Franz LISZT (1811-1886)
The Complete Piano Music
CDs 1–6 Études and early works
CDs 7–19 Major original compositions
CDs 20–29 Dances, marches, transcriptions of Liszt’s own works
CDs 30–36 Pieces on national themes
CDs 37–49 Operatic fantasies, transcriptions and paraphrases
CDs 50–61 Concert transcriptions
CDs 62–69 Beethoven transcriptions
CDs 70–79 Schubert transcriptions
CDs 80–94 Rare works, new discoveries
CDs 95–98 Music for piano and orchestra
Leslie Howard (piano)
rec. various venues, 1985-2009
detailed track-listing at end of review
HYPERION CDS44501/98 [99 CDs: 7320:26]
In the history of recorded classical music certain sets stand head, shoulders
and top hat above the throng. RCA’s Rachmaninov, EMI’s RVW and Elgar, Chandos’s
Walton and Grainger Editions, DG’s complete Beethoven, Bis’s Sibelius Edition,
CBS’s Mahler Bernstein, Decca’s Solti Ring and Philips’ Mozart Edition.
Hyperion already has a place at the Olympian table with its Simpson symphonies
and Schubert Lieder presided over by Graham Johnson. Now the gathered company
need to make room for Hyperion’s complete Liszt from Leslie Howard. The project
was of such epic proportions that the first volume was issued as an LP. The
book reminds us that when originally brought out there were 57 volumes representing
94 CDs, a bonus disc and three supplementary volumes comprising 4 discs in
total.
It used to be that reviewers faced with a set of such ineffable scale and
delectable moment could take for granted that it would at least command the
budget of the public library sector. Now public authorities – at least in
the UK – are having to contemplate branch closures in order to keep within
decimated budgets. It’s a market that cannot any longer be taken for granted.
Numbers of public libraries with large-scale and serious classical CD sections
have been diminishing for many years. I can recall, as a student in Bristol
in 1971-75, using the astonishingly wide-ranging LP department of the Bristol
City Council Central Library near the Cathedral. That was then! Even so the
library and archive sector has not evaporated completely – one can expect
music schools, colleges and academies to go for this.
Fortunately there are other markets and some of these are bound to be stimulated
by 2011 being Liszt 200 year. Those other markets include the Liszt absolutist
who will have to have this set despite having bought the individual discs
as they were issued. Other Lisztians or proto-Lisztians will have picked up
the odd Hyperion over the last twenty years and will now see that they can
get the complete arc of the composer’s piano heritage at the cost of about
£1.65 per disc. Then again there are emerging generations of pianists who
will find this a source of delight, inspiration and instruction. It’s a chance
to make informed choices about ringing the changes on the top thirty Liszt
piano solos in recital. Radio stations intent on a ‘Lisztathon’ celebration
will find this material invaluable. The set will also draw in collectors of
major boxes which usually also have all the attractions of the unit cost of
the discs ebbing as low as they are ever likely to go.
The 128 page tall-format booklet sits in the box atop the rank of 99 colour-coded
sleeves. It comprises a disc by disc list of contents (with titles and Searle
numbers), a seven page ‘intro’ to the life of Liszt and an essay on Howard’s
engagement with the Liszt project. You also have indices by S number and alphabetically
by title. These are all linked to the volume number and track. For timings
and date of recording sessions you must go to the sleeves. You will look in
vain for recording locations though Mr Howard does tell us that most were
made in churches. There’s no work-by-work commentary; for that you need to
go to the Hyperion website where all the booklets for the discs as individually
issued are available as PDFs. These were largely written by Howard although
there are a few from Gerald Larner. Those S references are the numbers accorded
by composer and Liszt authority Humphrey Searle in his catalogue as updated
by Sharon Winklhofer, Michael Short and Leslie Howard. The essay is presented
in English, French, German and Italian. There are also photos of Liszt as
well as other portraits. It is typical of Hyperion that their website also
offers the texts of the poems that inspired Liszt in particular pieces. The
Petrarch sonnets on Vol. 10 are treated in this way.
This box is very much designed for ease of use. The colour coding categories
and sub-categories within each family colour are listed on the base of the
box, on the lip of the box as the lid is opened and on the back of the booklet.
One of the few criticisms is that the lid is already beginning to show signs
of wear and tear.
As far as I am aware no-one has come even close to the Leslie Howard’s achievement
in recording the complete works. I recall that Grant Johanessen (1921-2005),
based in the USA, recorded privately many LPs and then cassettes (these, sadly,
never travelled far or at least not in quantity) of Liszt’s piano music but
that’s about it. The ubiquitous Naxos have their own Liszt series (32 CDs
issued so far) but this is not yet complete and is in any event a project
involving a wide span of pianists rather than a single individual.
The gain in comparison with original individual CDs is in price, in saved
shelf space and in having one place to go for all Liszt’s piano music. Price-saving
would conservatively be the difference between Hyperion’s Liszt centenary
offer of £7 per disc and Hyperion’s own direct price of £2.50 per disc. Amazon
have the set for the equivalent of £1.65 per disc. What do you ‘sacrifice’?
You do not get any notes on individual works: title, date, timing and S number
– that’s your lot. One may download, at Hyperion's web site, all of the liner-notes
and booklet covers which accompanied each CD release over the years: http://www.hyperion-records.co.uk/al.asp?al=CDS44501/98.
If you must have the individual volumes then you can get them though I note
that Vols. 2, 28, 42, 51 and 52 are temporarily out-of-stock with fresh supplies
announced as due in March 2011.
I have perforce had to take a meagre sampling across the 98 discs to have
any hope of completing the review within a reasonable period after release.
Take the Eighth Etude from the Douze Etudes S136. This passes
in a tempestuous storm which only betrays its callow date of origin by its
rather undistinguished material. On the other hand its successor in the sequence
is polished, placid and Chopin-like. The last of the six discs devoted to
the Etudes and Early Works includes a precursor to the Mephisto mood
so beloved of the composer. It takes the form of Ab Irato S143 in its
1852 second version; its darkly furious vortex does not preclude serenity
along the way. Superbly done. The Chanson du Béarn of 1844 is S236/2.
This finds a more peaceable demeanour suggestive of a pilgrim happening upon
some calming vista. The pulse is nicely slowed and the contours are rounded
by a slow carillon. On CD13 we encounter the rather grown-up Hymne du Matin
(tr. 4) from the Harmonies poétiques et réligieuses S172a in Howard’s
own performing version. This is a fantastic piece and is full of richly rippling
deliquescent melody. On CD19 Wiegenlied is paced to match the hushed
and magical demeanour of the music. The opening rather pre-echoes the start
of Mahler’s Adagietto. The Festvorspiel S226 on CD21 has a sort
of strummed pomp and no little sense of heroic self-importance. The Ad
benedictus from Responsorien und Antiphonen S30 is much more subdued
and introspective as expected from its devotional background. Fascinating
to discover this series written ‘for private meditation’. From 1846 comes
the Magyar Dalok and Magyar Rapszodiak - the mulch from which the more
famous Hungarian Rhapsodies were derived. Sampling No. 21 (tr. 6 on
CD32) one detects the hallmarks of those tense and revealingly volatile folk
voices – dreamy and then feral and unleashed. There are thirteen discs comprising
Liszt’s operatic extravaganzas. The 1850 Pastorale from Meyerbeer’s
Le Prophète is by turns moonlit, dreamy and finally dazzlingly pulsating
– no wonder the ladies swooned. It ends in a pummelling salvo. The three movements,
of which the Pastorale is the last, run to close to 45 minutes. The
Liszt transcriptions of Beethoven are well enough known in relation to the
symphonies if little heard in practice. I seem to recall the early Teldec
LP recordings being made by Cyprien Katsaris. I decided to try instead the
Beethoven Grand Septuor S465. This is pointed and played with fidelity
to the Beethovenian spirit. You could never say that the composer had taken
Beethoven as a platform and exploited the opportunity to his own ends. On
CD 67 the last track is the Marche Funèbre from Beethoven’s Eroica
– this is taken with immense and even italicised gravitas by Howard; risks
are taken. There are ten discs of Schubert transcriptions. Taking Die Forelle
S564 on CD 73: this is a free and sometimes enjoyably angular and awkward
rhapsody around the famous chuckling tune. On CD 85 I tried the Album-Leaf
in A flat Portugal S166b. It turned out to be an unassuming and
unmemorable little piece. The last five discs in the set comprise the music
for piano and orchestra. Of these I snapped directly toward Totentanz –
a long-time favourite of mine even above the two numbered piano concertos.
I recall playing to death a cassette of a broadcast by Ronald Smith with the
BBCNSO conducted by Norman Del Mar. Excellent – this Hyperion version has
a positively satanic brass blare and a thunderously impetuous mien as we are
swept back and forth by the hot winds of the Dies Irae. It’s sensibly
tracked into seven episodes, each directly accessible. The orchestral sound
is grateful to the orchestra and piano – exemplary balance throughout. I loved
the louring and leering brass. This music pairs nicely with Berlioz’s Fantastique
and Mussorgsky’s Night on the Bare Mountain. The De profundis
is in six movements with a delicious Polacca movement – not to
be missed. As for Malediction on CD 96 the defiant curse is unleashed
with some vehemence but in large part this is revenge worked up in meditation
and reflection. CD 99 is the shortest disc at 17:39 and comprises the rarely
heard Ungarische Zigeunerweisen S714 which were written by Sophie Menter
(1846-1918) with Liszt’s collaboration. Quite evidently the orchestration
is by Tchaikovsky. Lots of fun here and quite a piece to try, sight unseen,
on your unwitting classical music friends. These discs are very nicely and
aptly done by the idiomatic and lovingly recorded Budapest Symphony Orchestra
conducted by Karl Anton Rickenbacher. The Ungarische Zigeunerweisen
would go nicely in concert with Tchaikovsky’s Concert Fantasia.
It is a mark of Hyperion’s delectable ambition that no sooner have they finished
the Howard series than they launch another Liszt edition – the complete The
Complete Songs, Vol. 1 CDA67782 with Matthew Polenzani (tenor), Julius Drake
(piano). Now we also have Marc-André Hamelin’s Fantasie und Fuge über das
Thema B-A-C-H S529ii, Bénédiction de Dieu dans la solitude S173/3,
Venezia e Napoli; Gondoliera, Canzone, Tarantella
and Sonate ‘Piano Sonata in B minor’ S178 all on CDA67760. Then
again they never allowed the keyboard focus to prevent obstruct forays into
the choral music (Missa Choralis and Via Crucis) with the Corydon
Singers/Best on CDA67199. There are also isolated piano discs of the Années
de pèlerinage, Suisse (CDA67424) and Liszt: Sonata, Ballades and Polonaises
(CDA67085) from Stephen Hough, the Harmonies poétiques et religieuses from
Steven Osborne (CDA67445) and Marc-André Hamelin in a Liszt recital (CDA66874)
as well another of Paganini Studies and Schubert Marches (CDA67370).
Nikolai Demidenko can be heard in the Sonata on CDH55184. Though now deleted
there’s also the Liszt Music for Violin and Piano from Chris Nicholls
and Jonathan Ayerst on CDA66743 which can be had via the label’s Archive Service.
Very soon these will be joined by the BBC Scottish Symphony Orchestra/Ilan
Volkov on CDA67856 in a fascinating programme of Von der Wiege bis zum
Grabe, S107, Trois Odes funèbres, S112 and Zwei Episoden aus
Lenaus Faust, S110.
Howard brings an archivist’s rigour and a high priest’s fervour to this astonishing
project.
Rob Barnett
Howard brings an archivist’s rigour and a high priest’s fervour to this project.
Detailed track-listing
THE YOUNG LISZT
CD1
1
Variation über einen Walzer von Diabelli, S147 [1'54] Anton Diabelli (1781-1858)
2
Walzer, S208a [1'05]
3
Fünf Variationen über die Romanze aus der Oper "Joseph" von Méhul,
S747a [7'20] Franz Xaver Mozart (1791-1844) & Etienne-Nicolas Méhul (1763-1817)
4
Huit Variations {on an original theme}, S148 Op 1 [14'38]
5
Sept Variations brillantes sur un thème de Rossini {from "Ermione"},
S149 Op 2 [9'15] Gioacchino Rossini (1792-1868)
6
Impromptu brillant sur des thèmes de Rossini et Spontini, S150 Op 3 [12'12]
Gioacchino Rossini (1792-1868) & Gaspare Spontini (1774-1851)
7
Allegro di bravura, S151 Op 4 No 1 [9'00]
8
Rondo di bravura, S152 Op 4 No 2 [12'10]
Douze Études 'Étude en douze exercices', S136 Op 6
CD2
1
No 1: C major [1'13]
2
No 2: A minor [1'14]
3
No 3: F major [2'19]
4
No 4: D minor [1'10]
5
No 5: B flat major [2'46]
6
No 6: G minor [1'23]
7
No 7: E flat major [2'24]
8
No 8: C minor [1'47]
9
No 9: A flat major [3'17]
10
No 10: F minor [1'55]
11
No 11: D flat major [2'56]
12
No 12: B flat minor [2'08]
13
Scherzo, S153 [1'06]
Two Hungarian Recruiting Dances by László Fáy and János Bihari 'Zum Andenken',
S241
14
No 1: Kinizsi nótája [2'37]
15
No 2: Lassú magyar [2'46]
16
Waltz, S209a [1'30]
17
Galop de bal, S220 [0'43]
18
Marche hongroise, S233b [1'01]
19
Klavierstück aus der Bonn Beethoven-Kantate, S507 [2'32]
20
Klavierstück, S189b [0'49]
21
Klavierstück, S189a [0'59]
22
Gestorben war ich, S540a [1'15]
23
Berceuse, S174i [4'50]
24
Feuille d'album No 1, S164 [2'21]
25
Feuille d'album No 2, S167 [5'44]
26
Feuilles d'album, S165 [2'40]
Apparitions, S155
27
No 1: Senza lentezza quasi allegretto [6'19]
28
No 2: Vivamente [3'43]
29
No 3: Fantaisie sur une valse de François Schubert [7'46]
DOUZE GRANDES ÉTUDES
Douze Grandes Études, S137
CD3
1
No 1 in C major: Presto [0'52]
2
No 2 in A minor: Molto vivace a capriccio [2'34]
3
No 3 in F major: Poco adagio [5'09]
4
No 4 in D minor: Allegro patetico [6'23]
5
No 5 in B flat major: Equalmente [4'25]
6
No 6 in G minor: Largo patetico [6'41]
7
No 7 in E flat major: Allegro deciso [5'32]
8
No 8 in C minor: Presto strepitoso [7'40]
9
No 9 in A flat major: Andantino [10'22]
10
No 10 in F minor: Presto molto agitato [5'57]
11
No 11 in D flat major: Lento assai [9'36]
12
No 12 in B flat minor: Andantino [8'22]
13
Morceau de salon – Étude de perfectionnement, S142 [2'08]
ÉTUDES D'EXÉCUTION TRANSCENDANTE
Douze Études d'exécution transcendante, S139
CD4
1
No 1: Preludio [0'48]
2
No 2: [untitled] [2'24]
3
No 3: Paysage [5'15]
4
No 4: Mazeppa [7'19]
5
No 5: Feux follets [4'05]
6
No 6: Vision [6'01]
7
No 7: Eroica [4'41]
8
No 8: Wilde Jagd [5'31]
9
No 9: Ricordanza [10'33]
10
No 10: [untitled] [4'19]
11
No 11: Harmonies du soir [9'32]
12
No 12: Chasse-neige [6'19]
13
Valse de Marie, S212a [1'14]
14
Adagio, S158d [0'49]
15
Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S168ii [7'35] Prince
Louis Ferdinand of Prussia (1772-1806)
COMPLETE PAGANINI ÉTUDES
Grandes Études de Paganini, S141 Nicolò Paganini (1782-1840)
CD5
1
No 1: Étude in G minor 'Tremolo' [5'06]
2
No 2: Étude in E flat major 'Octave' [5'16]
3
No 3: Étude in G sharp minor 'La campanella' [4'38]
4
No 4: Étude in E major 'Arpeggio' [2'19]
5
No 5: Étude in E major 'La chasse' [3'11]
6
No 6: Étude in A minor 'Theme and variations' [5'31]
Études d'exécution transcendante d'après Paganini, S140 Nicolò Paganini (1782-1840)
7
No 1: Étude in G minor [5'31]
8
No 2: Étude in E flat major [5'33]
9
No 3: Étude in A flat minor [4'37]
10
No 4/II: Étude in E major [4'22]
11
No 5: Étude in E major [4'29]
12
No 6: Étude in A minor [6'31]
13
No 1, second version: Étude in G minor incorporating Schumann's Op 10 No 2
[4'54]
14
No 4/I: Étude in E major [2'48]
15
No 5, alternative text: Étude in E major [4'15]
16
Mazeppa, S138 [7'00]
Technische Studien, S146
17
No 62: Sprünge mit der Tremolo-Begleitung [1'13]
PRÉLUDES, CONCERT ÉTUDES & EPISODES FROM FAUST
CD6
1
Les préludes – Poème symphonique No 3, S511a [16'34]
Trois Études de concert – Trois caprices poétiques, S144
2
No 1 in A flat major: Il lamento [9'26]
3
No 2 in F minor: La leggierezza [5'33]
4
No 3bis in D flat major: [two short cadenzas] [0'44]
5
No 3 in D flat major: Un sospiro, with cadenza and revised coda [5'50]
6
Ab irato – Étude de perfectionnement, S143 [2'34]
Zwei Konzertetüden, S145
7
No 1: Waldesrauschen [4'47]
8
No 2: Gnomenreigen [3'10]
Zwei Episoden aus Lenaus Faust, S513a S514
9
No 1: Der nächtliche Zug, S513a [14'20]
10
No 2: Der Tanz in der Dorfschenke – [Erster] Mephisto-Walzer, first version,
S514 [10'08]
ALBUM D'UN VOYAGEUR
CD7
1
Fantaisie romantique sur deux mélodies suisses, S157 [18'01]
Album d'un voyageur, S156
2
I: Impressions et poésies. No 1: Lyon [6'58]
3
I: Impressions et poésies. No 2a: Le lac de Wallenstadt [2'51]
4
I: Impressions et poésies. No 2b: Au bord d'une source [4'41]
5
I: Impressions et poésies. No 3: Les cloches de G***** [11'54]
6
I: Impressions et poésies. No 4: Vallée d'Obermann [14'02]
7
I: Impressions et poésies. No 5: La chapelle de Guillaume Tell [7'08]
8
I: Impressions et poésies. No 6: Psaume [2'58]
CD8
1
II: Fleurs mélodiques des Alpes. No 7a: Allegro [1'45]
2
II: Fleurs mélodiques des Alpes. No 7b: Lento [4'16]
3
II: Fleurs mélodiques des Alpes. No 7c: Allegro pastorale [2'48]
4
II: Fleurs mélodiques des Alpes. No 8a: Andante con sentimento [4'20]
5
II: Fleurs mélodiques des Alpes. No 8b: Andante molto espressivo [7'10]
6
II: Fleurs mélodiques des Alpes. No 8c: Allegro moderato [3'22]
7
II: Fleurs mélodiques des Alpes. No 9a: Allegretto [3'55]
8
II: Fleurs mélodiques des Alpes. No 9b: Allegretto [3'10]
9
II: Fleurs mélodiques des Alpes. No 9c: Andantino con molto sentimento [4'03]
10
III: Paraphrases. No 10: Ranz de vaches [de F Huber] – Aufzug auf die Alpe
– Improvisata [10'41]
11
III: Paraphrases. No 11: Un soir dans les montagnes [de Knop] – Nocturne pastorale
[11'02]
12
III: Paraphrases. No 12: Ranz de chèvres [de F Huber] – Allegro finale [6'27]
13
Faribolo pastour – Chanson tirée du poème de Françonetto de Jasmin, S236/1
[4'33]
14
Chanson du Béarn, S236/2 [5'04]
ANNÉES DE PÈLERINAGE I
Années de pèlerinage, première année – Suisse, S160
CD9
1
No 1: Chapelle de Guillaume Tell [6'25]
2
No 2: Au lac de Wallenstadt [2'41]
3
No 3: Pastorale [2'01]
4
No 4: Au bord d'une source [4'11]
5
No 5: Orage [4'25]
6
No 6: Vallée d'Obermann [13'47]
7
No 7: Eglogue [3'40]
8
No 8: Le mal du pays (Heimweh) [5'16]
9
No 9: Les cloches de Genève – Nocturne [7'17]
Trois Morceaux suisses, S156a
10
No 1: Ranz de vaches – Mélodie de Ferdinand Huber, avec variations [9'52]
11
No 2: Un soir dans la montagne – Mélodie d’Ernest Knop – Nocturne [8'41]
12
No 3: Ranz de chèvres – Mélodie de Ferdinand Huber – Rondeau [7'27]
ANNÉES DE PÈLERINAGE II
Années de pèlerinage, deuxième année – Italie, S161
CD10
1
No 1: Sposalizio [7'25]
2
No 2: Il penseroso [5'16]
3
No 3: Canzonetta del Salvator Rosa [2'42]
4
No 4: Sonetto 47 del Petrarca [5'53] ItalianoEnglishFrançaisDeutsch
5
No 5: Sonetto 104 del Petrarca [5'55] ItalianoEnglishFrançaisDeutsch
6
No 6: Sonetto 123 del Petrarca [6'31] ItalianoEnglishFrançaisDeutsch
7
No 7: Après une lecture du Dante 'Fantasia quasi Sonata' [17'36]
Venezia e Napoli – Supplement aux Années de Pèlerinage seconde volume, S162
8
No 1: Gondoliera [6'06]
9
No 2: Canzone [3'55]
10
No 3: Tarantella [8'55]
11
Au bord d'une source, S160/4bis [4'56]
ANNÉES DE PÈLERINAGE III
Fünf Ungarische Volkslieder – Öt magyar népdal, S245
CD11
1
No 1: Lassan. Lento [1'13]
2
No 2: Mérsekélve. Allegretto [0'37]
3
No 3: Lassan. Andante [1'02]
4
No 4: Kissé élénken. Vivace [0'52]
5
No 5: Búsongva. Lento [1'38]
Historische ungarische Bildnisse, S205
6
No 1: Széchényi István [2'33]
7
No 2: Eötvös József [2'18]
8
No 3: Vörösmarty Mihály [2'40]
9
No 4: Teleki László [2'47]
10
No 5: Deák Ferenc [2'08]
11
No 6: Petöfi Sándor [4'47]
12
No 7ii: Mosonyi Mihály [5'39]
13
Puszta Wehmut – A puszta keserve, S246 [2'20]
14
Ungarns Gott, S543bis [3'26]
Années de pèlerinage, troisième année, S163
15
No 1: Angelus! – Prière aux anges gardiens [5'30]
16
No 2: Aux cyprès de la Villa d'Este – Thrénodie I [4'46]
17
No 3: Aux cyprès de la Villa d'Este – Thrénodie II [7'43]
18
No 4: Les jeux d'eaux à la Villa d'Este [6'29]
19
No 5: Sunt lacrymae rerum – en mode hongrois [5'25]
20
No 6: Marche funèbre – en mémoire de Maximilien I, Empereur du Mexique, d.
19 juin 1867 [4'03]
21
No 7: Sursum corda – Erhebet eure Herzen [2'53]
BALLADES, LEGENDS & POLONAISES
CD12
1
Ballade No 1 'Le chant du croisé' – Première Ballade, S170 [7'25]
2
Ballade No 2 – Deuxième Ballade, S171 [13'15]
Légendes, S175
3
No 1: St François d'Assise – La prédication aux oiseaux [8'46]
4
No 2: St François de Paule marchant sur les flots [7'31]
5
Berceuse, S174ii [9'21]
6
Impromptu, S191ii [2'59]
7
Klavierstück, S189 [2'51]
Deux Polonaises, S223
8
No 1: Polonaise mélancolique in C minor [11'11]
9
No 2: Polonaise in E major [8'23]
HARMONIES POÉTIQUES & RELIGIEUSES
CD13
1
Ave Maria 'Die Glocken von Rom', S182 [5'19]
2
Ave maris stella, S506 [4'50]
Harmonies poétiques et religieuses, S172a
3
No 1: Invocation [2'57]
4
No 2: Hymne du matin [4'09]
5
No 3: Hymne de la nuit [6'57]
6
Harmonies poétiques et religieuses, S154 [7'38]
Harmonies poétiques et religieuses, S173
7
No 1: Invocation [6'35]
8
No 2: Ave Maria [5'27]
9
No 3: Bénédiction de Dieu dans la solitude [14'27]
10
No 4: Pensée des morts [11'49]
11
No 5: Pater noster [1'56]
12
No 6: Hymne de l'Enfant à son réveil [5'29]
CD14
1
No 7: Funérailles [11'39]
2
No 8: Miserere d'après Palestrina [3'26]
3
No 9: [Andante lagrimoso] [7'13]
4
No 10: Cantique d'amour [5'49]
5
Alleluia, S183/1 [3'35]
6
Ave Maria d'Arcadelt, S183/2 [3'51]
7
In domum Domini ibimus, S505 [2'53]
8
O Roma nobilis, S506b [1'20]
9
Slavimo slavno Slaveni!, S503 [1'38]
10
Ave Maria, S504i [1'38]
11
Ave Maria, S504ii [4'06]
12
L'hymne du Pape, S530 [2'57]
13
In festo transfigurationis Domini nostri Jesu Christi, S188 [1'30]
14
Sancta Dorothea, S187 [1'44]
15
Ave Maria, S545 [1'33]
Benedictus und Offertorium aus der ungarischen Krönungsmesse, S501
16
No 1: Benedictus [5'16]
17
No 2: Offertorium [4'05]
18
Stabat mater, S172b [3'51]
19
Urbi et orbi – Bénédiction papale, S184 [3'53]
20
Vexilla regis prodeunt, S185 [5'16]
LITANIES DE MARIE
Harmonies poétiques et religieuses, S172a
CD15
1
No 4: Litanies de Marie (second version) [13'30]
2
No 5: Miserere (first version) [1'59]
3
No 6: Pater noster, d'après la Psalmodie de l'Église (first version) [3'11]
4
No 7: Hymne de l'Enfant à son réveil (second version) [6'55]
5
No 8: [De profundis] (second version) [10'41]
6
No 9: La lampe du temple – Andante lagrimoso (first version) [9'07]
7
No 10: [Hymne] [5'34]
8
No 11: [Bénédiction] (second version of S171d/1) [4'27]
9
Prière d'un enfant à son réveil, S171c [2'46]
10
Prélude 'Préludes et Harmonies poétiques et religieuses', S171d/1 [4'30]
11
Litanies de Marie, S171e [8'49]
FANTASY, VARIATIONS, FUNERAL ODES & CONCERT SOLO
CD16
1
Fantasie und Fuge über das Thema B-A-C-H, S529ii [10'46]
2
Weinen, Klagen, Sorgen, Zagen 'Präludium nach Johann Sebastian Bach', S179
[5'35] Johann Sebastian Bach (1685-1750)
3
Variationen über das Motiv von Bach, S180 [13'08] Johann Sebastian Bach (1685-1750)
4
Les morts – Oraison, S516 [7'38]
5
La notte, S516a [10'32]
6
Le triomphe funèbre du Tasse, S517 [10'45]
7
Grosses Konzertsolo, S176 [18'51]
SONATA, ELEGIES, CONSOLATIONS, GRETCHEN, TOTENTANZ
Sonate 'Piano Sonata in B minor', S178
CD17
1
Section 1: Lento assai [0'30]
2
Section 2: Allegro energico [2'18]
3
Section 3: Grandioso [1'39]
4
Section 4: third theme melody [3'00]
5
Section 5: codetta [0'28]
6
Section 6: development [2'07]
7
Section 7: Andante sostenuto [5'23]
8
Section 8: fugato [1'28]
9
Section 9: recapitulation [0'34]
10
Section 10: Più mosso [0'52]
11
Section 11: second subject reprise [2'04]
12
Section 12: Stretta [1'19]
13
Section 13: slow movement theme [2'22]
14
Première élégie, S196 [4'22]
15
Zweite Elegie, S197 [3'43]
Consolations – Six pensées poétiques, S172
16
No 1: E major [1'02]
17
No 2: E major [2'35]
18
No 3: D flat major [3'50]
19
No 4: D flat major 'Stern-Consolation on a theme by Grand Duchess Maria Pavlovna'
[2'11]
20
No 5: E major [1'56]
21
No 6: E major [2'52]
22
Gretchen aus Faust-Symphonie, S513 [15'48]
23
Totentanz, S525 [14'13]
CHRISTMAS TREE, CHORALES & VIA CRUCIS
Weihnachtsbaum, S186
CD18
1
No 1: Psallite – Altes Weihnachtslied [1'55]
2
No 2: O heilige Nacht! – Weihnachtslied nach einer alten Weise [3'37]
3
No 3: Die Hirten an der Krippe – In dulci iubilo [2'30]
4
No 4: Adeste fideles – Gleichsam als Marsch der heiligen drei Könige [2'57]
5
No 5: Scherzoso – Man zundet die Kerzen des Baumes an [2'05]
6
No 6: Carillon [1'42]
7
No 7: Schlummerlied [2'42]
8
No 8: Altes provenzalisches Weihnachtslied [1'28]
9
No 9: Abendglocken [3'29]
10
No 10: Ehemals! [2'55]
11
No 11: Ungarisch [1'44]
12
No 12: Polnisch [5'42]
13
Weihnachtslied 'Christus ist geboren', S502 [0'47]
Via Crucis, S504a
14
Introduction: Vexilla regis [2'48]
15
Station 1: Jésus est condamné à mort [0'50]
16
Station 2: Jésus est chargé de sa croix [2'17]
17
Station 3: Jésus tombe pour la première fois [0'55]
18
Station 4: Jésus rencontre sa très sainte mère [1'23]
19
Station 5: Simon le Cyrénéen aide Jésus à porter sa croix [2'03]
20
Station 6: Sancta Veronica [2'00]
21
Station 7: Jésus tombe pour la seconde fois [0'55]
22
Station 8: Les femmes de Jérusalem [1'36]
23
Station 9: Jésus tombe une troisième fois [0'59]
24
Station 10: Jésus est dépouillé de ses vêtements [1'31]
25
Station 11: Jésus est attaché à la croix [0'37]
26
Station 12: Jésus meurt sur la croix [4'57]
27
Station 13: Jésus est déposé de la croix [2'19]
28
Station 14: Jésus est mis dans le sépulcre [4'10]
Choräle, S506a
29
No 1: Crux ave benedicta [1'21]
30
No 2: Jesu Christe – Die fünf Wunden [1'29]
31
No 3: Meine Seele erhebt den Herrn (Der Kirchensegen, Psalm 67) [0'48]
32
No 4: Nun danket alle Gott [0'38]
33
No 5: Nun ruhen all Wälder [1'03]
34
No 6: O Haupt voll Blut und Wunden [1'09]
35
No 7: O Lamm Gottes [1'11]
36
No 8: O Traurigkeit [1'15]
37
No 9: Vexilla regis [1'19]
38
No 10: Was Gott tut, das ist wohlgetan [1'03]
39
No 11: Wer nur den Lieben Gott lässt walten? [0'57]
LATE PIECES
CD19
1
Schlaflos! Frage und Antwort – Nocturne nach einem Gedicht von A Raab, S203i
[1'52]
2
Trübe Wolken – Nuages gris, S199 [2'39]
3
Recueillement – Vincenzo Bellini in memoriam, S204 [2'25]
4
Toccata, S197a [0'59]
5
Resignazione, S187a/i [0'59]
6
Wiegenlied – Chant du berceau, S198 [2'36]
7
Unstern! – Sinistre – Disastro, S208 [3'12]
8
Carrousel de Madame P-N, S214a [0'49]
Fünf Klavierstücke, S192
9
No 5: Sospiri! [2'30]
10
Schlaflos!, alternative version, S203ii [1'43]
11
Klavierstück, S193 [1'53]
Fünf Klavierstücke, S192
12
No 1: E major [2'27]
13
No 2: A flat major [2'05]
14
En rêve – Nocturne, S207 [2'02]
Fünf Klavierstücke, S192
15
No 3: F sharp major [1'15]
16
Romance oubliée 'Vergessener Romanze', S527 [2'48]
Fünf Klavierstücke, S192
17
No 4: F sharp major [1'09]
18
Die Trauergondel – La lugubre gondola I, S200/1 [3'47]
19
Die Trauergondel – La lugubre gondola II, S200/2 [6'18]
20
RW – Venezia, S201 [1'57]
21
Am Grabe Richard Wagners, S202 [2'11]
22
Abschied – Russisches Volkslied, S251 [1'56]
23
Slyepoi 'Der blinde Sänger', S546 [5'36]
24
Ungarns Gott, S543 [3'01]
25
Ungarisches Königslied, S544 [3'20]
26
Epithalam zu Eduard Reményis Vermählungsfeier, S526 [3'24]
27
Mosonyis Grabgeleit – Mosonyi Gyázmenete, S194 [5'12]
28
Dem Andenken Petöfis – Petöfi Szellemének, S195 [3'08]
Trauervorspiel und Trauermarsch, S206
29
Movement 1: Trauervorspiel [1'35]
30
Movement 2: Trauermarsch [3'39]
WALTZES
CD20
1
Valse oubliée No 2, S215/2 [5'25]
2
Zweiter Mephisto-Walzer 'Mephisto Waltz No 2', S515 [9'41]
3
Valse oubliée No 3, S215/3 [5'00]
4
Dritter Mephisto-Walzer 'Mephisto Waltz No 3', S216 [7'39]
5
Valse oubliée No 4, S215/4 [2'46]
6
Vierter Mephisto-Walzer 'Mephisto Waltz No 4', S696 [6'36]
7
Ländler, S211 [0'57]
8
Albumblatt in Walzerform, S166 [0'45]
9
Valse-Impromptu, S213 [5'04]
10
Valse mélancolique, S214/2 [6'13]
11
Valse de bravoure, S214/1 [7'06]
12
Bagatelle sans tonalité, S216a [2'23]
13
Valse oubliée No 1, S215/1 [3'05]
14
Der Tanz in der Dorfschenke – Erster Mephisto-Walzer 'Mephisto Waltz No 1',
S514a [11'18] English FrançaisDeutsch
DANCES & MARCHES
CD21
1
Scherzo und Marsch, S177 [12'15]
2
Petite valse favorite, S212ii [3'38]
3
Mazurka brillante, S221 [4'37]
4
Grand galop chromatique, S219 [4'10]
5
Galop, S218 [8'12]
6
Festpolonaise, S230a [4'06]
7
Csárdás, S225/1 [1'28]
8
Csárdás obstinée, S225/2 [3'12]
9
Csárdás macabre, S224 [7'28]
10
Mephisto-Polka, S217i [4'29]
11
Festvorspiel, S226 [4'27]
12
Heroischer Marsch im ungarischem Stil, S231 [6'19]
13
Ungarischer Sturmmarsch, S524 [5'16]
CD22
1
Goethe-Festmarsch, S521 [10'12]
2
Zweite Festmarsch nach Motiven von E H z S-C-G, S522 [8'18] Ernst, Duke of
Sachsen-Coburg-Gotha (1818-1893)
3
Marche héroïque, S510 [8'05]
4
Huldigungsmarsch, S228ii [5'56]
5
Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S523 [4'31]
6
Siegesmarsch, S233a [3'46]
7
Ungarischer Geschwindmarsch, S233 [3'10]
8
Vom Fels zum Meer!, S229 [6'36]
9
Bülow-Marsch, S230 [5'12]
10
Künstlerfestzug, S520ii [9'08]
11
Rákóczi-Marsch nach der Orchesterbearbeitung, S244a [10'48]
ST ELIZABETH, CHRISTUS & ST STANISLAUS
Drei Stücke aus der Legende der heiligen Elisabeth, S498a
CD23
1
No 1: Orchester Einleitung [6'58]
2
No 2: Marsch der Kreuzritter [6'46]
3
No 3: Interludium [7'21]
Zwei Orchestersätze aus dem Oratorium "Christus", S498b
4
No 1: Hirtengesang an der Krippe [10'45]
5
No 2: Die heiligen drei Könige – Marsch [10'48]
Deux Polonaises {de l'oratorio St. Stanislas}, S519
6
No 1: Polonaise I [5'32]
7
No 2: Polonaise II [8'03]
8
Salve Polonia – Interludium aus dem Oratorium Stanislaus, S518 [15'47]
LIEBESTRÄUME & THE SONGBOOKS
Liebesträume – 3 Notturnos für das Pianoforte, S541
CD24
1
No 1: Hohe Liebe [5'44]
2
No 2: Seliger Tod [4'04]
3
No 3: O lieb, so lang du lieben kannst! [4'06]
Buch der Lieder für Piano allein – 6 Poésies – I, S531
4
No 1: Die Lorelei (first version) [6'52]
5
No 2: Am Rhein, im schönen Strome [3'14]
6
No 3: Mignons Lied [5'54]
7
No 4: Der König von Thule [2'52]
8
No 5: Der du von dem Himmel bist [4'48]
9
No 6: Angiolin dal biondo crin [5'29]
Buch der Lieder für Piano allein – 6 Poésies lyriques pour piano seul – II,
S535-540
10
No 1: Oh! quand je dors, S536 [4'52]
11
No 2: Comment, disaient-ils, S535 [2'25]
12
No 3: Enfant, si j'étais roi, S537 [4'06]
13
No 4: S'il est un charmant gazon, S538 [3'25]
14
No 5: La tombe et la rose, S539 [4'12]
15
No 6: Gastibelza, S540 [4'43]
16
Die Lorelei, S532 [6'22]
CANTICLE OF THE SUN, FROM THE CRADLE TO THE GRAVE
CD25
1
San Francesco – Preludio per il Cantico del Sol, S498d [3'51]
2
Cantico del Sol di San Francesco d'Assisi, S499 [10'53]
Von der Wiege bis zum Grabe 'Du berceau jusqu'à la tombe', S512
3
No 1: Die Wiege 'Le berceau' [5'19]
4
No 2: Der Kampf um's Dasein 'Le combat pour la vie' [2'48]
5
No 3: Zum Grabe – Die Wiege des zukünftigen Lebens 'À la tombe – Berceau de
la vie future' [6'36]
6
O sacrum convivium, S674a [4'10]
Zwei Kirchenhymnen, S669
7
No 1: Salve regina [4'30]
8
No 2: Ave maris stella [4'44]
9
Gebet, S265 [1'27]
10
Ora pro nobis – Litanei, S262 [4'45]
11
O sacrum convivium, S674a/bis [4'21]
12
Resignazione – Ergebung, S187a/ii [3'11]
13
Il m'aimait tant, S533 [6'18]
14
Romance 'Ô pourquoi donc', S169 [3'12]
15
Ich liebe dich, S542a [3'21]
16
Die Zelle in Nonnenwerth, S534iii [7'37]
EXCELSIOR!
CD26
1
Excelsior! – Preludio [Die Glocken des Strassburger Münsters], S500 [3'41]
2
Die Zelle in Nonnenwerth, S534ii [6'49]
Consolations, S171a
3
No 1: E major [1'51]
4
No 2: E major [4'03]
5
No 3: C sharp minor [6'31]
6
No 4: D flat major [3'16]
7
No 5: E major [3'17]
8
No 6: E major [4'13]
9
Die Zelle in Nonnenwerth, S534ii/bis [6'54]
Geharnischte Lieder, S511
10
No 1: Vor der Schlacht [1'35]
11
No 2: Nicht gesagt! [3'00]
12
No 3: Es rufet Gott uns mahnend [2'06]
Rosario, S670
13
No 1: Mysteria gaudiosa [1'46]
14
No 2: Mysteria dolorosa [2'10]
15
No 3: Mysteria gloriosa [1'39]
16
Schlummerlied im Grabe, S195a [5'52]
17
Entwurf der Ramann-Elegie, S196a [4'23]
18
Weimars Volkslied, S542ii [1'15]
19
National Hymne 'Kaiser Wilhelm!', S197b [1'03]
20
Fanfare zur Enthüllung des Carl-Augusts Monument, S542b [1'04]
21
Weimars Volkslied, S542i [5'50]
RESPONSORIES & ANTIPHONS
Responsorien und Antiphonen, S30
CD27
1
Part 1 In nativitate Domini. 1 Responsorium 1 Versus: Gloria in excelsis Deo
[0'43]
2
Part 1 In nativitate Domini. 2 Responsorium 1 Gloria: Gloria Patri [0'40]
3
Part 1 In nativitate Domini. 3 Responsorium 2 Versus: Hodie illuxit [1'03]
4
Part 1 In nativitate Domini. 4 Responsorium 3 Versus: Dicite [0'44]
5
Part 1 In nativitate Domini. 5 Responsorium 3 Gloria: Gloria Patri [0'38]
6
Part 1 In nativitate Domini. 6 Responsorium 4 Versus: Ave Maria, gratia plena
[0'46]
7
Part 1 In nativitate Domini. 7 Responsorium 5 Versus: Beata, quae credidit
[0'52]
8
Part 1 In nativitate Domini. 8 Responsorium 6 Versus: Benedicta tu in mulieribus
[0'49]
9
Part 1 In nativitate Domini. 9 Responsorium 6 Gloria: Gloria Patri [0'35]
10
Part 1 In nativitate Domini. 10 Responsorium 7 Versus: Dies sanctificatus
[0'59]
11
Part 1 In nativitate Domini. 11 Responsorium 8 Versus: Omnia per ipsum facta
sunt [0'51]
12
Part 1 In nativitate Domini. 12 Responsorium 8 Gloria: Gloria Patri [0'47]
13
Part 2 Feria V in coena Domini. 1 Responsorium 1: In monte Oliveti [1'33]
14
Part 2 Feria V in coena Domini. 2 Responsorium 1 Versus: Vigilate [1'19]
15
Part 2 Feria V in coena Domini. 3 Responsorium 2: Tristis est anima mea [1'44]
16
Part 2 Feria V in coena Domini. 4 Responsorium 2 Versus: Ecce appropinquat
[1'38]
17
Part 2 Feria V in coena Domini. 5 Responsorium 3: Ecce vidimus [1'53]
18
Part 2 Feria V in coena Domini. 6 Responsorium 3 Versus: Vere languores [0'54]
19
Part 2 Feria V in coena Domini. 7 Responsorium 3 reprise: Ecce vidimus [1'52]
20
Part 2 Feria V in coena Domini. 8 Responsorium 4: Amicus meus [2'03]
21
Part 2 Feria V in coena Domini. 9 Responsorium 4 Versus: Bonum erat ei [1'36]
22
Part 2 Feria V in coena Domini. 10 Responsorium 5: Judas mercator pessimus
[1'28]
23
Part 2 Feria V in coena Domini. 11 Responsorium 5 Versus: Melius illi erat
[1'02]
24
Part 2 Feria V in coena Domini. 12 Responsorium 6: Unus ex discipulis meis
[1'15]
25
Part 2 Feria V in coena Domini. 13 Responsorium 6 Versus: Qui intingit [1'19]
26
Part 2 Feria V in coena Domini. 14 Responsorium 6 Reprise: Unus ex discipulis
meis [1'17]
27
Part 2 Feria V in coena Domini. 15 Responsorium 7: Eram quasi agnus [2'38]
28
Part 2 Feria V in coena Domini. 16 Responsorium 7 Versus: Omnes inimici mei
[2'26]
29
Part 2 Feria V in coena Domini. 17 Responsorium 8: Una hora non potuistis
[1'28]
30
Part 2 Feria V in coena Domini. 18 Responsorium 8 Versus: Quid dormitis? [1'29]
31
Part 2 Feria V in coena Domini. 19 Responsorium 9: Seniores populi [1'14]
32
Part 2 Feria V in coena Domini. 20 Responsorium 9 Versus: Collegerunt Pontifices
[1'14]
33
Part 2 Feria V in coena Domini. 21 Responsorium 9 Reprise: Seniores populi
[1'18]
34
Part 2 Feria V in coena Domini. 22 Ad Benedictus Antiphona: Traditor autem
dedit eis signum [1'06]
35
Part 3 Feria VI in Parasceve. 1 Responsorium 1: Omnes amici mei [1'31]
36
Part 3 Feria VI in Parasceve. 2 Responsorium 1 Versus: Inter iniquos [1'13]
37
Part 3 Feria VI in Parasceve. 3 Responsorium 2: Velum templi scissum est [1'29]
38
Part 3 Feria VI in Parasceve. 4 Responsorium 2 Versus: Petrae scissae sunt
[1'59]
39
Part 3 Feria VI in Parasceve. 5 Responsorium 3: Vinea mea electa [1'10]
40
Part 3 Feria VI in Parasceve. 6 Responsorium 3 Versus: Sepivi te [1'31]
41
Part 3 Feria VI in Parasceve. 7 Responsorium 4: Tamquam ad latronem [1'21]
42
Part 3 Feria VI in Parasceve. 8 Responsorium 4 Versus: Cumque iniecissent
[1'52]
43
Part 3 Feria VI in Parasceve. 9 Responsorium 5: Tenebrae factae sunt [2'16]
44
Part 3 Feria VI in Parasceve. 10 Responsorium 5 Versus: Exclamans Jesus [1'47]
45
Part 3 Feria VI in Parasceve. 11 Responsorium 6: Animam meam dilectam [3'09]
46
Part 3 Feria VI in Parasceve. 12 Responsorium 6 Versus: Insurrexerunt in me
[1'36]
47
Part 3 Feria VI in Parasceve. 13 Responsorium 7: Tradiderunt me [1'38]
48
Part 3 Feria VI in Parasceve. 14 Responsorium 7 Versus: Alieni insurrexerunt
[1'20]
49
Part 3 Feria VI in Parasceve. 15 Responsorium 8: Jesum tradidit [1'18]
50
Part 3 Feria VI in Parasceve. 16 Responsorium 8 Versus: Adduxerunt autem eum
[1'33]
51
Part 3 Feria VI in Parasceve. 17 Responsorium 9: Caligaverunt oculi mei [1'29]
52
Part 3 Feria VI in Parasceve. 18 Responsorium 9 Versus: O vos omnes [0'56]
53
Part 3 Feria VI in Parasceve. 19 Responsorium 9 Reprise: Caligaverunt oculi
mei [1'34]
54
Part 3 Feria VI in Parasceve. 20 Ad Benedictus Antiphona: Posuerunt super
caput eius [1'22]
CD28
1
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 1 Responsorium 1: Sicut
ovis [1'23]
2
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 2 Responsorium 1 Versus:
Tradidit in mortem [1'12]
3
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 3 Responsorium 2: Jerusalem,
surge [1'15]
4
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 4 Responsorium 2 Versus:
Deduc quasi torrentem [1'14]
5
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 5 Responsorium 3: Plange
quasi virgo [1'49]
6
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 6 Responsorium 3 Versus:
Accingite vos [1'39]
7
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 7 Responsorium 4: Recessit
pastor noster [1'57]
8
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 8 Responsorium 4 Versus:
Destruxit quidem [2'01]
9
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 9 Responsorium 5: O vos
omnes [1'00]
10
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 10 Responsorium 5 Versus:
Attendite [1'31]
11
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 11 Responsorium 6: Ecce
quomodo moritur iustus [1'51]
12
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 12 Responsorium 6 Versus:
Tamquam agnus [1'18]
13
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 13 Responsorium 7: Astiterunt
reges terrae [1'11]
14
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 14 Responsorium 7 Versus:
Quare fremuerunt gentes [1'21]
15
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 15 Responsorium 8: Aestimatus
sum [1'04]
16
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 16 Responsorium 8 Versus:
Posuerunt me [1'34]
17
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 17 Responsorium 9: Sepulto
Domino [1'43]
18
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 18 Responsorium 9 Versus:
Accedentes principes [1'26]
19
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 19 Ad Benedictus Antiphona:
Mulieres sedentes ad monumentum [1'00]
20
Part 5 In Officio defunctorum. 1 Responsorium 1: Credo quod Redemptor meus
[1'13]
21
Part 5 In Officio defunctorum. 2 Responsorium 1 Versus: Quem visurus [1'16]
22
Part 5 In Officio defunctorum. 3 Responsorium 2: Qui Lazarum resuscitasti
[1'09]
23
Part 5 In Officio defunctorum. 4 Responsorium 2 Versus: Qui venturus est [1'15]
24
Part 5 In Officio defunctorum. 5 Responsorium 3: Domine, quando veneris [1'11]
25
Part 5 In Officio defunctorum. 6 Responsorium 3 Versus 1: Commissa mea [1'15]
26
Part 5 In Officio defunctorum. 7 Responsorium 3 Versus 2: Requiem aeternam
[1'21]
27
Part 5 In Officio defunctorum. 8 Responsorium 4: Memento mei Deus [0'48]
28
Part 5 In Officio defunctorum. 9 Responsorium 4 Versus: De profundis [1'16]
29
Part 5 In Officio defunctorum. 10 Responsorium 5: Hei mihi! Domine [1'30]
30
Part 5 In Officio defunctorum. 11 Responsorium 5 Versus: Anima mea [1'07]
31
Part 5 In Officio defunctorum. 12 Responsorium 6: Ne recorderis [0'42]
32
Part 5 In Officio defunctorum. 13 Responsorium 6 Versus 1 & 2: Dirige,
Domine – Requiem aeternam [2'12]
33
Part 5 In Officio defunctorum. 15 Responsorium 7: Peccantem me [1'07]
34
Part 5 In Officio defunctorum. 16 Responsorium 7 Versus: Deus, in nomine tuo
[1'04]
35
Part 5 In Officio defunctorum. 17 Responsorium 8: Domine, secundum actum meum
[1'22]
36
Part 5 In Officio defunctorum. 18 Responsorium 8 Versus: Amplius lava me [1'14]
37
Part 5 In Officio defunctorum. 19 Responsorium 9: Libera me Domine de viis
inferni [1'39]
38
Part 5 In Officio defunctorum. 20 Responsorium 9 Versus 1: Clamantes et dicentes
[0'58]
39
Part 5 In Officio defunctorum. 21 Responsorium 9 Versus 2: Requiem aeternam
[1'13]
40
Part 5 In Officio defunctorum. 22 Responsorium 9bis: Libera me, Domine, de
morte [1'28]
41
Part 5 In Officio defunctorum. 23 Responsorium 9bis Versus 1: Tremens factus
[0'37]
42
Part 5 In Officio defunctorum. 24 Responsorium 9bis Versus 2: Dies illa, dies
irae [1'01]
43
Part 5 In Officio defunctorum. 25 Responsorium 9bis Versus 3: Requiem aeternam
[0'43]
44
Part 5 In Officio defunctorum. 26 Responsorium 9bis reprise: Libera me, Domine,
de morte [1'35]
45
Part 2 Feria V in coena Domini. 1 Responsorium 1 (variant harmonization):
In monte Oliveti [1'33]
46
Part 2 Feria V in coena Domini. 2 Responsorium 1 Versus (variant harmonization):
Vigilate [1'20]
47
Part 2 Feria V in coena Domini. 15 Responsorium 7 (variant harmonization):
Eram quasi agnus [2'38]
48
Part 2 Feria V in coena Domini. 16 Responsorium 7 Versus (variant harmonization):
Omnes inimici [2'26]
49
Part 3 Feria VI in Parasceve. 7a Responsorium 4 (variant harmonization): Tamquam
ad latronem [1'31]
50
Part 3 Feria VI in Parasceve. 7b Responsorium 4 (variant harmonization): Tamquam
ad latronem [1'32]
51
Part 3 Feria VI in Parasceve. 11 Responsorium 6 & Versus (variant harmonization):
Animam meam dilectam – Insurrexerunt in me [3'09]
52
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 11 Responsorium 6 (variant
harmonization): Ecce quomodo moritur iustus [1'42]
53
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). 12 Responsorium 6 Versus
(variant harmonization): Tamquam agnus [1'20]
54
Part 5 In Officio defunctorum. 1 Responsorium 1 & Versus (variant harmonizations):
Credo quod Redemptor meus – Quem visurus [1'13]
55
Part 5 In Officio defunctorum. 23 Responsorium 9bis Versus 1 (variant harmonization):
Tremens factus [0'40]
GAUDEAMUS IGITUR & PIÈCES D'OCCASION
CD29
1
Gaudeamus igitur – Paraphrase, S240i [9'08]
2
Una stella amica – Valzer, S551 [3'17] F Pezzini (?-?)
3
La marche pour le sultan Abdul Médjid-Khan, S403 [7'45] Giuseppe Donizetti
(1788-1856)
4
Seconda Mazurka di Tirindelli, variata da F Liszt, S573a [5'36] Pier Adolfo
Tirindelli (1858-1937)
5
Seconde Marche hongroise – Ungarischer Sturmmarsch, S232 [5'51]
6
Nocturne, S191i [3'19]
7
Festmarsch zur Säkularfeier von Goethes Geburtstag, S227 [7'48]
8
Solovei 'Le rossignol', S249d [2'37] Alexander Alexandrovich Alyabyev (1787-1851)
9
Galop russe, S478ii [2'44] Konstantin Bulhakov (1812-1862)
10
Lyubila ya 'Romance', S577i [3'26] Count Michael Jurjew Wielhorsky (1788-1856)
11
Gaudeamus igitur – Humoreske, S509 [8'39]
12
Ballade No 2, S170a [13'43]
FANTASIES ON NATIONAL SONGS & ANTHEMS
CD30
1
Szózat und Ungarischer Hymnus, S486 [10'00] Béni Egressy (1814-1851) &
Ferenc Erkel (1810-1893)
2
God save the Queen, S235 [6'46]
3
Canzone napolitana, S248i [5'08]
Ungarische Nationalmelodien, S243
4
Movement 1: Tempo giusto [1'30]
5
Movement 2: Animato [0'46]
6
Movement 3: Prélude – Allegretto [2'37]
7
Canzone napolitana – Notturno, S248ii [4'33]
8
Hussitenlied, S234 [6'49] Josef Theodor Krov (1797-1859)
Glanes de Woronince, S249
9
No 1: Ballade ukraine. Dumka [9'14]
10
No 2: Mélodies polonaises [4'47]
11
No 3: Complainte. Dumka [6'52]
12
La Marseillaise, S237 [5'11] Claude-Joseph Rouget de Lisle (1760-1836)
13
Vive Henri IV, S239 [1'31]
14
La cloche sonne, S238 [1'52]
15
Rákóczi-Marsch, S242a [4'39]
MAGYAR DALOK & MAGYAR RAPSZÓDIÁK
Magyar Dalok & Magyar Rapszódiák, S242
CD31
1
No 1: C minor. Lento [2'43]
2
No 2: C major. Andantino [1'16]
3
No 3: D flat major. Sehr langsam [2'54]
4
No 4: C sharp major. Animato [0'46]
5
No 5: D flat major. Tempo giusto [1'13]
6
No 6: G minor. Lento – Allegretto [4'49]
7
No 7: E flat major. Andante cantabile quasi adagio – Andantino – Più animato
(quasi Allegro) [7'01]
8
No 8: F minor. Lento [4'15]
9
No 9: A minor. Lento – Quasi Presto [10'11]
10
No 10: D major. Adagio sostenuto a capriccio – Allegro vivace – Più animato
[5'36]
11
No 11: B flat major. Andante sostenuto – Allegretto [4'07]
12
No 12: E minor 'Héroïde élégiaque'. Mesto – Adagio dolente – Un poco meno
Adagio [10'22]
13
No 13: A minor 'Rákóczi-Marsch'. Tempo di Marcia (Animato) – Un poco meno
Allegro – Tempo deciso assai [6'20]
14
No 14: A minor. Lento a capriccio – Andante sostenuto – Friska (Vivace assai)
– Vivacissimo [7'35]
15
No 15: D minor. Lento (Tempo e Stilo Zingarese) – Vivace – Più animato – Un
poco meno vivo, ma sempre marcato – Vivacissimo – Largo – Vivace – Più allegro
– Stretta – Più stretto – Prestissimo [10'03]
CD32
1
No 16: E major. Preludio – Andante deciso, sempre ben marcato il tempo – Un
poco meno vivo – A capriccio – Animato – Vivacissimo – Il più presto e fuocoso
possibile [6'45]
2
No 17: A minor. Andante sostenuto – Friska (Vivace) – Tempo rallentando, sempre
vivace – Vivacissimo [9'04]
3
No 18: C sharp minor. Intro – Adagio – Un poco più lento – Allegretto zingarese
– Tempo rubato – Tempo 1 – Allegretto vivace – Più allegro – Allegro gioioso
assai – Adagio – Allegro maestoso – Allegretto gioioso – Più mosso quasi presto
– Prestissimo – Ad [12'17]
4
No 19: F sharp minor. Lento patetico – Adagio malinconico assai – Allegretto
con eleganza – Presto giocoso assai – Tutta forza e prestezza – Adagio [11'21]
5
No 20: G minor 'Rumanian Rhapsody'. Allegro vivace – Presto e staccato – Andante
– Lento a capriccio malinconico – Variazione – Hermannstädter – Walachische
Melodie – Vivace spiritoso assai – Sempre presto strepitoso assai – Prestissimo
[15'41]
6
No 21: E minor. Lento (Tempo di marcia funebre) – Mesto – Allegro eroico –
Più animato – Poco allegro tempo capriccioso – Allegretto alla zingarese –
Allegro vivace – Vivace assai (Koltoi csárdás) – Prestissimo [12'28]
7
No 22: E flat major 'Pester Carneval'. Moderato a capriccio – Un poco più
animato (Allegretto) – Vivacissimo – Più allegro – Finale (Prestissimo) –
Quasi allegretto – Allegro vivace – Non troppo allegro – Animato [11'50]
RAPSODIES HONGROISES
Hungarian Rhapsodies, S244
CD33
1
No 1 in E major: Rapsodie hongroise I [15'13]
2
No 2 in C sharp minor/F sharp major, with cadenza for Toni Raab: Rapsodie
hongroise II [9'31]
3
No 3 in B flat minor: Rapsodie hongroise III [5'36]
4
No 4 in E flat major: Rapsodie hongroise IV [6'02]
5
No 5 in E minor: Rapsodie hongroise V 'Héroïde-élégiaque' [9'49]
6
No 6 in D flat major/B flat major: Rapsodie hongroise VI [7'07]
7
No 7 in D minor: Rapsodie hongroise VII [5'41]
8
No 8 in F sharp minor: Rapsodie hongroise VIII [6'51]
9
No 9 in E flat major: Rapsodie hongroise IX 'Le carnaval de Pest' [11'53]
CD34
1
No 10 in E major: Rapsodie hongroise X [6'08]
2
No 11 in A minor/F sharp major: Rapsodie hongroise XI [5'37]
3
No 12 in C sharp minor/D flat major: Rapsodie hongroise XII [10'22]
4
No 13 in A minor: Rapsodie hongroise XIII [9'20]
5
No 14 in F major: Rapsodie hongroise XIV [11'25]
6
No 15 in A minor: Rapsodie hongroise XV 'Rákóczi-Marsch' [5'57]
7
No 16 in A minor (second version): Rapsodie hongroise XVI [5'03]
8
No 17 in D minor: Rapsodie hongroise XVII [3'11]
9
No 18 in F sharp minor (with final version of coda): Rapsodie hongroise XVIII
[3'26]
10
No 19 in D minor: Rapsodie hongroise XIX d'après les "Csárdás nobles"
de K[ornél] Ábrányi [sr] [9'04]
UNGARISCHER ROMANZERO
Ungarischer Romanzero, S241a
CD35
1
No 1: F minor [2'46]
2
No 2: A minor [3'36]
3
No 3: A minor [1'22]
4
No 4: A minor [3'18]
5
No 5: D minor [1'53]
6
No 6: A major [3'28]
7
No 7: A major [3'47]
8
No 8: D minor [4'26]
9
No 9: A major [2'19]
10
No 10: G minor [4'05]
11
No 11: F major [6'33]
12
No 12: C major [2'44]
13
No 13: F sharp minor [4'07]
14
No 14: D major [3'34]
15
No 15: D major [2'37]
16
No 16: C major [2'38]
17
No 17: A major [3'37]
18
No 18: A major [1'47]
Deux Marches dans le genre hongrois, S693
19
No 1: D minor [5'55]
20
No 2: B flat minor [10'52]
RAPSODIE ESPAGNOLE
CD36
1
Grosse Concert-Phantasie über spanische Weisen, S253 [18'46] Español
2
La romanesca, S252a/i [9'07] Español
3
Rapsodie espagnole, S254 [13'25] Español
4
La romanesca, S252a/ii [8'48] Español
5
Feuille morte – Élégie d'après Soriano, S428 [9'39] Mariano Soriano Fuertes
y Piqueras (1817-1880) Español
6
Rondeau fantastique sur un thème espagnol 'El contrabandista', S252 [11'53]
Español
LISZT AT THE OPERA
CD37
1
Ouvertüre aus der Oper "Der Freischütz" vom Carl Maria von Weber
– Klavierpartitur von F. Liszt, S575 [9'08] Carl Maria von Weber (1786-1826)
2
Réminiscences de "Don Juan" de Mozart – Grande fantaisie, S418 [19'29]
Wolfgang Amadeus Mozart (1756-1791)
3
"Aida" di Verdi – Danza Sacra e Duetto Finale, S436 [10'37] Giuseppe
Verdi (1813-1901)
4
Polonaise aus Tschaikowskys Oper "Jewgeny Onegin", S429 [5'59] Pyotr
Tchaikovsky (1840-1893)
5
Tscherkessenmarsch aus Glinkas Oper "Russlan und Ludmilla", S406ii
[5'47] Mikhail Glinka (1804-1857)
6
Sarabande und Chaconne [über Themen] aus dem Singspiel "Almira",
S181 [11'22] George Frideric Handel (1685-1759)
7
Bénédiction et Serment – Deux motifs de "Benvenuto Cellini" de Berlioz,
S396 [6'15] Hector Berlioz (1803-1869)
8
Valse de l'opéra "Faust" de Ch. Gounod, S407 [9'22] Charles Gounod
(1818-1893)
CD38
1
Isoldens Liebestod – Schlußszene aus Richard Wagners "Tristan und Isolde",
S447 [7'02] Richard Wagner (1813-1883)
2
Réminiscences de "Lucia di Lammermoor" de Donizetti, S397 [4'40]
Gaetano Donizetti (1797-1848)
3
Marche et Cavatine de "Lucia di Lammermoor" de Donizetti, S398 [11'46]
Gaetano Donizetti (1797-1848)
4
Halloh! – Jagdchor und Steyrer aus der Oper "Tony" von Ernst Herzog
zu Sachsen-Coburg-Gotha, S404 [6'57] Ernst, Duke of Sachsen-Coburg-Gotha (1818-1893)
Illustrations de l'opéra "L'Africaine" de Meyerbeer, S415 Giacomo
Meyerbeer (1791-1864)
5
No 1: Prière des matelots 'Ô grand Saint Dominique' [7'50]
6
No 2: Marche indienne [10'56]
Prière et Berceuse de "La muette de Portici" d'Auber, S387 Daniel-François-Esprit
Auber (1782-1871)
7
No 1: Introduction [0'28]
8
No 2: Prière [2'21]
9
No 3: Berceuse [4'38]
10
Klavierstück über ein fremdes Thema, S387a [2'44]
11
Réminiscences de "Norma" de Bellini – Grande fantaisie, S394 [16'58]
Vincenzo Bellini (1801-1835)
Illustrations du "Prophète" de Meyerbeer, S414 Giacomo Meyerbeer
(1791-1864)
CD39
1
No 1: Prière – Hymne triomphal – Marche du sacre [15'24]
2
No 2: Les patineurs. Scherzo [13'16]
3
No 3: Pastorale – Appel aux armes [12'03]
Fantasie und Fuge über den Choral Ad nos, ad salutarem undam aus der Oper
"Der Prophet" von Meyerbeer, S624
4
Part 1: Fantasie [8'29]
with Geoffrey Parsons (piano)
5
Part 2: Adagio [9'03]
with Geoffrey Parsons (piano)
6
Part 3: Fuge [7'53]
with Geoffrey Parsons (piano)
CD40
1
Spirto gentil aus der Oper "La favorite" von Donizetti, S400a [10'05]
Gaetano Donizetti (1797-1848)
2
Marche funèbre de l'opéra "Dom Sébastien" de Donizetti, S402 [7'57]
Gaetano Donizetti (1797-1848)
3
Die Rose – Romance von Louis Spohr [aus dem Singspiel "Zemire und Azor"],
S571 [4'10] Louis Spohr (1784-1859)
4
Spinnerlied aus "Der fliegende Holländer", S440 [5'46] Richard Wagner
(1813-1883)
5
Ballade aus "Der fliegende Holländer" von Richard Wagner, S441 [5'08]
Richard Wagner (1813-1883)
6
Pilgerchor aus Richard Wagners "Tannhäuser", S443i [7'00] Richard
Wagner (1813-1883)
7
O du, mein holder Abendstern – Rezitativ und Romanze aus Richard Wagners "Tannhäuser",
S444 [6'47] Richard Wagner (1813-1883)
8
Aus Richard Wagners "Der Ring des Nibelungen": Walhall, S449 [6'57]
Richard Wagner (1813-1883)
9
Feierlicher Marsch zum heiligen Gral aus dem Bühnenweihfestspiel "Parsifal",
S450 [7'48] Richard Wagner (1813-1883)
10
Les Sabéennes – Berceuse de l'opéra "La reine de Saba" de Charles
Gounod, S408 [5'46] Charles Gounod (1818-1893)
11
Fantasie sur l'opéra hongroise "Szép Ilonka" de Mihály Mosonyi,
S417 [5'34] Mihály Mosonyi (1815-1870)
CD41
1
Ouvertüre aus der Oper "Oberon" von Carl Maria von Weber – Klavierpartitur
von F. Liszt, S574 [8'36] Carl Maria von Weber (1786-1826)
2
Fantasie über Themen aus Mozarts "Figaro" und "Don Giovanni",
S697 [21'37] Wolfgang Amadeus Mozart (1756-1791)
3
"Ernani" de Verdi – [Deuxième] Paraphrase de Concert, S432 [8'34]
Giuseppe Verdi (1813-1901)
4
Miserere du "Trovatore" de Verdi – Paraphrase de Concert, S433 [8'48]
Giuseppe Verdi (1813-1901)
5
"Rigoletto" de Verdi – Paraphrase de Concert, S434 [7'45] Giuseppe
Verdi (1813-1901)
6
Réminiscences de "Boccanegra" de Verdi, S438 [11'02] Giuseppe Verdi
(1813-1901)
7
Valse de concert sur deux motifs de "Lucia" et "Parisina"
de Donizetti, S214/3 [9'08] Gaetano Donizetti (1797-1848)
Réminiscences de "Robert le Diable" – Grande fantaisie sur des motifs
de l'opéra de Meyerbeer, S412a S413 Giacomo Meyerbeer (1791-1864)
CD42
1
No 1: Cavatine, S412a [6'12]
2
No 2: Valse infernale, S413 [10'17]
3
Les adieux – Rêverie sur un motif de l'opéra "Roméo et Juliette"
de Gounod, S409 [11'26] Charles Gounod (1818-1893)
4
Schwanengesang und Marsch aus Erkels Oper "Hunyadi László" – Konzertparaphrase,
S405 [11'09] Ferenc Erkel (1810-1893)
5
Elsas Brautzug zum Münster, S445/2 [8'53] Richard Wagner (1813-1883)
Aus Richard Wagners "Lohengrin", S446 Richard Wagner (1813-1883)
6
No 1: Festspiel und Brautlied [11'09]
7
No 2: Elsas Traum [5'08]
8
No 3: Lohengrins Verweis an Elsa [3'44]
9
Phantasiestück über Motive aus "Rienzi" von Richard Wagner – Santo
spirito cavaliere, S439 [8'47] Richard Wagner (1813-1883)
CD43
1
Réminiscences des "Puritains" – Grande fantaisie sur des thèmes
de l'opéra de Bellini, S390i [19'59] Vincenzo Bellini (1801-1835)
2
Salve Maria! de l'opéra de Verdi: "Jérusalem" {I Lombardi}, S431i
[6'57] Giuseppe Verdi (1813-1901)
3
Finale de "Don Carlos" de Verdi – Coro di festa e marcia funebre,
S435 [8'22] Giuseppe Verdi (1813-1901)
4
Chœur des pèlerins {Chor der älteren Pilger} aus der Oper "Tannhäuser"
von Richard Wagner, S443ii [7'22] Richard Wagner (1813-1883)
5
Am stillen Herd – Lied aus Richard Wagners "Meistersinger", S448
[9'50] Richard Wagner (1813-1883)
Réminiscences de "Lucrezia Borgia" – Grande fantaisie sur des motifs
favoris de l'opéra de Donizetti, S400 Gaetano Donizetti (1797-1848)
6
No 1: Trio du seconde acte [11'14]
7
No 2: Chanson à boire (Orgie) [14'31]
CD44
1
Réminiscences des "Huguenots" – Grande fantaisie dramatique sur
des thèmes de l'opéra de Meyerbeer, S412iii [16'00] Giacomo Meyerbeer (1791-1864)
Andante finale und Marsch aus der Oper "König Alfred" von Joachim
Raff, S421 Joseph Joachim Raff (1822-1882)
2
No 1: Andante finale [8'14]
3
No 2: Marsch [7'55]
4
Lied der zwei geharnischten Männer aus Mozarts Oper "Die Zauberflöte"
[Song of the Two Armed Men] 'Der, welcher wandelt diese Straße', S634a [3'20]
Wolfgang Amadeus Mozart (1756-1791)
with Philip Moore (piano)
5
Tyrolean Melody from the opera "La fiancée" by Auber, S385a [1'27]
Daniel-François-Esprit Auber (1782-1871)
6
Tarentelle {di bravura} d'après la Tarentelle de "La muette de Portici"
d'Auber, S386iii [10'51] Daniel-François-Esprit Auber (1782-1871)
7
Salve Maria de l'opéra de Verdi "Jérusalem", S431ii [5'07] Giuseppe
Verdi (1813-1901)
8
"I puritani" – Introduction et Polonaise de l'opéra de Bellini,
S391 [5'28] Vincenzo Bellini (1801-1835)
9
"Sonnambula" {de Bellini} – Grosse Concert-Fantasie, S393iii [15'25]
Vincenzo Bellini (1801-1835)
CD45
1
Réminiscences des "Huguenots" – Grande fantaisie dramatique sur
des thèmes de l'opéra de Meyerbeer, S412i [23'44] Giacomo Meyerbeer (1791-1864)
2
Souvenir de "La fiancée" – Grande fantaisie sur La tyrolienne de
l'opéra "La fiancée" d'Auber, S385iii [11'41] Daniel-François-Esprit
Auber (1782-1871)
3
Einzug der Gäste auf Wartburg, S445/1 [12'01] Richard Wagner (1813-1883)
4
Tarantella {di bravura} d'après la Tarantelle de "La muette de Portici"
d'Auber, S386i [10'38] Daniel-François-Esprit Auber (1782-1871)
5
Réminiscences de "La juive" – Fantaisie brillante sur des motifs
de l'opéra de Halévy, S409a [14'28] Fromental Halévy (1799-1862)
CD46
1
Grande fantaisie sur des thèmes de l'opéra "Niobe" de Pacini – Divertissement
sur la cavatine 'I tuoi frequenti palpiti', S419 [12'06] Giovanni Pacini (1796-1867)
2
Festspiel und Brautlied 'Aus Richard Wagners "Lohengrin" – I', S446/1i
[13'19] Richard Wagner (1813-1883)
3
Fantaisie sur des motifs favoris de l'opéra "La sonnambula" de Bellini,
S393ii [15'02] Vincenzo Bellini (1801-1835)
4
Ouverture de l'opéra "Guillaume Tell" de Rossini, S552 [14'21] Gioacchino
Rossini (1792-1868)
5
Fantaisie sur des motifs de l'opéra "Lucrezia Borgia" de G Donizetti,
S399a [15'57] Gaetano Donizetti (1797-1848)
CD47
1
Grande fantaisie sur la tyrolienne de "La fiancée", S385i [14'44]
Daniel-François-Esprit Auber (1782-1871)
2
"Ernani" de Verdi – Première paraphrase de concert, S431a [14'41]
Giuseppe Verdi (1813-1901)
3
Fantaisie dramatique sur les "Huguenots" de Meyerbeer, S412ii [23'56]
Giacomo Meyerbeer (1791-1864)
4
Fantaisie sur des motifs favoris de l'opéra "La sonnambula" de Bellini,
S393i [15'03] Vincenzo Bellini (1801-1835)
5
Marche des Tcherkesses de l'opéra "Rouslan et Loudmila" de M. I.
Glinka, S406i [6'16] Mikhail Glinka (1804-1857)
CD48
1
Valse à capriccio sur deux motifs de "Lucia" et "Parisina"
de Donizetti, S401 [10'22] Gaetano Donizetti (1797-1848)
2
Ouvertüre zu "Tannhäuser" von Richard Wagner – Konzertparaphrase,
S442 [17'32] Richard Wagner (1813-1883)
3
Réminiscences des "Puritains" – Grande fantaisie sur des thèmes
de l'opéra de Bellini, S390ii [19'15] Vincenzo Bellini (1801-1835)
4
Fantasie über Themen aus Webers "Der Freischütz", S451 [14'56] Carl
Maria von Weber (1786-1826)
5
Réminiscences de "La Scala", S458 [16'15] Giuseppe Saverio Raffaele
Mercadante (1795-1870)
LISZT AT THE THEATRE
CD49
1
Marche turque des "Ruines d'Athènes", S388a [3'01] Ludwig van Beethoven
(1770-1827)
2
Pastorale – Schnitter-Chor aus dem "Entfesselten Prometheus", S508
[5'26]
3
'Einsam bin ich, nicht alleine' – Volkslied aus dem Schauspiel "Preciosa"
von Carl Maria von Weber, S453 [4'57] Carl Maria von Weber (1786-1826)
4
Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfentreigen aus der
"Musik zu Shakespeares Sommernachtstraum", S410 [9'46] Felix Mendelssohn
(1809-1847)
5
Fantasie über Motive aus Beethovens "Ruinen von Athen", S389 [12'30]
Ludwig van Beethoven (1770-1827)
6
Symphonisches Zwischenspiel {Intermezzo} zu Calderóns fantastischem Schauspiel
"Über allen Zauber Liebe" von Eduard Lassen, S497 [10'35] Eduard
Lassen (1830-1904)
Aus der Musik von Eduard Lassen zu Hebbels "Nibelungen" und Goethes
"Faust", S496 Eduard Lassen (1830-1904)
7
Part 1 'Nibelungen'. No 1: Hagen und Kriemhild [5'31]
8
Part 1 'Nibelungen'. No 2: Bechlarn [5'10]
9
Part 2 'Faust'. No 1: Osterhymne [3'41]
10
Part 2 'Faust'. No 2: Hoffest. Marsch und Polonaise [8'11]
11
Capriccio alla turca sur des motifs de Beethoven [Ruines d'Athènes], S388
[8'46] Ludwig van Beethoven (1770-1827)
À LA CHAPELLE SIXTINE & BACH TRANSCRIPTIONS
CD50
1
À la chapelle Sixtine – "Miserere" d'Allegri et "Ave verum
corpus" de Mozart, S461ii [11'51] Gregorio Allegri (1582-1652) &
Wolfgang Amadeus Mozart (1756-1791)
Sechs Präludien und Fugen für die Orgel-pedal und -manuel von Johann Sebastian
Bach 'Für das Pianoforte zu zwei Händen gesetzt von Franz Liszt', S462 Johann
Sebastian Bach (1685-1750)
2
No 1a: Prelude in A minor, BWV543 [3'25]
3
No 1b: Fugue in A minor, BWV543 [5'22]
4
No 2a: Prelude in C major, BWV545 [1'59]
5
No 2b: Fugue in C major, BWV545 [3'20]
6
No 3a: Prelude in C minor, BWV546 [5'07]
7
No 3b: Fugue in C minor, BWV546 [4'10]
8
No 4a: Prelude in C major, BWV547 [4'10]
9
No 4b: Fugue in C major, BWV547 [3'29]
10
No 5a: Prelude in E minor, BWV548 [5'59]
11
No 5b: Fugue in E minor, BWV548 [7'07]
12
No 6a: Prelude in B minor, BWV544 [5'32]
13
No 6b: Fugue in B minor, BWV544 [4'33]
Fantasie und Fuge in g-moll für Orgel von Johann Sebastian Bach, S463ii Johann
Sebastian Bach (1685-1750)
14
Movement 1: Fantasie [5'15]
15
Movement 2: Fuge [5'35]
HEXAMÉRON & SYMPHONIE FANTASTIQUE
Hexaméron – Morceau de Concert 'Grandes Variations de Bravoure pour Piano
sur la Marche des "Puritains" de Bellini', S392 Vincenzo Bellini
(1801-1835)
CD51
1
Movement 1: Introduction. Extrèmement lent [3'25]
2
Movement 2: Tema. Allegro marziale [1'16]
3
Movement 3: Variation I. Ben marcato (Thalberg) [0'59]
4
Movement 4: Variation II. Moderato [2'36]
5
Movement 5: Variation III di bravura (Pixis) – Ritornello (Liszt) [1'57]
6
Movement 6: Variation IV. Legato e grazioso (Herz) [1'45]
7
Movement 7: Variation V. Vivo e brillante (Czerny) – Fuocoso molto energico;
Lento quasi recitativo (Liszt) [3'19]
8
Movement 8: Variation VI. Largo, KKIIb/2 (Chopin) – [coda] (Liszt) [2'24]
9
Movement 9: Finale. Molto vivace quasi prestissimo [3'21]
Un portrait en musique de la Marquise de Blocqueville, S190 Henri Herz (1803-1888)
10
Part 1: Tempo rubato (Herz) [0'33]
11
Part 2: Lento e religioso (Planté) [1'00]
12
Part 3: Même mouvement mais avec incertitude [1'36]
Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz,
S470 Hector Berlioz (1803-1869)
13
Movement 1a: Rêveries. Largo [5'03]
14
Movement 1b: Passions. Allegro agitato e appassionato assai [9'15]
15
Movement 2: Un bal. Valse, Allegro non troppo [6'42]
16
Movement 3: Scène aux champs. Adagio [13'26]
17
Movement 4: Marche au supplice. Allegretto non troppo [6'45]
18
Movement 5a: Songe d'une nuit du Sabbat. Larghetto [1'45]
19
Movement 5b: Allegro assai [0'13]
20
Movement 5c: Allegro [1'12]
21
Movement 5d: Lontano. Dies irae [2'12]
22
Movement 5e: Ronde du Sabbat [4'53]
SAINT-SAËNS, CHOPIN & BERLIOZ TRANSCRIPTIONS
CD52
1
Danse macabre – Poème symphonique de Camille Saint-Saëns, S555 [9'53] Camille
Saint-Saëns (1835-1921)
Zbiór spiewów polskich – Kompozycji Fryderyka Chopina, S480 Frédéric Chopin
(1810-1849)
2
No 1 (Op 74 No 1): Zyczenie 'The Maiden's Wish' [3'26]
3
No 2 (Op 74 No 2): Wiosna 'Spring' [2'16]
4
No 3 (Op 74 No 14): Pierscien 'The ring' [3'03]
5
No 4 (Op 74 No 4): Hulanka 'Drinking song' [1'41]
6
No 5 (Op 74 No 12): Moja pieszczotka 'My darling' (first version) [2'19]
7
No 6 (Op 74 No 15): Narzeczony 'The bridegroom' [1'33]
8
L'idée fixe – Andante amoroso d'après une mélodie de Berlioz, S395 [6'28]
Hector Berlioz (1803-1869)
9
Ouverture des "Francs-Juges" de Hector Berlioz, S471 [13'04] Hector
Berlioz (1803-1869)
10
Marche des pèlerins de la symphonie "Harold en Italie" de Berlioz,
S473ii [8'43] Hector Berlioz (1803-1869)
11
Danse [Valse] des sylphes de la "Damnation de Faust" de Hector Berlioz,
S475 [4'11] Hector Berlioz (1803-1869)
12
Ouverture du "Roi Lear" de Hector Berlioz, S474 [16'23] Hector Berlioz
(1803-1869)
ARABESQUES
Deux Mélodies russes 'Arabesques', S250 Alexander Alexandrovich Alyabyev (1787-1851)
CD53
1
No 1: Solovei 'Le rossignol' (second version) [4'07]
2
No 2: Chanson bohémienne [7'58]
3
Lyubila ya – Romance – Autrefois, S577ii [2'40] Count Michael Jurjew Wielhorsky
(1788-1856)
4
Tarantella de Dargomijski, S483 [5'33] Aleksandr Dargomïzhsky (1813-1869)
5
Galop par Constantin Bulhakow arrangé par Liszt, S478i [3'05] Konstantin Bulhakov
(1812-1862)
6
Mazurka par un amateur de St Pétersbourg, S384 [2'52] Anonymous - traditional
7
Prélude à la Polka de Borodine, S207a [0'32] Alexander Borodin (1833-1887)
8
Polka [1'19] Alexander Borodin (1833-1887)
with Philip Moore (piano)
9
Tarentelle de César Cui, S482 [9'13] César Cui (1835-1918)
10
Rákóczi-Marsch {version populaire}, S244c [3'49]
11
Virag dál 'Chant des fleurs', S383a [6'12] Kornél Ábrányi (1822-1903)
12
Spanisches Ständchen – Mélodie von Grafen Leo Festetics, S487 [4'37] Count
Leo Festetics (1800-1884)
13
Valse d'Adèle pour la main gauche seul par Géza Zichy {Transcription brillant
2 mains par F. Liszt}, S456 [3'27] Count Géza Zichy (1849-1924)
14
Revive Szegedin! – Marche hongroise de Szabadi, orchestrée par Massenet, S572
[3'44] Ignác Szabadi Frank (1825-after 1879) & Jules Massenet (1842-1912)
15
Valse de concert d'après la "Suite en forme de valse" de J. de Végh,
S430 [9'04] János Végh (1845-1918)
16
Bevezetés és magyar induló {Introduction and Hungarian March}, S573 [8'09]
Gróf Széchényi Imrétöl (1825-1898)
BEETHOVEN SEPTET
Grand Septuor de L. van Beethoven, S465 Ludwig van Beethoven (1770-1827)
CD54
1
Movement 1: Adagio – Allegro con brio [10'37]
2
Movement 2: Adagio cantabile [9'09]
3
Movement 3: Tempo di menuetto [3'09]
4
Movement 4: Andante con variazioni [7'54]
5
Movement 5: Scherzo. Allegro molto e vivace – Trio – Scherzo da capo [3'36]
6
Movement 6: Andante con moto alla marcia – Presto [7'49]
Zwei Transcriptionen über Themen aus Mozarts Requiem, S550 Wolfgang Amadeus
Mozart (1756-1791)
7
No 1: Confutatis maledictis [2'59]
8
No 2: Lacrimosa [3'44]
9
Ave verum corpus de Mozart, S461a [2'49] Wolfgang Amadeus Mozart (1756-1791)
10
Agnus Dei della Messa da Requiem di Giuseppe Verdi, S437i [5'45] Giuseppe
Verdi (1813-1901)
Deux Transcriptions d'après Rossini, S553 Gioacchino Rossini (1792-1868)
11
No 1: Air du Stabat mater [6'08]
12
No 2: La charité [10'00]
HUMMEL SEPTET NO 1
Liebesszene und Fortunas Kugel aus dem Oratorium "Die sieben Todsünden"
von Adalbert von Goldschmidt – Phantasiestück, S490 Adalbert von Goldschmidt
(1848-1906)
CD55
1
No 1: Liebesszene [7'15]
2
No 2: Fortunas Kugel [3'54]
Mendelssohns Wasserfahrt und Der Jäger Abschied, S548 Felix Mendelssohn (1809-1847)
3
No 1: Wasserfahrt [3'36]
4
No 2: Der Jäger Abschied [4'57]
5
Carl Maria von Webers Schlummerlied mit Arabesken, S454 [7'40] Carl Maria
von Weber (1786-1826)
Leier und Schwert nach Carl Maria von Weber – Heroïde, S452 Carl Maria von
Weber (1786-1826)
6
No 1: [Introduction] [0'32]
7
No 2: Schwertlied [2'11]
8
No 3: Gebet (vor der Schlacht) [4'01]
9
No 4: Lützows wilde Jagd [2'28]
Johann Nepomuk Hummels Grosses Septett {Nr. 1}, S493 Johann Nepomuk Hummel
(1778-1837)
10
Movement 1: Allegro con spirito [14'43]
11
Movement 2: Menuetto o Scherzo. Allegro – Alternativo [5'32]
12
Movement 3: Andante con Variazioni [9'06]
13
Movement 4: Finale. Vivace [8'09]
FERDINAND DAVID'S BUNTE REIHE
Bunte Reihe, S484 Ferdinand David (1810-1873)
CD56
1
No 1: Scherzo in C major [1'53]
2
No 2: Erinnerung in C minor [3'22]
3
No 3: Mazurka in D flat major [1'52]
4
No 4: Tanz in C sharp minor [1'56]
5
No 5: Kinderlied in D major [1'53]
6
No 6: Capriccio in D minor [2'05]
7
No 7: Bolero in E flat major [3'25]
8
No 8: Elegie in E flat minor [3'04]
9
No 9: Marsch in E major [2'54]
10
No 10: Toccata in E minor [3'09]
11
No 11: Gondellied in F major [4'03]
12
No 12: Im Sturm in F minor [2'37]
13
No 13: Romanze in F sharp major [2'05]
14
No 14: Allegro agitato in F sharp minor [1'23]
15
No 15: Menuetto in G major [3'54]
16
No 16: Étude in G minor [3'45]
17
No 17: Intermezzo in A flat major [2'20]
18
No 18: Serenade in G sharp minor [4'38]
19
No 19: Ungarisch in A major [4'19]
20
No 20: Tarantelle in A minor [3'09]
21
No 21: Impromptu in B flat major [1'45]
22
No 22: In russischer Weise in B flat minor [3'50]
23
No 23: Lied in B major [2'27]
24
No 24: Capriccio in B minor [2'05]
25
No 19bis: Ungarisch (Liszt's fantasy on the theme of No 19) [4'44]
TANZMOMENTE
Tanzmomente von Johann Herbeck, S492 Johann, Ritter von Herbeck (1831-1877)
CD57
1
No 1: G major [2'11]
2
No 2: A minor [1'34]
3
No 3: F major [1'35]
4
No 4: A major [2'55]
5
No 5: F major [1'33]
6
No 6: D major [2'02]
7
No 7: G major [2'13]
8
No 8: D major [5'11]
9
Löse, Himmel, meine Seele – Lied von Eduard Lassen, S494i [5'42] Eduard Lassen
(1830-1904)
10
Dantes Sonett "Tanto gentile e tanto onesta" von Hans von Bülow,
S479 [6'28] Hans von Bülow (1830-1894)
11
Die Gräberinsel der Fürsten zu Gotha – Lied von Herzog Ernst {zu Saxe-Coburg-Gotha},
S485b [3'31] Ernst, Duke of Sachsen-Coburg-Gotha (1818-1893)
12
Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S168i [8'21] Prince
Louis Ferdinand of Prussia (1772-1806)
Drei Lieder aus Julius Wolffs "Tannhäuser" komponiert von Otto Lessmann,
S498 Otto Lessmann (1844-1918)
13
No 1: Der Lenz ist gekommen [3'41]
14
No 2: Trinklied [2'15]
15
No 3: Du schaust mich an [3'21]
Zwei Lieder von E. Lassen, S494ii S495 Eduard Lassen (1830-1904)
16
No 2: Löse, Himmel, meine Seele, S494ii [6'29]
17
No 1: Ich weil' in tiefer Einsamkeit, S495 [4'38]
Tanzmomente von Johann Herbeck, S492 Johann, Ritter von Herbeck (1831-1877)
18
No 4: A major (alternative text) [2'46]
19
Zigeuner-Polka d'August Conradi, S481 [5'14] August Conradi (1821-1873)
SONGS WITHOUT WORDS
Adelaïde von Beethoven, S466iii Ludwig van Beethoven (1770-1827)
CD58
1
Part 1: Einsam wandelt dein Freund [3'52]
2
Part 2: Cadenza ad libitum [2'53]
3
Part 3: Einst, o Wunder! [3'02]
Beethovens geistliche Lieder von Gellert, S467 Ludwig van Beethoven (1770-1827)
4
No 1: Gottes Macht und Vorsehung, Op 48 No 5 [1'09]
5
No 2: Bitten, Op 48 No 1 [1'24]
6
No 3: Busslied, Op 48 No 6 [4'13]
7
No 4: Vom Tode, Op 48 No 3 [2'42]
8
No 5: Die Liebe des Nächsten, Op 48 No 2 [1'09]
9
No 6: Die Ehre Gottes aus der Natur, Op 48 No 4 [2'30]
An die ferne Geliebte – Liederkreis von Beethoven, S469 Ludwig van Beethoven
(1770-1827)
10
No 1: Auf dem Hügel sitz' ich, spähend [2'00]
11
No 2: Wo die Berge so blau [1'26]
12
No 3: Leichte Segler in den Höhen [1'12]
13
No 4: Diese Wolken in den Höhen [0'52]
14
No 5: Es kehret der Maien, es blühet die Au [1'58]
15
No 6: Nimm sie hin denn, diese Lieder [3'26]
Beethovens Lieder [Sechs Lieder von Goethe], S468 Ludwig van Beethoven (1770-1827)
16
No 1: Mignon, Op 75 No 1 [3'17]
17
No 2: Mit einem gemalten Bande, Op 83 No 3 [2'49]
18
No 3: Freudvoll und leidvoll, Op 84b No 4 [1'13]
19
No 4: Es war einmal ein König, Op 75 No 3 [2'02]
20
No 5: Wonne der Wehmut, Op 83 No 1 [2'07]
21
No 6: Die Trommel gerühret, Op 84b No 1 [2'33]
Mendelssohns Lieder, S547 Felix Mendelssohn (1809-1847)
22
No 1: Auf Flügeln des Gesanges, Op 34 No 2 [3'27]
23
No 2: Sonntagslied, Op 34 No 5 [1'44]
24
No 3: Reiselied, Op 34 No 6 [1'51]
25
No 4: Neue Liebe, Op 19a No 4 [1'45]
26
No 5: Frühlingslied, Op 47 No 3 [2'17]
27
No 6: Winterlied, Op 19a No 3 [0'48]
28
No 7: Suleika, Op 34 No 4 [2'28]
Dessauers Lieder, S485 Josef Dessauer (1798-1876)
29
No 1: Lockung [4'14]
30
No 2: Zwei Wege [1'23]
31
No 3: Spanisches Lied [4'14]
CD59
1
Er ist gekommen in Sturm und Regen – Lied von Robert Franz, S488 [2'34] Robert
Franz (1815-1892)
Zwölf Lieder von Robert Franz, S489 Robert Franz (1815-1892)
2
I. Schilflieder, Op 2. No 1: Auf geheimen Waldespfaden [1'35]
3
I. Schilflieder, Op 2. No 2: Drüben geht die Sonne scheiden [3'19]
4
I. Schilflieder, Op 2. No 3: Trübe wird's [0'57]
5
I. Schilflieder, Op 2. No 4: Sonnenuntergang [1'04]
6 <