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Dietrich BUXTEHUDE (1637-1707) O fröhliche Stunden, BuxWV 84 [6:05]
O dulcis
Jesu, BuxWV 83 [11:52]
Fried- und freudenreiche Hinfahrt, BuxWV 76: Contrapunctus
I [1:29] Was mich auf dieser Welt betrübt, BuxWV 105 [1:29]
Fried- und freudenreiche Hinfahrt, BuxWV 76: Contrapunctus
I (Evolutio) [1:32] Schaff in mir, Gott, BuxWV 95 [7:07]
Fried- und freudenreiche Hinfahrt, BuxWV 76, Teil II: Klag-Lied
[7:11] Gen Himmel zu dem Vater mein, BuxWV 32 [8:15]
Fried- und freudenreiche Hinfahrt, BuxWV 76: Contrapunctus
II [1:22] Singet den Herrn, BuxWV 98 [9:15]
Fried- und freudenreiche Hinfahrt, BuxWV 76: Contrapunctus
II (Evolutio) [1:25] Sicut Moses exaltavit serpentem, BuxWV 38 [4:12]
Emma Kirby
(soprano); John Holloway (violin); Manfredo Kraemer (violin);
Jaap ter Linden (viola da gamba); Lars
Ulrik Mortensen (harpsichord, organ)
rec. 1-4 November 1996, Stokkemarke Church, Denmark NAXOS 8.557251 [72:18]
Previously
issued on Dacapo 8.224062, this is an outstanding celebration
of some important aspects of Buxtehude’s very considerable
genius. Admirers of Buxtehude – or, indeed, of Emma Kirkby,
who don’t already have this CD in their collection should
rapidly take the opportunity to acquire it.
Buxtehude’s
vocal music, for all its surely undeniable quality and interest,
still seems to take second place, in terms of esteem, to
his writing for the organ. I have no wish to denigrate the
organ music. As a student I once walked seven miles home
through the night after listening to a Buxtehude recital
which finished after my last bus had left – not quite on
a par, I admit, with Bach’s legendary walk of 280 miles from
Anstadt to Lübeck to hear Buxtehude play in 1705 (see Kerala
J. Snyder’s ‘To
Lübeck in the Steps of J. S. Bach’, The
Musical Times, Vol. 127, No. 1726, Dec., 1986, pp. 672-677),
but very well worth it. The vocal music, at its best, merits
a similar degree of devotion and in Emma Kirkby and her accompanists
it finds utterly persuasive advocates.
Enough
has been said over the years about Kirkby’s voice, and the
few listeners who seem to have an aversion to it will doubtless
know to steer clear of this. For many of the rest of us,
the extraordinary intelligence of Kirkby’s interpretation
of text, the way she can bring to life both words and music
by the sheer perceptiveness of her ‘reading’ of how the two
interact, has been one of the great pleasures of the Early
Music revival of recent decades. Here she sings with both
her usual clarity and precision and an expressive subtlety
that is a joy to listen to, aided as it is – and doubtless
stimulated by – the expert work of John Holloway, Manfred
Kraemer as solo and duet violinists and the vital and unexcessively
colourful continuo work of Jaap ter Linden and Lars Ulrik
Mortensen. These are musicians who have often worked together,
and their intuitive ease in one another’s company is evident
in everything that they do.
All
but two of the works performed here are preserved in manuscripts
copied at the Swedish royal court and now preserved in the
University Library in Uppsala. The many highlights of the
disc include the marvellously joyful Easter aria ‘O fröhliche
Stunden, / O fröhliche Zeit’ which opens the programme and
which ends with an exuberantly florid Amen in which one hears
Kirkby at something like her best; the vocal concerto, ‘Gen
Himmel zu dem vater mein’, which sets the last two verses
of Luther’s chorale ‘Nun freut euch lieben Christen g’mein’,
verses on the Ascension of Christ which provoke music of
rapturous beauty from Buxtehude, in which voice and violins
interact to wonderful effect. ‘O dulcis Jesu, / o amor cordis
mei’ is a gorgeous piece, imbued with the spirit of love
for Christ, calling for – and getting – a degree of almost
Italianate virtuosity from the soloist; ‘Sicut Moses exaltavit
serpentem’ is based on the Gospel for Trinity Sunday and
gives particular opportunity for the violins of Holloway
and Kraemer to hold centre-stage – theatrical metaphors don’t
seem out of place for much of this music.
The
recorded sound is all that one requires and there are good
booklet notes by the Buxtehude Scholar Kerala J. Snyder.
Texts and translations are not included, but can be accessed
via the Naxos website. So far as I remember a further volume
of Buxtehude vocal music by these forces was issued on Da
Capo; I look forward to that making its return on Naxos too.
Glyn Pursglove
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