MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

alternatively
CD: AmazonUK AmazonUS
Download: Classicsonline

 

Ferdinand RIES (1784-1838)
Piano Concertos: Volume 3

Piano Concerto No. 7 in A major, Op. 132, ‘Farewell to London’ (1823) [34:59]
Grand Variations on ‘Rule Britannia’, Op. 116 (1817) [15:58]
Introduction et Variations Brillantes, Op. 170 (1832) [14:35]
Christopher Hinterhuber (piano)
Royal Liverpool Philharmonic Orchestra/Uwe Grodd
rec. 9-10 January 2007, Philharmonic Hall, Liverpool, UK
NAXOS 8.570440 [66:02]                   

 

Experience Classicsonline


Beethoven’s pupil Ferdinand Ries didn’t quite manage nine symphonies – he wrote eight – but he did outstrip hs friend and mentor when it came to piano concertos (nine in all). Colin Clarke welcomed the first volume in Naxos’s ongoing series and Tim Perry wrote glowingly of the second; not surprisingly, I had high hopes for the third.

Yes, such expectations do have a nasty habit of ending in disappointment, but when the signs are as auspicious as this.... The Royal Liverpool band certainly needs no introduction; nor does conductor Uwe Grodd, who made such a good impression as the flautist and leader in Vanhal’s Flute Quartets (Naxos 8.570234). The Austrian pianist Christopher Hinterhuber also looks promising; he’s certainly had some illustrious teachers, Lazar Berman and Murray Perahia among them.

Ries’s seventh concerto, written in London in 1823, is supposed to mark his farewell to the city, although the autograph score bears no such title. In any event it’s an effervescent work whose grand opening might tempt one to comparisons with Beethoven and Mozart. It’s clearly of that ilk but the music has an identity all of its own. This is writing of astonishing fluency and drive, qualities that Hinterhuber demonstrates from the outset. Arguably the orchestra sounds a little woolly here – it firms up nicely later on – but the piano remains warm and clear throughout.

But that’s not all; Hinterhuber finds plenty of sparkle and wit as well, while always maintaining a sense of classical proportion and scale. And just listen to that lovely passage that appears briefly at 12:47, before the more ebullient mood returns. The orchestra respond to the music’s gentle rhythms with playing of great poise, but it’s in the Larghetto that they and the soloist establish a remarkable rapport. Those drowsy string figures at the start are beautifully articulated, as is Hinterhuber’s gentle reply, and one may be forgiven for thinking of the Andante to Mozart’s K.467 at times. This is lovely, twilight music, a perfect prelude to the sun-drenched Allegro that follows.

One senses in this concerto an air of certainty and general wellbeing that spills over into the ‘Rule Britannia’ variations. Written in 1817 the piece has a wonderful lyricism that really plays to Hinterhuber’s interpretive strengths; he shades and points the familiar phrases with great care, reinventing ‘that tune’ with consummate skill. And what should one make of that passage at 9:42, which sounds remarkably like a snatch of ‘ragged time’? All-in-all a refreshing piece, winningly played.

However, it’s the Introduction et Variations Brillantes that really astonishes and delights. Based on the English folk-song ‘Soldier, soldier will you marry me?’ this work has orchestral weight and drama aplenty; more than that it’s an excellent vehicle for Hinterhuber, whose aerated playing and fine rhythmic control remind me so much of that other player/performer, Gottschalk. Not as complex a piece as the earlier variations, perhaps, but delightful nonetheless.

An admirable collection, made all the more desirable by the pianism of Christopher Hinterhuber. It’s been a while since I’ve heard playing of such consistent quality, of such lightness and character. That said, the real heroes are Ries himself – this music demands to be more widely heard – and Naxos, whose ongoing cycles and series have restored so many neglected composers to the catalogue.

Captivating music, eloquently played and warmly recorded. Need I say more? 

Dan Morgan






 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.