Classics 
                  for Pleasure is getting hold of some great digital material 
                  nowadays to supplement the trusty analogue back catalogue. 
                
              
The 
                Chilingirian Quartet is one of the best British quartets of the 
                last 30 years or so. They have recorded fairly extensively for 
                British labels, including CRD, Chandos and Hyperion. Their EMI 
                discography is not huge, but it includes these 1983 performances 
                of the Debussy and Ravel quartets as a foretaste of their later 
                successes for Hyperion with Chausson and D'Indy, 
                and Hahn 
                and Vierne. 
              
Both 
                  the Debussy and the Ravel quartets receive bold, strong readings 
                  from the Chilingirians. The Debussy is especially ardent and 
                  virile, not at all the delicate wash you may expect. There is 
                  tenderness in the slow movement though. Philip De Groote's gutsy 
                  cello is especially distinctive, a rock solid voice that underpins 
                  the performance.
                
The 
                  Ravel receives a more conventional reading. The famous pizzicato 
                  second movement is light and sprightly, with strong rhythmic 
                  pointing. Levon Chilingirian's tone in the big sweeping violin 
                  statement in this movement is not as sweet as some, but his 
                  intensity is winning. Tempi are well chosen throughout and ensemble 
                  is tight.
                
These 
                  performances compare well with my reference recording from the 
                  Alban Berg Quartet, also on EMI. 
                  The Chilingirians do not match their Austrian colleagues in 
                  sheen and sheer dazzle, but they do not aim to. Their readings 
                  of these quartets are more red-blooded, making these performances 
                  excellent alternative accounts for the library, though they 
                  remain idiomatic enough to be a good recommendation for new 
                  initiates. 
                
Classics 
                  for Pleasure has taken these excellent performances, and framed 
                  them with some complementary tracks from the same composers. 
                  The Debussy quartet is preceded by a tiny work for flute. Debussy 
                  wrote Syrinx as incidental music to Psyché, a 
                  play by Gabriel Mourey. Designed to evoke Pan's flute, it receives 
                  a strong rather than a languid performance from Philippa Davies. 
                
At 
                  the other end of the disc comes the glitter and shimmer of Ravel's 
                  Introduction and Allegro. At its heart this is a showpiece 
                  for harp and Markus Klinko and his six supporting artists from 
                  the Orchestre de l'Opéra de Paris Bastille do not disappoint.
                
              
At 
                the Classics for Pleasure price, this is a bargain.
                
                Tim Perry