This coupling was 
                predictable after SRCD 
                249 pairing the first two symphonies 
                but this disc is even more successful 
                than its predecessor. 
              
 
              
The Piano Concerto 
                was written for Colin Horsley whose 
                recording of the John Ireland concerto 
                is on EMI Classics. The concerto 
                is purposeful and sufficiently romantic 
                to hold at bay the composer’s dangerous 
                tendency to frivolity or Parisian cleverness 
                that damages appreciation of the symphonies. 
                In fact Berkeley finds here the sort 
                of grandeur that makes his works of 
                the 1930s and 1940s so attractive. David 
                Wilde's playing was praised by the composer 
                and we are fortunate to be able to hear 
                it now. The cut-glass 1940s Rachmaninov-style 
                romanticism is offset by Berkeley's 
                lucidity of expression and orchestration. 
                The middle movement cools the ardour, 
                is hesitant, yet controlled and romantic 
                rising to briefly scudding grey clouds 
                at 5:29. The finale is gawky and angular, 
                recalling the Ravel G minor and Rachmaninov's 
                Fourth Piano Concerto. I am bound to 
                muse: what would Arturo Benedetti-Michelangeli 
                have made of this? 
              
 
              
We switch forces for 
                the Two Piano Concerto and move a decade 
                forward in time. It was premiered in 
                1958 by Sellick and Smith. Angularity 
                is in the ascendant as is a modest dissonance 
                of the sort encountered in Britten's 
                Diversions. The work is in two 
                movements: the first 8:01 the second 
                24 minutes comprising a Theme and (11) 
                inventive Variations. It's just a pity 
                that the variations were not separately 
                banded. The theme shares elements of 
                Bobby Shaftoe and the hymn tune 
                Westminster Abbey. 
              
 
              
Berkeley's two piano 
                concertos finely performed and recorded 
                - the first a serious work; the second 
                in the nature of a mercurial diversion. 
              
Rob Barnett  
              
                
                Also Available 
                SRCD.226 
                Berkeley conducts Berkeley 
                SRCD.249 
                Berkeley Symphonies Nos. 1 & 2 
              
  
              
Lyrita 
                Catalogue