The Very Best of Cinema Classics
CD 1
Stanley MYERS
Cavatina [3:32]
J.S. BACH (1685-1750)
Goldberg
Variations - Aria [3:18]
Wolfgang Amadeus MOZART (1756-1791)
Clarinet
Concerto - II Adagio [7:20]
George Frederic HANDEL
Concerto Grosso
Op 6 No 12 - II Aria & Variation [3:45]
Wolfgang Amadeus MOZART
Piano
Concerto No 21 - II Andante [6:47]
Wolfgang Amadeus MOZART
Le nozze
di figaro - Canzonetta sull aria Che soave zeffiretto [3:05]
Samuel BARBER (1910-1981)
Adagio
for Strings [7:49]
John WILLIAMS
Schindler’s List - Main Theme
[4:15]
Leo DELIBES (1836-1891)
Lakmé - Flower Duet [5:33]
Giacomo
PUCCINI (1858-1924)
Gianni Schicchi - O mio babbino caro
[2:28]
Richard WAGNER (1813-1883)
Tristan und Isolde - Prelude
[8:49]
Giacomo PUCCINI
Madama Butterfly - Vogliatemi bene [7:29]
Antonin
DVORAK (1841-1904)
Rusalka - Song to the Moon [5:54]
CD 2
Carl ORFF
O Fortuna from Carmina Burana [2:42]
Richard
WAGNER
Ride of the Valkyries [5:25]
Alfredo CATALANI
La Wally -
Ebben? Ne andro lontana [3:32]
Giuseppe VERDI
La Forza Del Destino
- Overture [7:44]
Umberto GIORDANO
Andrea Chenier - La mamma morta
[4:55]
Pietro MASCAGNI
Cavalleria Rusticana - Intermezzo [3 :42]
Ludwig
van BEETHOVEN
Piano Concerto No 5 - Adagio poco mosso [8:04]
Sergei
RACHMANINOV
Piano Concerto No 2 - excerpt [5:27]
Camille SAINT-SAENS
Symphony
No 3 - Finale [7:47]
Ludwig van BEETHOVEN
Symphony No 9: IV - Ode to
Joy [16:34]
Richard STRAUSS
Also Sprach Zarathustra (opening) [1:48]
Norbert Kraft (guitar), Pi-hsien Chen, Jenö Jandó, Stefan Vladar
(piano), Ernst Ottensamer (clarinet), Marina Mescheriakova, Judith Halász,
Adriana Kohúková, Miriam Gauci, Jana Valaskova, Lila Larinova,
Gabriele Lechner (sopranos), Denisa Slepkovska (mezzo), Diane Elias (contralto)
Yordy Ramiro. Michael Pabst (tenor), Robert Holzer (bass) Imrich Szabo (organ),
Vienna Mozart Academy, Capella Istropolitana, Concentus Hungaricus, Nicolaus
Esterházy Sinfonia, Razumovsky Symphony Orchestra, Slovak Radio Symphony
Orchestra, Belgian Radio and Television Philharmonic Orchestra, Polish National
Radio Symphony Orchestra, Slovak Philharmonic Chorus, Czech-Slovak Radio Symphony
Orchestra, Budapest Symphony Orchestra, Zagreb Philharmonic Chorus & Orchestra,
Johannes Wildner, Jozef Kopelman, András Ligeti, Michael Halász,
Yu Long, Alexander Rahbari, Antoni Wit, Stephen Gunzenhauser, Uwe Mund, Alexander
Rahbari, Barry Wordsworth, György Lehel, Richard Edlinger, Zdenek Kosler
(conductors)
Various recording dates. DDD
NAXOS 8.578021-22 [70:06 + 67:42]
This double CD collection features a number of famous classical works which
have featured in films, with many of the featured works appearing in numerous
pictures. Norbert Kraft’s clean recording of Cavatina starts the
ball rolling; this is an unsentimental performance which has clarity of sound
and enjoyable phrasing. Pi-hsien Chen’s piano playing in the Aria from
Bach’s Goldberg Variations is similarly straightforward, and provides
a delicate and well paced version. Leaping rapidly between styles, the slow
movement of Mozart’s Clarinet Concerto follows, as featured in
the films Out of Africa, American Gigolo, Green Card and Stealing
Beauty. This is a gentle performance which neither excites nor offends.
The Air and Variation from Handel’s Concerto Grosso op 6 No 12
follows, heard in a somewhat fragile recording, before Mozart returns with
the wonderful slow movement of the Piano Concerto No 21. This is simple
music at its best, and the performance is equally uncomplicated, giving a sense
of space in Mozart’s wonderful orchestration. We stay with Mozart for
a short extract from The Marriage of Figaro, taken from the films The
Shawshank Redemption and Matchstick Man.
Barber’s Adagio for Strings follows, in a recording which is good
but not as moving as some I have heard. The main theme from Schindler’s
List follows, possibly the only piece of music in this collection which
was specifically written for a film score. This recording by the Razumovsky
Symphony Orchestra has a distinctive folk-music feel, mostly through the type
of sonority used, which is different from the orchestral sound we are perhaps
more used to hearing. The Flower Duet from Lakme follows, in
an enjoyable recording by the Slovak Radio Symphony Orchestra with Adriana
Kohúková and Denisa Slepkovska. Next comes what is arguably Puccini’s
most famous aria, O mio babbino caro, and no compilation of classical
favourites would be complete without it. This is an enjoyable rendition by
soprano Miriam Gauci.
Perhaps less expected in a compilation of this kind is the Prelude from Tristan
and Isolde by Wagner, although it has featured in a number of films so
deserves its place here. Puccini is further represented by Vogliatemi bene from Madama
Butterfly, and the disc ends with Song to the Moon from Dvorak’s Rusalka.
Disc 2 opens, to the delight of X factor fans, no doubt, with O Fortuna from
Orff’s Carmina Burana. This is a work which has captured the public’s
imagination in recent years and never ceases to be dramatic. Wagner’s Ride
of the Valkyries follows, performed ably by the Slovak Radio Symphony Orchestra.
I would have liked a more even balance between the brass and the rest of the
orchestra, and the intonation suffers slightly on occasion, but the performance
is nevertheless enjoyable.
Ebben? Ne andro lontana from Catalani’s La Wally is one of
those arias which is frequently heard out of context without the audience necessarily
knowing what it is or where it has come from. This recording is beautifully sung
by Miriam Gauci. Verdi’s Forza del Destino overture follows, perhaps
known best from its inclusion in advertising for a popular beer, as well as in
the film Jean de Florette. Lila Larinova’s rendition of La mamma
morta, featured in the film Philadelphia, is expressive and passionate,
and the richness of her voice is memorable.
The Intermezzo from Cavalleria Rusticana is predictably included
here, in a recording by the Slovak Radio Symphony Orchestra. Piano concertos
are represented by the slow movement from Beethoven’s 5th piano
concerto, which is given a poetic performance from pianist Stefan Vladar under
the baton of Barry Wordsworth, and an excerpt from Rachmaninov’s Piano
Concerto No 2, performed by Jeno Jando and the Budapest Symphony Orchestra.
The finale of Saint-Saens’ Organ Symphony provides some splendour
to the disc, heard here in a rousing and energetic performance. Beethoven’s Ode
to Joy continues the mood, and forms the longest track on the disc. Strangely,
the last disc is the opening of Also Sprach Zarathustra, which seems a
little incongruous as a closing work, especially after the stirring nature of
the Beethoven.
This is a varied collection of popular classics, which may be familiar to a wide
audience through their appearances in feature films. The recordings themselves
are variable too; rarely are they world-class but they are always good enough
to serve their purpose, especially as this disc serves as an introduction to
classical repertoire and provides much variety for the price of a double Naxos
disc. The choice of repertoire is strong, with a wide range of music including
many pieces which use big orchestral forces. There are many opportunities here
to turn up the volume and enjoy the powerful nature of the music; hopefully this
is a disc that might reach out to the public and encourage an interest in classical
music.
Carla Rees