Quartet at the Crossroads – works for saxophone
quartet from the American Composers Alliance
Lukas FOSS (1922-2009) Saxophone Quartet [13:23]
Richard BROOKS (b. 1942) Four-Play [7:54]
Gregory HALL (b. 1959) Quartet (I. Fantasy [5:53]; II. Scherzo
[5:01]; III. Mountain [8:36]; IV. Fugues [6:23])
Barbara JAZWINSKI (b. 1950) Images in Blue [8:30]
Michael VELOSO (b. 1977) Parquet Deformation [5:51]
New Hudson Saxophone Quartet (Paul Cohen (soprano saxophone); Avi Goldrosen
(alto saxophone); David Demsey (tenor saxophone); Tim Ruedeman (baritone saxophone))
rec. no details given
RAVELLO RR7805 [61:31]
Saxophone devotees are not short of stimulation and challenge on disc. Here
are some examples from four living composers some of whom are members of the
American Composers Alliance. The only name I recognise is that of the late
Lukas Foss. The exploration that is the four movement Saxophone Quartet
accommodates darting and grunting dynamism, steady-slow intimate textural
shifts and a flickering gradient ascending to a conning tower where glancing
blows track 360 degrees before a warm rapprochement with those calming textures.
New Yorker Brooks’ Fourplay is a single movement piece with
something in common with that bass rich chattering power heard in the Foss.
Add to this an embrace with dreamy lyricism which came less naturally in Foss’s
quartet. Californian Gregory Hall contributes a four-segment Quartet.
Bathed in soft light this very extensive work declares a lavishly stocked
imagination which is even more grounded in melody. It also has sufficient
graininess to side-step blandness and to sustain the invention over such a
long span. The Mountain movement has something of the Copland outdoor
air. The final Fugue has a gawky stagger as a prelude to Hall’s hard-wired
leaning towards sophisticated metropolitan melody draws him back into a rapturous
meditation. That pecking staccato ends the piece with a propulsion that references
William Schuman. Jazwinski’s Images in Blue is a piece in continuous
bluesy kaleidoscopic motion, Its material blends Stravinskian discords into
the Jack Daniels bluesy sway. This Polish-born composer numbers Gyorgy Ligeti
and Mario Davidovsky among her teachers. Brooklyner Veloso is the youngest
of the five. His Parquet Deformation was inspired by Samuel Beckett’s
theatre-piece Quad in which four people walk through and around a square.
When you hear the music you can hear how this fits. The music is touched with
the minimalist brush. The ideas interlock and shift. A touch of Nyman and
Glass here. The recording has pile-driver impact and plenty of textured presence.
Good notes and healthy design values on parade.
Rob Barnett
Stimulation and challenge.