Music 
                  has always been at the heart of Salvation Army worship and this 
                  disc enhances the tradition. The Bellshill band was formed in 
                  1921 and has steadfastly supported the worship and ministry 
                  of the Corps. When one considers that the musicians are 'amateurs' 
                  the playing is of a truly high standard consistent with the 
                  usual level of Army worship. 
                
This 
                  is the band's third CD following on from the success of their 
                  previous two - 'Call of the Righteous' (February 2005) and 'Christmas 
                  Praise' (December 2006). 
                
The 
                  disc combines the Salvation Army musicals of Gowans and Larsson 
                  with those of Andrew Lloyd-Webber and it works very well. The 
                  Lloyd-Webber numbers feature love songs from his musicals which 
                  have a religious meaning. 
                
All 
                  the tracks are 'easy listening' with many recognisable melodies. 
                  In fact they complement each other so well that one could be 
                  hard-pressed to find  the distinction between sacred and secular. 
                
'To 
                  A God Like This' provides an inspirational start to the CD and 
                  lifts the spirits immediately. The flügel horn soloist Lynn 
                  Shanks on 'I Don't Know How To Love Him' is competent but perhaps 
                  a little flat in intonation. 
                
On 
                  Track 6 I was completely taken aback by an anomaly. The song 
                  'wishing You Were Here Again' from Phantom is sung by Gemma 
                  Gunn. However expecting the backing of the band, this turns 
                  out to be an orchestral arrangement. I do wish some credit 
                  could be given to the musicians. 
                
I 
                  enjoyed Track 9 - 'burning Burning'. This seems entirely appropriate 
                  to an album full of spirituality such as this. The voice of 
                  Olwyn Mathie is very pure but she does not need to add the American 
                  inflections. 
                
The 
                  highlight of the album is Track 10 - 'Aspects Of Andrew Lloyd-Webber'. 
                  This arrangement works well for Concert band but having heard 
                  this played by the Bellshill Band, it works equally as well 
                  as a Brass arrangement. There is some impressive euphonium playing 
                  in 'Variations'. 
                
              
A 
                medley of melodies concludes the album in a selection from 'take-Over 
                Bid' by John Larsson. Full of well-known hymn tunes it provides 
                a fitting conclusion to a disc that is truly inspiring. 
                
                Lynda Baker