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Victoria de Los Angeles canta Nin Joaquín NIN CASTELLANOS
(1878-1949)
1. El cant dels ocells [3:55] Joaquín NIN-CULMELL (1908-2004) 2. El Noi de la Mare [1:37] 3. El mariner [1:47] 4. La filadora [0:46] 5. La pastoreta [0:45] 6. Cantó de Nadal [1:40] 7. La noia de l’Empordà [1:10] 8. L’hereu Riera [0:59] 9. Caterina d’Alió [1:24] 10. El bon cantador [0:45] 11. La mort de la núvia [1:44] 12. El mestre [1:26] 13. La ploma de perdiu [2:25]
14. Anda jaleo [0:51]
15. Los cuatro muleros [1:08] 16. Debajo de la hoja [0:45] 17. Seguidillas sevillanas [1:24] 18. La mare de Déu [2:03] 19. El ram de la Passió! [0:49] 20. La dama d’Aragó [1:57] 21. El testament d’Amélia [4:34] 22. La Paula i en Jordi [1:50] 23. L’hostal de la Peira [1:54] 24. Muntanyes regalades [3:26] 25. Cantó del lladre [2:23] 26. El pardal quan s’ajocava [1:42] 27. La filla del marxant [1:21] 28. Mariagneta [2:06] 29. Els fadrins de Sant Boi [1:29] Joaquín NIN CASTELLANOS 30. Cantó de Nadal [3:37] 31. Montañesa [2:26] 32. Malagueña [2:34]
33. El amor es como un niño [1:49]
34. El paño murciano [1:53]
35. El vito [1:56] 36. Granadina [1:56]
Victoria de los Angeles (soprano)(1, 27, 30 – 36) Anna Brull (soprano)(2, 11, 29), Marta Garcia Cadena
(soprano)(3, 24, 25), Laia Frigolé (soprano)(4, 8, 23), Christina
Koch (soprano)(5, 13, 19), Eulália Fantova (soprano)(6, 9, 18, 22),
Sheila Grados (soprano)(12, 20, 269, Begoña Navarro (mezzo)(21),
Jorge Abarza (tenor)(14-17), Josep Ramon Olivé (baritone)(10, 28);
Paul Berl (piano)(1, 32), Alan Bransch (piano)(2-26, 28, 29), Miguel
Zanetti (piano)(27), Alfredo Ross (piano)(30), Gerald Moore (piano)(31,
34-36), Magde Wilmotte (piano)(33)
rec. 1950-1973 (Victoria de los Angeles); December 2008 at l’Escola
Superior de Música de Catalunya
Lyrics enclosed COLUMNA MÚSICA
1CM0196
[67:43]
Let us first sort out that the title of the disc is ‘Victoria
de Los Angeles Sings Nin’ and that it number 6 of Columna Musicá’s
Victoria de Los Angeles Collection. And by all means, Victoria
de los Angeles sings, but only nine out of thirty-six songs;
the remaining twenty-seven are allotted to nine young Spanish
singers who share the songs more or less evenly between them.
And there is nothing wrong with that; I only want to make clear
that it is far from an all-Los Angeles disc.
But let’s start
with the composers and the music. Father and son Nin were
important figures in Catalan music and the direct reason for
this issue is the celebration of Joaquín Nin-Culmell’s 100th
anniversary last year (2008). He didn’t live long enough to
be able to take part in the celebrations but he wasn’t wide
of the mark: he died in 2004. Among his best known works are
the two volumes of Dotze cancions catalanes, composed
in the 1950s and they are here performed complete, together
with Cuatro canciones andaluzas, which were dedicated
to Victoria de los Angeles. The melodic material is traditional
but he colours it harmonically in a very personal way, not
unlike Frederic Mompou, who also employed some of the same
material. El Noi de la Mare (tr. 2) the first song
in the first volume, is one of those – a melody that Victoria
de Los Angeles also sang in a setting by Manuel Garcia Morante,
who often accompanied her in recital. Nin’s harmonic language
can sometimes be rather harsh but it has a sense of honesty
and shows a will to create something new, something different.
It should be observed
that the twelve songs of the second volume of the Catalan
songs all have dedications, some still rather familiar names.
We find for instance composers Eduard Toldrà, Frederic Mompou,
Joaquin Rodrigo and Xavier Montsalvatge and the singers Conxita
Badia, Consuelo Rubio (a fine Carmen in the 1950s and 60s)
and Victoria de los Angeles. She sings only one of the songs
in a rather primitive live recording from 1973, while the
song Mariagneta, dedicated to her, is performed by
the promising baritone Josep Ramon Olivé. It is a fine song
and it surprises me that Ms de los Angeles didn’t sing it
in recitals. She sang, according to notes in the booklet,
the complete volume 1 on several occasions and isolated songs
from the same volume on other occasions but the only song
from volume 2 that she sang in public seems to be La filla
del marxant. She also sang songs by Nin senior and eight
of them are included here for good measure, the earliest recording
made in 1950. They are valuable documents and three of the
songs on the disc, among them La filla del
marxant, are marked world premiere recordings.
Among the young
singers on this disc several have fine voices and sure technique
and will hopefully be able to establish themselves as professional
singers. Marta Garcia Cadena, Eulalia Fantova and Sheila Grados
seem to be the most advanced so far and sport beautiful tone
and elegant phrasing. They are ably supported by pianist Alan
Branch, though I wonder whether he could have been able to
find more nuances in the music. It seems a bit four-square.
Anyway it is good to have these songs available complete and
the best way of enjoying them is undoubtedly to pick three
or four at a time. The recorded sound for the new items is
good without being exceptional and there was something sounding
like distortion in El mariner, which affected Marta
Garcia Cadena’s voice.
Texts are enclosed
but only in the original language. Victoria de Los Angeles’s
many admirers will no doubt want the disc but others should
try it as well for some finely shaped songs.
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