The front cover bears the
                    words “Sublime Mozart” and few will disagree with those terms
                    in respect of these works. There is however always the risk
                    that their very perfection may engender a blandness in performance.
                    Performers can be all too aware that any positive response
                    on their part to the music may lead to a negative response
                    in some listeners. Thus we hear too many faceless performances,
                    no doubt played with great beauty of tone and no doubt lacking
                    real interaction with the music.
                
                 
                
                
Fortunately
                    that is very much not the case here, especially with the
                    Quintet. The music is thoughtfully and vividly characterized
                    throughout. At no time is this a routine performance, but
                    neither does it fall into the trap of drawing too much attention
                    to the performance 
per se. Rather it sounds like five
                    sincere and gifted musicians responding to a great masterwork
                    in an apparently spontaneous way - although I have no doubt
                    that it was in fact very carefully prepared. There are so
                    many outstanding performances of this work in the catalogues
                    that it would be foolish to claim that this might be the “best” available,
                    but it is certainly one well worth hearing and well worth
                    having if you want this very logical coupling.
                 
                
Similar
                    considerations apply to the Concerto, although here I am
                    not so certain about the orchestra’s contribution. This is
                    very beautifully played but lacks the kind of specific response
                    to the music or the soloist that could make it a great performance.
                    Nonetheless the soloist’s performance is of such quality
                    that it is worth hearing on his account. He was in fact Principal
                    Clarinet with this Orchestra from 1987 to 2000 although I
                    understand from the booklet that he now divides his time
                    between a number of Australian musical groups. 
                 
                
The
                    recording is excellent without drawing undue attention to
                    itself. Like earlier Melba discs that I have encountered,
                    the presentation here is excellent, with the disc clipped
                    inside the front cover of a very smart-looking booklet which
                    contains photographs, good notes on the music in English,
                    German and French, and notes on the performers in English
                    only. The latter lists the members of the Grainger Quartet.
                    As this information is not included anywhere else in the
                    booklet and as they deserve individual recognition I repeat
                    them here – Narsuko Yoshimoto and James Cuddeford (violins),
                    Jeremy Williams (viola) and Patrick Murphy (cello). The members
                    of the orchestra are also individually listed – a feature
                    that other companies should copy.
                 
                
The
                    disc is dedicated to Dame Elisabeth Murdoch AC DBE on her
                    100
th birthday on 9 February 2009. This must have
                    been an excellent birthday present which I hope she enjoyed
                    as much as I did.
                 
                
                
John Sheppard