Michael William Balfe was born in Dublin
and started his life as a musician playing in the orchestra
of the Theatre Royal, Drury Lane, at the age of 15. He trained
in Italy and in Paris with Rossini as his mentor. He only
returned to England after seven further years in Italy, where
he had been singing leading operatic roles. Back in London,
he launched his own operas, of which he wrote forty-three
in total, in several different languages. These were a great
success - especially his best-known
The Bohemian Girl.
In 1838, the director of the Italian Opera
in London asked Balfe to compose a new work and Balfe chose
the
Merry Wives of Windsor for the story-line. A very
short deadline meant that he had to re-use some material
from earlier operas. The premiere took place the same year
at Her Majesty’s Theatre in London. The work was an immediate
hit, and was critically acclaimed.
This performance of
Falstaff was
recorded live at Dublin’s National Concert Hall, and is a
premiere recording, as well as being of the first full performance
of the work to take place since 1838, the year it was premiered.
One can easily see how it would have delighted audiences
at its premiere. The music is really quite brilliant – scintillating,
original, witty, well-constructed and assured. It is here
given an excellent. The soloists, too, give their all. That
said, Sam McElroy, who plays Ford, has perhaps not quite
got the power and control of the other soloists. Barry Banks
(here Fenton) is particularly excellent, and Marcel Vanaud
as Falstaff plays his part well. My only hesitation comes
from personal taste rather than an actual critical point
of view – and that is that I would prefer more lyricism and
beauty in the voice lines, rather than the harsher, louder
style that is generally used for later Italian opera, such
as Verdi.
Nevertheless, it is an excellent disc – good
performances, a wonderful rarity, and music that is, quite
frankly, up there with Rossini.
Em Marshall
see also review by Raymond Walker