Sylvie Bodorová – a compact biography by 
                  Jiri tilec 
                 Worklist
                
Sylvie 
                  Bodorová (born 1954) studied composition at the Janáček 
                  Academy in Brno and later as a post-graduate at the Music Academy 
                  in Prague. She continued her studies in Gdansk and Siena with 
                  Professor Franco Donatoni at the Academia Chigiana. From 1987 
                  she regularly attended Ton de Leeuw's composition courses in 
                  Amsterdam. Her teaching honours include a spell at the Janáček 
                  Academy in Brno. In the 1990s she taught at CCM Cincinnati, 
                  Ohio where she was Composer-in-Residence in 1994-95 and 1995-96.
                Her works have, since the early 1980s, been performed 
                  in all the continents, even in the Antarctic where her Homage 
                  to Columbus for guitar was heard in 1997. Concerto dei 
                  fiori for Violin and Strings was premiered at Prague Spring 
                  Festival that year. The following year it was heard in the USA 
                  and at the Pontes Festival in Prague.
                She has received several competition prizes (Mannheim, 
                  Czech Radio Prague) and many prestigious commissions, amongst 
                  which is the 2001 Warwick Festival for the Piano Trio Megiddo. 
                  For the same festival she wrote the Terezin Ghetto Requiem 
                  for Baritone and String Quartet. This was for the Škampa Quartet 
                  in 1998. The Requiem was performed at Warwick and Leamington 
                  Festival in July 1998, at the Wigmore Hall in London in October 
                  1998 and again in Warwick in July 1999. Other UK festival performances 
                  followed. There were appearances for the work in Berlin on 8 
                  November 1999, in Halle, Theresienstadt, at the Prague Spring 
                  Festival 2000, and in Coventry and Huddersfield in November 
                  2000. 
                Her Ama me for Baritone and Piano followed 
                  in 1999, a year that also saw two major works: The Concierto 
                  de Estío for Guitar and Orchestra for Buenos Aires and, 
                  for Bochum in Germany, the Saturnalia for Orchestra. 
                
                After the great success of the Terezín Ghetto 
                  Requiem the International Festival Prague Spring commissioned 
                  the oratorio Juda Maccabeus for performance in St. Vitus 
                  Cathedral in May 2002. It has also been given at the Litomyšl 
                  International Festival in June 2002. 
                In 2003 Sylvie Bodorová completed Mysterium 
                  druidum for Harp and Strings – a work commissioned by the 
                  Tucson Chamber Music Festival in the USA. She finished Silberwolke 
                  – Concerto for Violin, Viola and strings for Camerata Bern in 
                  August-September 2005. This has been performed in Bern and in 
                  Germany.
                Her Piano Concerto was premiered in February 
                  2006. This was written for the Prague Chamber Philharmonic Orchestra 
                  and pianist Martin Kasík. Štefan Margita and Gabriela Beňačková 
                  were behind the Song Cycle Slovak Songs and they recorded 
                  it in 2006. Amor tenet omnia is a cycle of choruses on 
                  the texts from Carmina burana. The premiere of this work 
                  took place in Luxembourg and France in August 2007. The oratorio 
                  Moses was commissioned by the International Litomyšl 
                  Smetana Festival and premiered in 2008. In 2009 she wrote Carmina 
                  lucemburgiana for strings. It was commissioned by the Luxembourg 
                  government through its Embassy in Prague.
                Her worklist includes many compositions and arrangements 
                  for children. She is drawn to the music of Johann Sebastian 
                  Bach. A quotation from his choral Schmücke dich o liebe Seele 
                  appears at the end of Concerto dei fiori. Her tangy transcriptions 
                  of the Preludium in c major from the Wohl Temperiertes Klavier 
                  and of the Toccata d minor blend in gypsy and east European 
                  rhythms.
                Sylvie Bodorová was a member of Quattro – a Group 
                  of prestigious Czech composers comprising Otmar Mácha (1922–2006), 
                  Luboš Fišer (1935–1999) and Zdeněk Lukáš (1928–2007). 
                She has been heavily involved in the restoration 
                  of the Gustav Mahler birthplace in Kaliště.  
                Worklist 
                www.bodorova.cz