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Santander International Music Festival 2006 Manuel de FALLA (1876-1946)
“
Montañesa” from Four Spanish Pieces (1909) (arranged by Cándido
Alegría (1887-1976)) [5:34] Joaquín RODRIGO (1901-1999)
Concierto de Aranjuez (1938-9) [25:01] Sergei RACHMANINOV (1871-1943)
Symphony No 2 in E Minor Op 27 (1907) [60:01]
Maria Esther Gusmán (guitar)
Royal Orchestra of Seville/Pedro Halffter
rec. live, Palacio de Festivales, Santander, 10 August 2006 RTVE MUSICA
65272 [31:21 + 61:26]
This must have
been a very enjoyable occasion, as is clear from the applause
(there are no other obvious audience noises). There is a feeling
that the performers warm to their task during the evening – possibly
literally – and that the audience reciprocate accordingly.
In many ways it would be fairest to finish this review there,
but I must bear in mind that the listener to these two discs,
the first very poorly filled, will not be enjoying it in the
atmosphere of a Festival concert in an attractive location,
but in their own home with only the sounds of the CDs to connect
them to that occasion. It has to be said that on that basis
they are sound but unremarkable performances, without any particular
features to distinguish them from the large number of more
distinguished other performances of the two main works which
are available on CD.
The de Falla is
brief but enjoyable, the orchestration making it resemble Copland
on occasion. The Rodrigo is an attractive and idiomatic performance,
but not one that is especially memorable. The Rachmaninov is
more worth hearing, again well inside the idiom and with some
strong playing in the more strenuous passages. A few untidy
moments are of no great consequence. Although the first clarinet
sounds somewhat wooden in phrasing at the start of the slow
movement this does improve greatly in eloquence and intensity.
The first movement repeat is not taken, although I cannot imagine
that this is likely to make much difference in either direction
to intending purchasers. I would have preferred to have the
violins seated on opposite sides of the platform, as this helps
to clarify the musical line, but as the usual bunched arrangement
is almost universal this too is unlikely to make any difference.
I am sorry to have
to sound so grumpy and ungrateful about these discs. It is
obvious that this was an enjoyable concert when heard live,
and that the performances are never less than competent and
at times much more than that. I cannot however recommend them
for repeated listening except as a souvenir of the performers
or of this Festival event.
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