MusicWeb International One of the most grown-up review sites around 2023
Approaching 60,000 reviews
and more.. and still writing ...

Search MusicWeb Here Acte Prealable Polish CDs
 

Presto Music CD retailer
 
Founder: Len Mullenger                                    Editor in Chief:John Quinn             

CD REVIEW



Some items
to consider

new MWI
Current reviews

old MWI
pre-2023 reviews

paid for
advertisements

 

Forgotten Recordings
Forgotten Recordings
All Forgotten Records Reviews

 


Songs to Harp from
the Old and New World


all Nimbus reviews

 


Follow us on Twitter


Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Editor in Chief
John Quinn
Contributing Editor
Ralph Moore
Webmaster
   David Barker
Postmaster
Jonathan Woolf
MusicWeb Founder
   Len Mullenger



alternatively AmazonUK   AmazonUS

 

 

Franz LISZT (1811-1886)
Hungarian Rhapsodies Nos.1-14

Hungarian Rhapsody No.1 in E major [10:22]
Hungarian Rhapsody No.2 in C sharp [7:05]
Hungarian Rhapsody No.3 in B flat minor [4:03]
Hungarian Rhapsody No.4 in E flat minor [4:20]
Hungarian Rhapsody No.5 in E minor Héroïde-élegiaque [4:21]
Hungarian Rhapsody No.6 in D flat [5:51]
Hungarian Rhapsody No.7 in D minor [4:33]
Hungarian Rhapsody No.8 in F sharp minor Capriccio [5:06]
Hungarian Rhapsody No.9 in E flat major Carnaval de Pesth [9:22]
Hungarian Rhapsody No.10 in E major Preludio [4:46]
Hungarian Rhapsody No.11 in A minor [4:44]
Hungarian Rhapsody No.12 in C sharp minor [7:55]
Hungarian Rhapsody No.13 in A minor [7:22]
Hungarian Rhapsody No.14 in F minor [7:01]
Marche de Rákóczy in A minor [2:47]
Hungarian Rhapsody No. 2 in C sharp [7:49]
Hungarian Rhapsody No.14 in F minor [8:33]
Concerto Pathétique in E minor for two pianos, four hands [8:33] +
Mark Hambourg (piano)
Michal Hambourg (piano) +
rec. London 1926-34
APR 7040 [66:13 + 58:11]

 


This is the first reissue of Mark Hambourg’s cycle of the Liszt Hungarian Rhapsodies. The two CDs also contain variant performances – the 1926 recording of No.2 as well as the 1932 replacement, the 1929 No.14 and the 1933 traversal that superseded it. There’s also the 1927 Marche de Rákóczy and the scintillating performance, with his daughter Michal, of the Concerto Pathétique.

Bryan Crimp speculates that the intention to record a complete cycle formed with the opening of the Abbey Road studios in 1931. Up to that point Nos. 2, 8, 10, 11, 12 and 14 had already been recorded – as we’ve seen Nos. 2 and 14 were re-recorded to bring them into sonic contention with the newer recordings, though the others were considered acceptable.

Although admired by his contemporaries Hambourg tended to be written down as an executant. Though it’s undeniably the case that he was not an infallible finger technician his bravura sense of projection and drama usually compensated for any smudges or flurries. Certainly the rippling delicacies of the E major, coursing with Olympian rubato, make for a most engaging start. Cimbalom effects are always to the fore in his performances – and note too that the later recording of No.2 is somewhat tighter than the earlier 1926 early electric. It’s hardly note perfect but it is genuinely exciting. 

Try the volcanic paraphrases of Hambourg’s way with No.5 in E minor where the concluding flourishes are a whirl of driving passion. Or the treble flecked figuration of No.6 with those dancing figures so saturated in heartfelt personality and his characteristically personalised sonority. Yes, No.9 is splashy but it’s also vigorous and alive – though one should add that where Hambourg tends to be marked down technically he’s not sufficiently marked up tonally. 

Bryan Crimp’s excellent transfer work does well by these sides and there are gratifyingly full discographic details – and I mean FULL. 

By the way for those interested you might like to consider Arbiter’s The Hambourg Legacy (see review).

Jonathan Woolf 


 

 


Gerard Hoffnung CDs

Advertising on
Musicweb



Donate and get a free CD

 

New Releases

Naxos Classical


Nimbus Podcast


Obtain 10% discount


Special offer 50% off

Musicweb sells the following labels
Acte Préalable
(THE Polish label)
Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
   
Rob Barnett
Senior Editor
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
Editor in Chief
   Vacant
MusicWeb Webmaster
   David Barker
MusicWeb Founder
   Len Mullenger

 

Return to Review Index

Untitled Document


Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.