This new release from Divine Arts  twins
                    Vaughan Williams’ great Second Symphony, the 
London (revised
                    version), with the 
Celtic Dances by the Welsh composer,
                    William Mathias. Owain Arwel Hughes conducts the National
                    Youth Orchestra of Wales in extremely well-played and impressive
                    performances.
                
                 
                
                
                The 
London Symphony opens with
                    a great sense of atmosphere, and although this may not be
                    the most gripping, exciting and harrowing recording available,
                    it is nonetheless brilliantly performed.  Hughes keeps the
                    piece well-paced – neither rushing ahead, nor allowing the
                    orchestra to linger too much. The result is a very well-judged
                    and safe version, with admirable technical playing from the
                    orchestra. Unnecessary risks are avoided – just as one would
                    hope for and expect from a top youth orchestra.  This performance
                    also boasts an inspiring climax in the slow movement, with
                    radiant sound and a wonderful sense of wonder and awe. The
                    playing throughout is assured and confident – excellent.
                    The only small criticism one might make is that the sound
                    of the recording from St David’s Hall is possibly a little
                    boxy, and the strings are, on occasion, a little thin; not
                    quite as rich or sonorous as one might like.
                
                 
                
Mathias composed his 
Celtic Dances in
                    1972, saying that his new piece was “intended to evoke an
                    area of feeling largely associated with the mythological
                    past”. The four Dances that comprise the work are here given
                    accomplished performances. The music – sometimes sounding
                    a little more exotic than Celtic – is lively and engaging,
                    with a strong rhythmic drive and a great sense of fun – particularly
                    in the final movement, 
Allegro con slanico. This work
                    makes a good, strong ending to an excellent disc. 
                 
                
This is an admirable pairing and not just
                    for the sound rendition of the Vaughan Williams’ 
London Symphony,
                    but also for the unusual and pleasing addition of Mathias’s
                    winsome 
Celtic Dances to conclude the disc.
                 
                
                
Em Marshall