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Leikkikalu Satakieli Trad.
Sisääntulossikerma [1:55], Hämähäkki [2:56], Pippolan
[1:23], Täti Moniker [2:18] (arr. Lauri Pulakka) Leopold MOZART
Toy Symphony (arr. Pulakka) [9:10]
Magdaleena (arr. Pulakka) [3:04]
Peppi Pitkätossu (arr. Pulakka) [1:50]
The Little Shepherd (arr. Pulakka) [2:45], Gollywog’s Cake Walk (arr.
Pulakka) [2:45] Pekka
Satakelo (arr. Pulakka) [37:15]
Sinikka Sokka (soprano/narrator)
Keski-Pohjanmaan Kamariorkesteri/Lauri Pulakka
rec. 2008, Kansantaiteen keskuksessa, Finland. DDD ALBA ABCD280 [70:53]
This is a disc of Finnish music for children, in orchestral arrangements
made by Lauri Pulakka. There is a distinct charm to the music,
and the arrangements
are imaginative and appealing. Some of the melodies are familiar to us, such
as Incy wincy spider and Old macdonald. The charming Täti
Moniker has some wonderfully humorous moments and Sinikka Sokka’s
singing is communicative and extremely enjoyable.
Leopold Mozart’s Toy Symphony never fails to delight children, young
and old, and its inclusion here is welcome. The Keski-Pohjanmaan Kamariorkesteri
has a wonderfully bright sound and they perform with a sense of joy.
Pienet sievät begins with a dark, minor key melody, which breaks
into an upbeat folk-style groove. The mood becomes more classical, but with
some comical contemporary techniques thrown in; this would be an utter delight
children. A Wagnerian influence appears, followed by Purcell, and one has the
sense of Pulakka’s excellence as an orchestrator. This disc will serve
to introduce children to classical music of all styles, in such a way that
makes it fun and based in the familiarity of well-known melodies. As an educational
tool, this is excellent; but even taken at face value as music in its own right,
it is a success.
Magdaleena is calmer, a gentle ballad which is sung with lyrical phrasing. Peppi
Pitkätossu (Pippi Longstocking) features a solo for the double bass
section, and new arrangements of Debussy’s The Little Shepherd and Gollywog’s
Cake Walk once again demonstrate imaginative orchestration skills.
Satakieli is a longer work, lasting almost 40 minutes, and based on
a Hans Christian Andersen fairytale about the nightingale. The story is narrated,
and the nightingale is represented by beautifully played solo flute, while
mechanical nightingale is represented by a synthesised harpsichord. A lack
of understanding of Finnish means that the story itself is lost, but the music
characters and atmospheres which are successful in themselves and would perhaps
encourage listeners to find out about the story in their own language. It is
a story which has been set to music before, most notably by Stravinsky, and
the story was thought to have been written for the opera singer Jenny Lind,
a close relationship with Andersen. The musical environment for this setting
is rich and contemporary; although the language is based in tonality and is
less daring harmonically than Stravinsky’s setting, the writing reflects
contemporary technology (especially in the wonderful mechanical nightingale
with its drum
machine accompaniment) and has a modern feel.
Sadly the sleeve-notes are only provided in Finnish, and a web search also
yielded little in English, but the music on this disc requires no particular
the music is well performed and has instant appeal. Listening to this disc
made me happy. I can only imagine the effect it would have on a curious child.
wouldn’t surprise me at all if this became a child’s CD of choice,
played constantly and possibly even with an imaginative child trying to sing
along in Finnish. I remember as a child having a tape of the Smurfs in Danish
and was convinced I knew every word. This is a well produced disc with
good playing throughout, which can be enjoyed by children and adults alike.
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