This is another in 
                Pentatone’s re-issues of relatively 
                well known ex-Polygram recordings put 
                out in SACD format. The Tchaikovsky 
                items were originally issued on a full 
                price Philips disc, coupled more sensibly 
                with further Tchaikovsky items conducted 
                by Davis but with the Royal Opera House 
                Orchestra. The Sibelius items were partially 
                available coupled with Davis’s Boston 
                recordings of the Symphonies on two 
                Philips Twofers. A more complete issue 
                of Sibelius’s minor works is now available 
                on a marvelous bargain-priced Australian 
                Eloquence disc; well worth seeking out. 
                review 
              
 
              
I find Pentatone’s 
                marketing logic pretty perverse as fans 
                of Tchaikovsky may not want the Sibelius 
                items and the same in reverse for Sibelius 
                fans. In addition these performances 
                of Tchaikovsky, whilst well liked as 
                performances, were not at all liked 
                from a recording perspective when they 
                were first issued on LP. Things looked 
                up somewhat when the CD was issued as 
                the recording then appeared much clearer. 
                Of course the performances were still 
                the same. 
              
 
              
The current issue is 
                a backward step from the original CD 
                as the sound, particularly in the 1812, 
                is muddy and the cannons at the end 
                are boomy, sounding artificial compared 
                with the ordnance on the Philips release. 
                And who on earth was the person who 
                seems to believe that Tchaikovsky asked 
                for small arms fire in addition to the 
                specified cannons and bells. This really 
                will not do! 
              
 
              
The recording dates 
                given are in error and the Tanglewood 
                Festival Chorus (who contributes to 
                the proceedings exceedingly well), are 
                not even mentioned in the recording 
                information. This is carelessness of 
                the first order. If Pentatone wishes 
                to charge full price for these issues, 
                they should be much more careful in 
                their presentation. 
              
 
              
As to the performances, 
                Davis’s Sibelius recordings with the 
                Boston Symphony Orchestra are certainly 
                rated above the later re-makes with 
                the LSO on RCA even given the later 
                recording dates. Anyone who likes these 
                American recordings will be well pleased 
                with this disc. However if they opt 
                for the much cheaper Eloquence issue 
                they will be overjoyed also to have 
                En Saga and Tapiola, both 
                in superb sound and performances. I 
                doubt that the so-called benefit of 
                SACD in this case offers anything over 
                and above the Antipodean disc. 
              
 
              
So, if you must have 
                this combination of items this is a 
                reasonable issue. Bear in mind though 
                the complete misconception at the end 
                of the 1812 together with a less 
                attractive sound than the earlier CD, 
                and the availability of the Sibelius 
                items on a competing bargain issue. 
              
John Phillips