Brain
                        deserves his place in the 
Icon series by virtue
                        of his exalted status in the demanding ranks of solo
                        horn players. That said much of the material here is
                        of the EMI merry-go-round variety and will be over-familiar
                        to many. Which is not to decry its availability in this
                        four disc, very reasonably priced box. 
                      
                     
                    
                    
                    The
                        Brain/Karajan Mozart concerto cycle has long been a staple
                        of the catalogues. It’s currently available in a number
                        of guises from EMI’s own GROC incarnation and Naxos’ restoration
                        to an Andromeda transfer and things in between. A live
                        K447 with that masterful conductor Hans Rosbaud has shown
                        how much more flair and immediacy the less well known
                        collaboration was able to generate; and this despite
                        the critically accepted truism that the Karajan-Brain
                        partnership was a Rolls Royce affair. It is of course;
                        it’s just that I’d prefer to have heard Brain with Rosbaud
                        in all four (the Second Concerto also exists). 
                                             
                      
                      This
                        box however does include Brain’s first ever recording,
                        of the Fourth Concerto K495 in which Laurence Turner,
                        the Hallé Orchestra’s leader, conducts the finale (which
                        was recorded first) and Malcolm Sargent – who was late – the
                        remainder. It preserves the sound of the Raoux French
                        horn that Brain was later to lay aside in favour of the
                        wide-bore German; the Karajan sessions were made with
                        a German horn. The 1946 recording of the Second Concerto
                        K417 with Süsskind is another example of a congenial
                        partnership. Brain considered that some of his very finest
                        playing on disc came in the 1947 recording of Strauss’s
                        First Concerto with Galliera. Certainly the ebullience,
                        bravura, legato and tonal beauty are remarkable examples
                        of his art and this is an absolutely essential Brain
                        artefact. The rest of the first disc includes the Beethoven
                        sonata recording with Denis Matthews – splendid ensemble,
                        witty and wise phrasing. His Schumann with Gerald Moore
                        is mellifluous; the Wagner extract derives from the Instruments
                        of the Orchestra set presided over by Sargent. 
                                             
                      
                      The
                        second disc includes the Mozart Karajan performances
                        as well as the Quintet for piano and wind in E flat K452
                        where he’s joined by his Wind Ensemble and pianist Colin
                        Horsley.  The better-known recording is the Gieseking-Brain-Sutcliffe-Walton-James
                        one from 1955 but this earlier May 1954 recording is,
                        if less starry, probably better balanced as an ensemble. 
                                             
                      
                      The
                        third disc gives us a parade of great performances. The
                        1956 recordings of both Strauss concertos with Sawallich
                        are here. Brain had long since shifted to the German
                        double horn so interest accrues from hearing the tonal
                        qualities of the two horns in the First Concerto; the
                        earlier recording with Galliera was of the unrevised
                        work but with Sawallich Brain of course recorded the
                        revised version. The composer-conducted Hindemith was
                        a shoe-in for this set though its origins were problematic.
                        Brain was to have recorded it with Klemperer in 1954
                        but the two men didn’t get on at all and their attempt
                        at a recording broke down. The Berkeley Trio is more
                        evidence of his exploratory attitude to contemporary
                        compositions and his excellence in realising them.
                                             
                      
                      The
                        final disc gives us Eine Musikalischer Spass K522 with
                        Cantelli and colleagues Manoug Parikian and Neill Sanders.
                        As Heifetz once proved in private you have to be very
                        good to play this badly. The Gordon Jacob Sextet is another
                        example of the superior standards set by Brain’s own
                        Ensemble – not surprising given the names involved here;
                        Gareth Morris, Leonard Brain, Stephen Waters, Cecil James
                        and George Malcolm (on the piano). There are examples
                        from HMV’s History of Music in Sound album – Haydn and
                        Mozart’s K289 and the famous Hoffnung concert where Brain
                        played a hosepipe.
                                             
                      
                      Stephen
                        Pettit, Brain’s biographer, has compiled some relevant
                        booklet notes. The transfers are unproblematic, the box
                        sturdy and the price right. 
                                             
                      
                        
Jonathan
                            Woolf
                            
                            see also review by John Sheppard                    
                      
                    Track Details
                      Wolfgang Amadeus MOZART (1756-1791)
                      1. Horn Concerto No. 1 in D K412 [8:23]
                      2,3. Horn Concerto No. 2 in E flat K417 [2 versions – 13:00;
                      13:48]
4. Horn Concerto No. 3 in E flat K447 [15:45]; (5, 6) 
5,6. Horn Concerto No. 4 in E flat K495 [2 versions – 16:49; 16:02]
7. Quintet for piano and wind in E flat K452 [23:00]
8. Eine Musikalischer Spass K522 [19:23]; (9) 
9. Divertimento in B flat K270 (arr. Anthony Baines) [8:52]; (10) 
10. Divertimento in E flat K289 (Minuet and Adagio only) [5:52]
Richard STRAUSS (1864-1949) (11, 12) 
11,12. Horn Concerto No. 1 in Eb [2 versions – 14:56; 15:17]
13. Horn Concerto No. 2 in E flat [18:16]
Ludwig van BEETHOVEN (1770-1827)
14. Horn Sonata in F Op 7 [14:25]
Richard WAGNER (1813-1883)
15. Siegfried’s Horn Call [1:25]
Robert SCHUMANN (1810-1856)
16. Adagio and Allegro in A flat Op 70 [8:15]
Felix MENDELSSOHN (1809-1847)
17. Nocturne from “A Midsummer Night’s Dream” Op 61 [6:58]
Paul HINDEMITH (1895-1963)
18. Horn Concerto [14:56]
Lennox BERKELEY (1903-1989)
19. Trio for violin, horn and piano [26:22]
Carl Ditters von DITTERSDORF (1739-1799)
20. Partita in D (Minuet and Trio only) [2:46]
Joseph HAYDN (1732-1809)
21. Symphony No. 31 in D (“Hornsignal”) (first movement only) [3:40]
Jacques IBERT (1890-1962)
22. Trois Pièces Brèves [7:05]
Gordon JACOB (1895-1984)
23. Sextet for wind [20:45]
Paul DUKAS (1865-1935)
24. Villanelle [6:10]
Leopold MOZART (1719-1787)
25. Concerto for hosepipe and strings (Finale only) [1:41]
Performers 
Dennis Brain (horn and hosepipe) (1-25)
Hallé Orchestra (3): Philharmonia Orchestra (1-4,6,8,12,13,17,18): London Baroque
Ensemble ((20); Unnamed Orchestra (21); Morley College Symphony Orchestra (25)
Sir Malcolm Sargent (conductor) (3): Lawrence Turner (conductor) (3): Alceo Galliera
(conductor) (11); Paul Kletzki (conductor) (17); Herbert von Karajan (conductor)
(1,2,4,6); Wolfgang Sawallisch (conductor) (12,13); Paul Hindemith (conductor)
(18); Guido Cantelli (conductor) (8); Karl Haas (conductor) (20); Sir Jack Westrup
(conductor) (21); Norman del Mar (conductor) (25)
Denis Matthews (piano) (14); Gerald Moore (piano) (16,24); Colin Horsley (piano)
(7,19); Dennis Brain Ensemble (7,9,10,22,23); Manoug Parikian (violin) (19)