CPO's
                      first CD to introduce us to the symphonies of the composer
                      of the 
Donna Diana overture was 
777
                      056-2 which
                      included symphonies 2 and 5. 
                  
                   
                  
With
                      the present disc we make the acquaintance of the 55 minute
                      leviathan that is Reznicek's 
Tragic Symphony. This
                      was premiered in Berlin under the baton of Felix Weingartner
                      on 2 January 1903. It’s a symphony of spectacle rather
                      than an ineluctably coherent organic document. The spectacle
                      is grand but it proceeds as a series of tableaux - a cavalcade
                      of splendid incidents in which various elements merge.
                      The writing sometimes references Bruckner, Tchaikovsky,
                      Elgar and Berlioz (as in the ‘bacchanale’ of IV, at 5.54
                      onwards). There are a few echoes of Strauss - though never
                      as torridly superheated as the original. If anything this
                      is the Strauss of the 
Alpine Symphony. The Symphony
                      has its grand moments but this is essentially an indulgent
                      discursive piece with some fantastic episodes along the
                      way.
                   
                  
By
                      contrast the 
Four Songs of Prayer and Repentance after
                      words of the Holy Scripture are more focused and compelling.
                      Together the four songs run just short of 12 minutes. The
                      mezzo Marina Prudenskaja renders them with as much soulful
                      feeling as if they were Brahms' 
Vier Ernste Gesange -
                      indeed these songs belong in that select company. Outstanding
                      among the four is the third song 
Alles, was aus der
                      Erde stammt with its poignant feelings driven graciously
                      home.
                   
                  
As
                      I mentioned in my review of that first symphony disc, Reznicek
                      was more at home in the theatre. His most significant opera
                      is 
Donna Diana, premiered in Prague in 1894. Do
                      not overlook 
Till Eulenspiegel premiered in Carlsruhe
                      in 1902, 
Ritter
                      Blaubart in Darmstadt in 1920, 
Holofernes in
                      Berlin in 1923 and 
Spiel Oder Ernst in Dresden in
                      1930. 
                   
                  
As
                      usual, the CPO notes are very extensive, intellectually
                      convoluted and fascinating if sometimes difficult to follow
                      in the English translation.
                   
                  
                  These
                      performances carry great conviction with Frank Beermann
                      having rapidly become 
the Reznicek champion alongside
                      his efforts. We should not however forget that CPO have
                      issued his recordings of the two symphonies by Heinrich
                      von Herzogenberg (
777
                      122-2) and the three symphonies of Friedrich Ernst
                      Fesca (symphony 1: 999889-2; and symphonies 2 and 3: 
999
                      869-2).
                  
                  
 
                  Rob Barnett