MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             


CD REVIEW

Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

Acte Prealable Polish recordings

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

TROUBADISC
Troubadisc Weinberg- TROCD01450

All Troubadisc reviews


FOGHORN Classics

Alexandra-Quartet
Brahms String Quartets

All Foghorn Reviews


All HDTT reviews


Songs to Harp from
the Old and New World


all Nimbus reviews



all tudor reviews


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Buy through MusicWeb for £13.50 postage paid worldwide.
You may prefer to pay by Sterling cheque or Euro notes to avoid PayPal. Contact for details

MusicWeb Purchase button

alternatively
Crotchet

 

Johann Sebastian BACH (1685-1750)
Goldberg Variations BWV988 (1741) [62:28]
Beth Levin (piano)
rec. live, Steinway Hall, NYC, April 2007 
CENTAUR CRC2927 [62:28]

 

 


 

 

 

 

 

 


Johann Sebastian BACH
(1685-1750)

Goldberg Variations BWV988 (1741) [49:34]
Chaconne from Partita in D BWV1004 arranged for piano in 1897 by Ferruccio BUSONI (1866-1924) [16:01]
Dong-Hyek Lim (piano)
rec. Henry Wood Hall, London, April 2008
EMI CLASSICS 2159782 [65:35]

Experience Classicsonline


Recorded a year apart these two releases join the seemingly unceasing flow of Goldbergs issued over the last few years. One was recorded live, the other in a studio. One derives from mature reflection; the other is a product of youth. One is rather brusquely recorded, the other is all plush and velvet.

Levin’s is the live recording, Lim’s the studio effort. Neither is satisfactory. Lim has clearly fixated on certain Gouldian externals but not yet assimilated the Canadian’s greater truths. The halo of lovely sound is undeniable – and un-Gouldian of course – but it serves no obviously higher purpose. This is warm rounded tone for its own sake. Lim’s approach to repeats is also inexplicable. Variation Seven is rather over romanticised and ends up, as does too much of the performance, lacking in colouristic range and subtlety. A regrettable side effect is the occasional rhythmic inertness that slips into the readings as well.  He leads into No.10 too quickly with pecking articulation. No.12 sounds rather bizarre, whilst 13 cements his fondness for romanticist introspection – with uneven tempi and rubati to boot.  16 doesn’t come to life, 17 is oddly phrased and 19 is pedantically done. One doesn’t want to condemn a clearly gifted young artist with cavalier suppositions but it really does sound to me as if, in No.20 (in particular, though it’s endemic throughout), he is simply enjoying the sounds he makes rather than the architectural or musical meaning behind them. I wrote “preening” in my notes; perhaps that’s unfair – perhaps not. No.28 is Gouldian, 30 is deadpan and the gap between these and the reprise of the Aria is too long and saps things entirely.

Levin studied with Rudolf Serkin. Her recording was made live with some attendant digital slips and a rather noisy piano action. Her approach to repeats is less haphazard than Lim’s though still not comprehensive. The Aria is slow but unmannered whereas No.4 is deliberately rhythmically retarded to an unusual degree. I find it shapeless and mincing. The most obvious slips are in No.5 and they cloud the passagework and tend to dictate the tempo. No.6 is gabbled and runs away with itself; the romantic phrase ends in 7 do sound mannered here. No.10 is deliberately ponderous but the effect is leaden and the rallentando ineffective. The voicings of the fourth Canon could be better distinguished and differentiated. And the fifth Canon seems almost to embrace Chopin harmonically. No. 18 (the sixth Canon) is dogged – I fail to engage with any of her playing of the Canons by the way – and No.20 sounds odd. No.29 however sounds plain bizarre in its Tureck-plus retardation.

Lim adds a substantial filler, a pell-mell and piecemeal Bach-Busoni Chaconne that obeys few architectural rules. Nothing else from Levin. Neither performance moved me at all. You can gauge my own views and prejudices from the above remarks and cut your cloth accordingly.

Jonathan Woolf

see also Review by Dominy Clements (Levin disc)


 


Advertising on
Musicweb


Donate and keep us afloat

 

New Releases

Naxos Classical
All Naxos reviews

Hyperion recordings
All Hyperion reviews

Foghorn recordings
All Foghorn reviews

Troubadisc recordings
All Troubadisc reviews



all Bridge reviews


all cpo reviews

Divine Art recordings
Click to see New Releases
Get 10% off using code musicweb10
All Divine Art reviews


All Eloquence reviews

Lyrita recordings
All Lyrita Reviews

 

Wyastone New Releases
Obtain 10% discount

Subscribe to our free weekly review listing

 

 


EXPLORE MUSICWEB INTERNATIONAL

Making a Donation to MusicWeb

Writing CD reviews for MWI

About MWI
Who we are, where we have come from and how we do it.

Site Map

How to find a review

How to find articles on MusicWeb
Listed in date order

Review Indexes
   By Label
      Select a label and all reviews are listed in Catalogue order
   By Masterwork
            Links from composer names (eg Sibelius) are to resource pages with links to the review indexes for the individual works as well as other resources.

Themed Review pages

Jazz reviews

 

Discographies
   Composer
      Composer surveys
   National
      Unique to MusicWeb -
a comprehensive listing of all LP and CD recordings of given works
.
Prepared by Michael Herman

The Collector’s Guide to Gramophone Company Record Labels 1898 - 1925
Howard Friedman

Book Reviews

Complete Books
We have a number of out of print complete books on-line

Interviews
With Composers, Conductors, Singers, Instumentalists and others
Includes those on the Seen and Heard site

Nostalgia

Nostalgia CD reviews

Records Of The Year
Each reviewer is given the opportunity to select the best of the releases

Monthly Best Buys
Recordings of the Month and Bargains of the Month

Comment
Arthur Butterworth Writes

An occasional column

Phil Scowcroft's Garlands
British Light Music articles

Classical blogs
A listing of Classical Music Blogs external to MusicWeb International

Reviewers Logs
What they have been listening to for pleasure

Announcements

 

Community
Bulletin Board

Give your opinions or seek answers

Reviewers
Past and present

Helpers invited!

Resources
How Did I Miss That?

Currently suspended but there are a lot there with sound clips


Composer Resources

British Composers

British Light Music Composers

Other composers

Film Music (Archive)
Film Music on the Web (Closed in December 2006)

Programme Notes
For concert organizers

External sites
British Music Society
The BBC Proms
Orchestra Sites
Recording Companies & Retailers
Online Music
Agents & Marketing
Publishers
Other links
Newsgroups
Web News sites etc

PotPourri
A pot-pourri of articles

MW Listening Room
MW Office

Advice to Windows Vista users  
Questionnaire    
Site History  
What they say about us
What we say about us!
Where to get help on the Internet
CD orders By Special Request
Graphics archive
Currency Converter
Dictionary
Magazines
Newsfeed  
Web Ring
Translation Service

Rules for potential reviewers :-)
Do Not Go Here!
April Fools




Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.