soloists
– Kemal Gekič, Oxana Yablonskaya, William Wolfram, Philip
Thomson, Arnaldo Cohen and, most frequently and very satisfyingly,
Jeno Jandó – deliver lucid and evocative performances. It is
amazing to realise that Naxos have published 32 albums of Liszt’s
piano works. These include his sacred pieces and his many transcriptions
of other composers’ operatic and symphonic works. The discs
are listed on the web-site; good publicity for Naxos but nevertheless
another useful addition. Speaking of other composers, the web-site
also carries some music typical of composers who influenced
Liszt or were included in Liszt’s circle: Beethoven, Berlioz,
Brahms, Schumann, Chopin, Hummel, Mendelssohn, Saint-Säens
and Wagner.
If all this wasn’t enough, the book also provides a full track-by-track
analysis of all the pieces on the two CDs, a glossary of musical
terms and a brief descriptive list of all the personalities
who impacted on Liszt’s life and music.
One jarring note – I found that on several occasions I could
not access the treasures on the web-site. This music seemed
to be ‘down’ at the time I made my visits. I trust Naxos will
rectify this irritation?
Will satisfy Liszt admirers as well as all music-lovers whether
beginners or experienced performers or listeners.
Ian Lace
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